Movies that tell or teach you something?

[America2]

Alot of action movies I've seen over the last 15-20 years have shown these images when they would show explosions. "Blown Away"(1994 Jeff Bridges/Tommy Lee Jones movie wasn't exactly NWO, but one of the explosion scenes was just this, and the filmmakers fixated the audience on this scene too). "True Lies"(1994 Arnold movie, which was of course NWO - even ONE MINOR explosion looked like this mushroom). More Predictive Programming for a Nuke WW3 possibly?

[Bash Riprock]

Just watched 'The International' DVD. Not only is it one of the best suspense/action movies so far this year, it's highly intelligent and exposes the International Banking establishment for what they are. Listening to the Director's commentary on the DVD, I'd love for Alex to have them on the show. They continued to talk about how there IS A BANKING ELITE that behaves much like the 'fictional' bank portrayed in this movie.

Here's a sloppy cut from the movie of the Italian Presidential candidate speaking candidly about how the banks use Debt to Enslave people, moments before he's assassinated.

http://www.youtube.com/watch?v=JIK9fKlKn4Q

[Southern Patriot]

Did anyone mention any of the Bourne movies yet?

[Dig]

could this be what is in our future? alot of what is in this movie is already happening, could this be what the NWO is pushing for? the change they are talking about?

"THE INHABITED ISLAND" part 1

http://freemovieschoice.com/the-inhabited-island-2008-t4982.html?t=4982&highlight=Inhabited+Island

"THE INHABITED ISLAND: FIGHT" part 2

http://freemovieschoice.com/the-inhabited-island-fight-2009-t6277.html?s=bc0f8fe9916abc015d68886dd0c772f3&


Plot summary

The film is set in the year 2157. The main character, Maxim Kammerer (Stepanov), is a space pilot of the Free Search Group on a voyage to a planet. His spaceship is damaged and he crash lands on an unknown planet. His ship explodes shortly after he crawls out of it, and he is shortly discovered by Zef (Garmash) and arrested. Guy Gaal (Fyodorov) was appointed to escort him. As they are making their way back to the capital by train, they are attacked by the so-called "degenerates". The degenerates attack the military convoy and destroy a nearby tower, which Guy says is part of a missle defense network.

Maxim demonstrates great physical prowess during the attack, and is quickly conscripted into the military when he arrives at their camp. He learns that this is the planet Saraksh, and that the country in which he has landed is governed by a militaristic dictatorship, ruled by the so-called Unknown Fathers. Two times each day, most of the entire population is stirred into a patriotic frenzy while a minority of citizens experience intense pain and convulsions. Maxim and his friends quickly realize that he is somehow immune to these effects, both the frenzy and the pain.

Maxim lives briefly in the city, serving with Guy and falling in love with his sister Rada (Snigir). He repeatedly asks questions about the ongoing war, trying to determine who exactly the enemy is and why they are fighting. After Maxim refuses to execute a group of captured degenerates, he is shot several times and left in the woods. Maxim recovers and joins a group of degenerate fighters.

During his time with the degenerates, Maxim learns true nature of the system of towers which covers the country. Said by the state propaganda to be a defense network, the towers actually function as a network of mind control devices, ensuring the citizens' loyalty to the state. The degenerates, as well as the Unknown Fathers, are that part of the population which are not controlled by the towers; instead, they experience bouts of extreme pain each day. Both the degenerates and the Fathers seek to recruit Maxim, who experiences neither the pain nor the control of the towers. Maxim also learns that the degenerates do not seek to dismantle the system of towers, but plan to overthrow the Fathers and use the mind control system for themselves.

After fighting alongside the degenerates in one attack on one of the towers, Maxim is captured again by the military, and this time sentenced to prison labor. Maxim decides that neither the degenerates nor the Fathers deserve his allegiance. While out working in the woods, Maxim and two other prisoners find an abandoned power transmission station. While exploring the underground station, Maxim encounters the golovans, a race of seemingly wild dog-like creatures who attack the prisoners. Maxim suspects that they may be sentient and highly intelligent.

After leaving the underground station, Maxim manages to capture a mechanized tank which attacks the prisoners in the woods. Maxim drives this tank to the edge of the country, where he again meets Guy serving at a border station. He takes Guy with him, and then heads south in search of help from the neighboring nations.

I have heard unbelievable things about this movie

[Dig]

Here are a few I recommend:

The Grapes of Wrath (Great John Ford film from 1939 starring Henry Fonda. Based on John Steinbeck's depression era novel about a family of Oklahoma farmers kicked off their land, and their journey to California to find work as farm hands. Very moving. Shows how some people are decent in hard times and do the right thing by other people, while others sell out and join the winning team. Very timely even today. ) - http://www.youtube.com/watch?v=PpPSIF8zIHo&feature=related

JFK  (Oliver's Stone's masterpiece on the JFK assassination. Based on the investigation of New Orleans District Attorney Jim Garrison, who brought CIA contract operative and Director of the International Trade Mart of New Orleans Clay Shaw to trial in the late 1960's. The film is an amalgamation of facts, theories, real life characters, composite characters, speculation. Stone took many liberties with the material to get as much info into the film as he could, and to make it into a compelling and entertaining movie as well. For this he was viciuosly attacked by all the major news media organs in the U.S. who claimed that the film is almost entirely inaccurate. The fact is that the film is far more accurate than the official lone gunman theory that the major news media still pushes to this day) - http://www.youtube.com/watch?v=3sOX7AViZek

Nixon (Stone's last great movie, I think. It's an attempt to get inside Nixon's mind and try to understand what made him tick. Anthony Hopkins does not really look or sound like Nixon, but his performance was not intended to be an impersonation anyway, but more like an attempt to capture the esscence of the man and try and understand the terrain of his mind. Stone explores all the conspiratorial aspects of Nixon's rise and fall from government power (CIA operatives E. Howard Hunt, Frank Sturges involvement in Watergate break in and blackmail of Nixon; Nixon's suspicions of possible CIA/Bay of Pigs involvement in JFK hit; Meetings in Dallas with sinister Texas oil tycoons before and after JFK assassination, etc.) Also movingly explores Nixon's somewhat tragic childhood with death of two brothers and stern upbringing by puritanical Quaker parents. Some said Stone was too sympathetic in his portrayal. Critic Roger Ebert wrote that "this would still be a great movie even if Nixon never existed." He was right, but the film is still pretty accurate in it's facts. Highly recommended). - http://www.youtube.com/watch?v=t1j65Um0TNk

The Conversation ( Francis Ford Copolla made this one in between the two Godfather films. He has said it is his favorite of his films. Starring Gene Hackman as surveilance expert Harry Caul, who takes a job from shadowy business man to track and record the conversations of his young wife with another man. When Caul begins to fear that his work will result in the death of the two young people he descends into a nightmare in which he must confront his own demons as well as the sinister and mysterious implications of his most recent assignment) - http://www.youtube.com/watch?v=xSP2fO-wcTE&feature=related

The Magnificent Ambersons (Orson Welles mutilated masterpiece from 1942. Made just after Citizen Kane, Welles adapted Booth Tarkington's novel about the waning halcyon days of a wealthy Indiana family at the turn of the 19th century. As the industrial revolution changes the landscape with factories, paved streets and automobiles, the fortunes of the celebrated Amberson family decline as the father dies and leaves massive debts in his wake. The film is a sad and beautiful meditation on the passing away of an idylic and innocent era. Great performances by Tim Holt as the spoiled and unworldly George Minifer Amberson, whose secure and pampered existance fades away with the family fortunes; Agnes Moorehead as the tragic spinster Aunt Fanny who sadly and vainly chases after successful automobile entrepeneur Eugene Morgan played by Joseph Cotton, et al. Studio execs at RKO had many scenes cut and had a bittersweet ending tacked on to replace Welle's uncompromisingly sad ending after negative audience previews. Many thought it too depressing.  The film unfolds with an ever increasing sense of melancholy as the old world of the family's past glory fades further away into the misty realms of memory. It is as if we are watching them in the process of dying and becoming ghosts. And truth be told, isn't that the story of us all?) - http://vids.myspace.com/index.cfm?fuseaction=vids.individual&videoid=13411051

excellent summaries and picks, also everyone please watch citizen kane ASAP! all I want you to see are the scenes. movies will no longer show those scenes.

the public is no longer allowed to see the total and complete decadance of the elite.  I saw it recently and it is truly shocking. the just unbelievable gore of wealth for only one person, it is paradigm shifting.  they all talk on tv about millionaires and multimillionaires, but the elites are in a complete world beyond all of this and Orson Welles pierces through the stained glass windows to peek inside and share it with the world.  He saw something that scared him and he brought it to us and then they ruined him, completely ruined him. So watch this gift to humanity he made whenever possible, it is all he wanted, that his exposure of this feudalism in America be seen by Americans (and others) who have no idea that we are slaves and who our owners truly are.

Also to understand just a bit about what was going on in the background for Wells to get Cit Kane done, watch RKO 281. Here is the script: http://www.dailyscript.com/scripts/RKO218.html

Not an easy find anymore in English (although the Spanish and French are easily available)

[nofakenews]

excellent summaries and picks, also everyone please watch citizen kane ASAP! all I want you to see are the scenes. movies will no longer show those scenes.

the public is no longer allowed to see the total and complete decadance of the elite.  I saw it recently and it is truly shocking. the just unbelievable gore of wealth for only one person, it is paradigm shifting.  they all talk on tv about millionaires and multimillionaires, but the elites are in a complete world beyond all of this and Orson Wells pierces through the stained glass windows to peek inside and share it with the world.  He saw something that scared him and he brought it to us and then they ruined him, completely ruined him. So watch this gift to humanity he made whenever possible, it is all he wanted, that his exposure of this feudalism in America be seen by Americans (and others) who have no idea that we are slaves and who our owners truly are.

Also to understand just a bit about what was going on in the background for Wells to get Cit Kane done, watch RKO 281. Here is the script: http://www.dailyscript.com/scripts/RKO218.html

Not an easy find anymore in English (although the Spanish and French are easily available)

Yeah it was good sane and I would recommend another that you can still get called Equilibrium and is very telling for this moment in time.

In a futuristic world, a strict regime has eliminated war by suppressing emotions: books, art and music are strictly forbidden and feeling is a crime punishable by death. Cleric John Preston (Bale) is a top ranking government agent responsible for destroying those who resist the rules. Whe he misses a dose of Prozium, a mind-altering drug that hinders emotion, Preston, who has been trained to enforce the strict laws of the new regime, suddenly becomes the only person capable of overthrowing it. Written by Anonymous

At the end of World War III, the world fell under the control of Father and the Tetragrammaton: a government that outlaws all forms of art and emotion. Citizens are forced to take drugs that eliminate emotions. However, "Sense Offenders": citizens who resist the laws and operate underground are continually at war with the Tetragrammaton. John Preston is a Cleric, an elite super-soldier who's mission is to hunt down and eliminate Sense Offenders with the help of a ruthless police force. One day, Preston accidentally breaks his morning dose of emotion suppressant drug and begins to feel. Soon, he begins sympathizing with the Sense Offenders and begins to understand the beauty of feeling... A beauty that the government, in which Preston spent his life serving, would like to see destroyed. Written by redcommander27

In the future, after the Third World War, the world is ruled by a totalitarian and fascist society with the leadership of 'The Father'. Arts, music, books, luxury and feelings are not acceptable, and persons uses a drug called 'Prozium' in a daily basis to repress their feelings and feel happy. The opponents to this new world are called offenders and they form the underground resistance to the system, who are destroyed by very-well trained and powerful agents called 'The Clericks'. John Preston is one of this agents, and his life changes when he misses his daily dose of 'Prozium'
http://www.imdb.com/title/tt0238380/plotsummary

[Dig]

Yeah it was good sane and I would recommend another that you can still get called Equilibrium and is very telling for this moment in time.

In a futuristic world, a strict regime has eliminated war by suppressing emotions: books, art and music are strictly forbidden and feeling is a crime punishable by death. Cleric John Preston (Bale) is a top ranking government agent responsible for destroying those who resist the rules. Whe he misses a dose of Prozium, a mind-altering drug that hinders emotion, Preston, who has been trained to enforce the strict laws of the new regime, suddenly becomes the only person capable of overthrowing it. Written by Anonymous

At the end of World War III, the world fell under the control of Father and the Tetragrammaton: a government that outlaws all forms of art and emotion. Citizens are forced to take drugs that eliminate emotions. However, "Sense Offenders": citizens who resist the laws and operate underground are continually at war with the Tetragrammaton. John Preston is a Cleric, an elite super-soldier who's mission is to hunt down and eliminate Sense Offenders with the help of a ruthless police force. One day, Preston accidentally breaks his morning dose of emotion suppressant drug and begins to feel. Soon, he begins sympathizing with the Sense Offenders and begins to understand the beauty of feeling... A beauty that the government, in which Preston spent his life serving, would like to see destroyed. Written by redcommander27

In the future, after the Third World War, the world is ruled by a totalitarian and fascist society with the leadership of 'The Father'. Arts, music, books, luxury and feelings are not acceptable, and persons uses a drug called 'Prozium' in a daily basis to repress their feelings and feel happy. The opponents to this new world are called offenders and they form the underground resistance to the system, who are destroyed by very-well trained and powerful agents called 'The Clericks'. John Preston is one of this agents, and his life changes when he misses his daily dose of 'Prozium'
http://www.imdb.com/title/tt0238380/plotsummary

yup, they stopped distribution and it was not seen by many but it is very highly recommended and reveals the truth about humanity.  we adapt to their control grids and they will never beat the human spirit. they have failed and are just running their BS projects anyway.

[Dig]

ok, this is going to get a little deep and I never understood the movie when I first saw it, but a guy writing a treatise on why this movie (the hunted) would make for an educational interactive video game actually reveals some very important drops of knowledge concerning the society we find ourselves in.  Here is the treatise:

Premise: The Key to Interactive Storytelling [04.03.07]
http://www.gamecareerguide.com/features/357/premise_the_key_to_interactive_.php?page=7
- Stephen Schafer



Quandary

In The Hunted, the protagonist faces a series of three primary quandaries. Each quandary is related to the established premise, and together they represent a sequence of increasingly difficult choices for the protagonist. Resolutions of these quandaries could represent winning choices to be made at various levels of a game. If the player avoids making the choices s/he does not progress. Instead, game play would segue into parallel choice sequences that always return to the affective choice that must be made to continue the game.
The choice to hunt a student he trained to kill because the student had killed hunters.
The choice to hunt a killer (a son much like the father in terms of values and skills) because the police are hunting his son for the purpose of murdering him. The moral distinction is that the police are intending to kill out of a sordid desire for revenge, but the assassin killed as a matter of survival. The protagonist says to the FBI, "You have to decide how high you are willing to take the body count if you let these guys declare war on my boy." In this case, the motives of the police parallel the motives of the hunters who kill without a sense of the sacred.
The choice to sacrifice his son to prevent the murder of his son.

Themes and Scenes

In The Hunted, each of a variety of themes is consistent with the purpose and premise of the story. All of them have to do with variations on the definition of sacrifice.
Serbs hunting Albanians (slaughter of everything-genocide)
Covert assassins hunting Serb leader because he is murdering the innocent Albanians
Deer unters hunting animals (Physically, humans are animals.)
Deer hunters "sweeping" animals
Assassin hunting and killing hunters because they murder animals
Police hunting assassin to kill him like an animal
Father hunting son to keep him from being murdered

The following scene sequence illustrates how each scene is relevant to the purpose and premise of the story. Each scene may be logically tested as to its order and relevance, and (as game play) the scenes disclose a sequence of choices that lead skillfully to the principle quandaries.
Albania: Serbian massacre of innocent Albanians
Albania: Assassin kills Serbian general who is a murderer
Woods: Assassin kills hunters who do not cherish the lives of the animals they hunt any more than the Serbs cherished the lives of the Albanians, "I think I'm losing it." (Losing the sense of the sacred?)
Tracker saves white wolf, symbolic of his sense of the sacredness of life
Tracker finds the hunters who set the snares, and deals with them harshly, demonstrating the consonance of ethical premise for both father and son.
Tracker is asked and agrees to hunt his student after seeing photos of the hunters that the student/son slaughtered. The trainer senses that something is wrong. "No one would butcher human animals unless they intended to eat them." (A perversion of sacred killing?)
The tracker tracks and finds the assassin. They fight to establish relationship and equation of skills and values.
Assassin wins fight, but he is captured.
Agents ask the tracker, "One of yours?" He answers in the affirmative
Interrogation of Assassin; establishes his values. He asks, "What would humans do if a higher order had no respect for them?"
Assassin wants to tell about (confess) covert operations that he has taken part in.
Assassin taken by CIA to prevent him from telling the truth.
CIA agents are extreme examples of murderers. They are like the higher order that has no respect for human life (They are eager to kill their own operative in order to conceal their own murderous acts.). They are also liars, claiming a caring for innocent lives, but having none.
Assassin kills the CIA murderers and escapes
Children playing hide-and-seek scene in airport. Tracker helps a little girl find her playmates. This symbolizes his desire (like the desire of his "son") to confess about murder in which he has been indirectly complicit. The tracker sees TV coverage of the accident in which the assassin has escaped.
Tracker joins police as they begin the hunt for the assassin
Assassin kills FBI hunters (survival)
Police hunt the assassin (for revenge); female FBI agent puts on the mask of mother-as-Kali, the destroyer who crushes her children under her wheel of life
Tracker hunts assassin to prevent his murder by police; he takes on the mask of father-as-spirit
He sets aside his fear of heights; spirit can't be afraid of heights
He finds his son, but the son is successful in making the father realize his worst fears. The son pushes the father off a cliff. He falls from the heights, but is able to survive the situation (symbolic of overcoming limitation prior to final test).
Tracker now knows he has to sacrifice his son because his son will righteously fight him to the death
The fight between father and son
Son sacrificed by father
Next to last scene stare-down between the cold eyes of the murderer (mother as Kali, the great destroyer instead of the true mother as nurturer that takes her children back into her womb after death) who has failed and the father-spirit-sacrificer who has succeeded.
In order to become spirit, the earthly father must atone, rise above temporal limitations and be willing to sacrifice his son. He must demonstrate understanding that death is illusion, that every righteous death is followed by rebirth, and that sacrifice is the union of father and son. On the other hand, failing to atone, the father and son are not re-united, the journey is not completed, and corruption must be re-lived until atonement is achieved.
Last scene where tracker is back in the north, solitary-as is the white wolf symbolizing the spirit of the son-now at-one-ed.


Just as the use of symbolism dignifies literature, the use of symbolism in games may contribute greatly to their purpose and significance. In order to embed symbolism in a story-game, the measure of premise must be applied. Without viewing the film, its symbolism is difficult to detail. However, the reader can apply the premise to the following instances of symbolism in order to verify their meaning.
Wide eyes of the assassin in conjunction with little Albanian girls as they view massacres symbolize the essential innocence of the assassin.
Teddy bear (symbol of combined innocence and cherishing of animals)
Kids playing hide-and-seek (innocent hunting)
Sacramental knives: flint vs. iron; youth vs. age; cycle of life; journey; innocence to wisdom (father/son relationship)
White wolf demonstrates protagonist's cherishing of life and animals
Stag (symbol of sacred spirit)
City as jungle (survival of fittest)
Street scenes teeming with human (animal) life of all sorts, living and dying
Bones of new construction (new life, change, and growth)
Bones of old dead buildings (death)
d. Juxtaposition of natural areas and urban areas
Relationships disclose inner qualities of protagonist and antagonist:
a. Girlfriend of assassin and her child reflect the loving side of the antagonist
b. FBI lady reflects the female, nurturing, but deadly side of the protagonist
c. Assassin vs. hunters (symbolic of comparison and contrasts between sacrifice and murder)
d. Father vs. son; Son vs. father (symbolic of the many variations on the premise)

The above symbols and scenes reflect serious purpose and depth of character that can be applied to a game. How character depth was developed in The Hunted could be illustrated by detailing various tools of character development such as character diamonds and nested masks, but it should be clear that premise is the key to designing interactive stories. If the elements of the story (scenes, symbols, characters, action, and dialogue) have been tested in the crucible of the premise, there is a good likelihood that by the end of the story, the character will have achieved insight as to the significance of the premise. By association, the reader or the game player will also have achieved some insight.

I may be naïve, but I don't think creating excellent interactive stories in games is as difficult as some believe. Perhaps this is because I understand the term interactive differently than game industry commentators who consider only half of the interactive dynamic. I understand interactivity to be a two way process. The player influences the game, but the game also influences the player. This should be obvious. If the game did not influence the player as fun (emotion) or challenge (intellectual stimulation) s/he wouldn't play the game. Therefore, the psychological definition of the term transcends the merely physical cause-effect relationship between pushing a button or moving a joystick and seeing the result on a computer screen. The problem is not that games are inconsistent with good storytelling. The problem is that the game industry has not been interested or has not known how to program good stories.

For seven years, Stephen Schafer has been a faculty member at Digipen Institute of Technology. His primary responsibility there has been to teach Composition, Mythology for Game Designers, Creative Writing for Game Designers, and Elements of the Media and Game Development to students in the RTIS program.  To a degree, all of his classes reflect his longtime interest in human motivation, mass communication, and cultural transformation. Over the years, Professor Schafer his augmenting his knowledge of psychology, language, mythology, and literature with studies in physics, metaphysics, comparative religion, marketing, and the media. During the past ten years he has specialized in research relating to the part symbolic language plays in cultural transformation. He is currently completing two books, The Media of Dreams and a textbook, The Alchemy of English.

[America2]

Is anyone here familiar with screenwriter Callie Kourie? She rose to fame in the 1990's as this big brilliant mainstream feminist writer, and wrote 2 popular movies - 1991's "Thelma and Louise" and 1995's "Something to Talk About".

OK - neither of them are particularly NWO - however, for those, including myself, that have seen these 2 movies, Callie Kourie just SCREAMS Rockefeller women's lib movement puppet. No wonder why the MSM just hailed her as some feminist superstar writer.

[deconstructmyhouse]

This is an amazing movie about an amazing woman.
Puts it all in perspective.  Today, yesterday and tomorrow.

http://www.youtube.com/watch?v=6ySs2rLcPhU

[hal 9000]

...they ruined him, completely ruined him.

Yes, Welles career was never really what it could have been after The Magnificent Ambersons. He acted in and directed some other great stuff after that, but Citizen Kane and Ambersons are absolutely two of the greatest examples of film art that have ever been made. What RKO did to Amberson's, by cutting away 43 minutes of the movie and tacking on that sappy ending is probably the most egregious act of commerce over art ever committed in American cinema. Some who saw the film with it's original tragic ending, with a now insane Aunt Fanny spending the rest of her lonely days in the decaying Amberson mansion, claimed it was even better than Kane. That footage is probably lost forever. If anyone ever did find it in an old film can somewhere he would be an instant millionaire. It would be the movie equivalent of finding the holy grail.

Interesting that Popular Mechanics is owned by Hearst Publishing. William Randolph Hearst was the main inspiration for the character of Kane. Hearst was so angry at Welles depiction of him as a mega maniacal yellow journalist that he tried to buy the film from RKO and have every copy of it burned. Welles so offended the elite of the publishing world that they had their Hollywood gossip columnists whip up a storm of antagonism toward him, so much so that he was booed and hissed at as he walked to the podium to accept his Oscar for best screenplay.

[Southern Patriot]

Resident Evil Degeneration- Nice animated flick pushing the idea that "truthers" are terrorists. Pharmaceutical companies are good and only care about making a vaccine for the "virus". This flick makes it clear that the government and pharmaceutical company did not create the virus....Terrorists did. Numerous mentions to Bio-terrorism and refers to protesters in the opening scene as terrorists.
My wife wanted to watch it and even she was disgusted by the obvious propaganda in the film.

[John Galt]

Thanks to all for contributing to this great thread. I've now seen a number of the movies that were first brought to my attention here. I now want to bump in here to make sure I'm always alerted to new posts and movie recommendations.

I also want to share this link I just found to a very good read with detailed analysis on various NWO-themed films including Labyrinth, The Manchurian Candidate, Fight Club, Eyes Wide Shut, V For Vendetta, Mulholland Drive, The Game, Stay, Total Recall, Vanilla Sky,
The Matrix trilogy, Control Factor, and others. Check it out here:

"Mind Control Themes and Programming Triggers in Movies"
http://in2worlds.net/mind-control-themes-and-programming-triggers-in-movies

~jg

 

[Protean]

I recommend the 60's spy classic: The Ipcress file, regarding the mind control scenario.

First rate! And first in the series of the Harry Palmer spy films starring Michael Caine.



Trailer here:
http://www.youtube.com/watch?v=Ui5ec35Toc4

[phasma]

Not seen this one on here - its not a movie, but the old prisoner series !

[Protean]

Not seen this one on here - its not a movie, but the old prisoner series !

Oh yes--most excellent series----



Opening sequence:
http://www.youtube.com/watch?v=HRPDO63rI1E

[America2]

Less not forget all those NYC based movies/tv shows from 1980 to mid-2001 who's cameras just OBSESSED on those WTC towers every time they had a chance. "Law and Order" did quite a bit. I also remember a late 90's Jennifer Aniston movie where it was doing so while Aniston was spewing sociopathic comments.

I felt like this was one reason why when I first saw the 9/11 attacks on that very morning, I didn't think much of it - I wasn't so much disensithized by the violence(that I got exposed to alot for years), but having seen those same WTC towers so many times, it was as if my subconscious was like, "been there, done that" after seeing it for the upteenth time.

Predictive programming at its best.

[Dig]

Back to the future II and III have intense predictive programming.

Soldier Blue - genocide of native americans, decapitations, dismemberments-you will not find such realistic descriptions of what occured today. They can make 5 movies about a psycopath sawing up people, but tell the truth about the genocide of native americans and the MPAA will shut you down.

[joeblack]

knowing

[phasma]

second knowing!

[America2]

Back to the future II and III have intense predictive programming.

Soldier Blue - genocide of native americans, decapitations, dismemberments-you will not find such realistic descriptions of what occured today. They can make 5 movies about a psycopath sawing up people, but tell the truth about the genocide of native americans and the MPAA will shut you down.

And there were also countless movies and tv shows where a black President of the USA was leading a worldwise crisis. "Deep Impact", the early "24" episodes, "Left Behind 3", and the upcoming "2012" movie. I'm sure there were others, but it was as if we were conditioned for a black President for years in the mass media.

[Brocke]

Back to the future II and III have intense predictive programming.

Soldier Blue - genocide of native americans, decapitations, dismemberments-you will not find such realistic descriptions of what occured today. They can make 5 movies about a psycopath sawing up people, but tell the truth about the genocide of native americans and the MPAA will shut you down.

Speaking of the MPAA...

This Film Is Not Yet Rated (2006)
Kirby Dick's exposé about the American movie ratings board.

Documents a history of the MPAA ratings board. Talks to numerous directors and actors about the censorship of their movies before they could be released. Includes directors, Kevin Smith, Matt Stone, John Waters, Darren Aronosfsky, Maria Bello, Atom Egoyan. Director, Kirby Dick hires a lesbian family of private investigators to find out the names of the MPAA ratings board and see if the raters are actually parents of children 5-17 like the MPAA tells American parents they are.


Thought the film has a decidedly liberal "alternative lifestyle" subtext it is an excellent and probably one of the only films you will see about the MPAA.

For more information about the MPAA do some digging about Jack Valenti.

Jack Joseph Valenti (September 5, 1921–April 26, 2007) was a long-time president of the Motion Picture Association of America. During his 38-year tenure in the MPAA, he created the MPAA film rating system, and he was generally regarded as one of the most influential pro-copyright lobbyists in the world.

Valenti's agency was in charge of the press during the November 1963 visit of President John F. Kennedy and Vice-President Lyndon Johnson to Dallas, Texas. Following the assassination of President Kennedy, Valenti was present in the famous photograph of Lyndon Johnson's swearing in aboard Air Force One, and rode with the new president to Washington. He then became the first "special assistant" to Johnson's White House. He lived in the White House for the first two months of Johnson's presidency. Valenti was so loyal to Johnson that it was once said of him "If LBJ dropped the H-bomb, Valenti would call it an urban renewal project."


Jack Valenti (far left ducking down near the window) was present at Lyndon B. Johnson's swearing in aboard Air Force One

[phasma]

As mentioned in another post, the new torchwood finale is tonight (9pm bbc1) last nights episode was mind blowing with its predictive programming - the finale is set to be pretty good !


Another old but good series "V" from the 1980`s alien reptile mind controlling human eating aliens !

[Anti Federalist]

Three I have not seen listed yet:

A Touch of Evil

Touch of Evil (1958) is an American crime drama film, written, directed by, and co-starring Orson Welles. Paul Monash and Franklin Coen also wrote scenes for the film. The screenplay was loosely based on the novel Badge of Evil by Whit Masterson. The cast includes Charlton Heston, Janet Leigh, Joseph Calleia, Akim Tamiroff, and Marlene Dietrich. Touch of Evil is one of the last examples of film noir in the genre's classic era (from the early 1940s until the late 1950s)

12 Angry Men

12 Angry Men is a 1957 American drama film adapted from a play. Directed by Sidney Lumet, the film tells the story of a jury made up of 12 men as they deliberate the guilt or innocence of a defendant on the basis of reasonable doubt. The film is notable for its almost exclusive use of one set: with the exception of two short scenes at the beginning and the end of the film set on the steps of the court building and two short scenes in an adjoining washroom, the entire movie takes place in the jury room.

Apart from two of the jurors swapping names while leaving the courthouse, no names are used in the film: the defendant is referred to as "the boy" and the witnesses as the "old man" and "the lady across the street".

Arlington Road

Arlington Road is a 1999 film which tells the story of a widowed George Washington University professor who suspects his new neighbors are involved in terrorism and becomes obsessed with foiling their terrorist plot. The film stars Jeff Bridges, Tim Robbins, Joan Cusack, and Hope Davis and is directed by Mark Pellington.

Now, the quotes are generic wiki descriptions, the first film deals with a long time corrupt cop (Orson Welles) and the attempt by the Mexican federale' (Heston) to bring him down. Heston's speech to him about corrupt cops and "police states" is worth the watch for that alone.

12 Angry Men deals with what the real world consequences of a jury deliberation can be.

And Arlington Road, one of my favorites, is not just a "bad guy terrorist shoot 'em up". The tangle of media distortions and government perfidy is portrayed perfectly.

[America2]

Arlington Road

Arlington Road is a 1999 film which tells the story of a widowed George Washington University professor who suspects his new neighbors are involved in terrorism and becomes obsessed with foiling their terrorist plot. The film stars Jeff Bridges, Tim Robbins, Joan Cusack, and Hope Davis and is directed by Mark Pellington. [/i]

Now, the quotes are generic wiki descriptions, the first film deals with a long time corrupt cop (Orson Welles) and the attempt by the Mexican federale' (Heston) to bring him down. Heston's speech to him about corrupt cops and "police states" is worth the watch for that alone.

12 Angry Men deals with what the real world consequences of a jury deliberation can be.

And Arlington Road, one of my favorites, is not just a "bad guy terrorist shoot 'em up". The tangle of media distortions and government perfidy is portrayed perfectly.

Excellent! Good for you! Now that you bring it up, I too remember seeing this film. It was one film that REALLY got you thinking AFTERWARDS. The OKC bombing never came to mind, however - now it sheds alot of light. Also - this film was set to be released around Christmas 1998, but the studios pushed it back ti Summer 1999. They made up some cockamamie BS reason(marketing stuff), but it ended up being release some TWO MONTHS after the Columbine shootings. Coincidence?

Also - I'm watching "Ghostbusters" on tv for the upteenth time - LOADS of those Illuminati occult symbols. Good movie, but the filmmakers are also making this an occult-fest orgy at the same time.

[Dig]

the underground scene was like a total MK Ultra factory. freaky shit!

[America2]

"Unbreakable"

I always wonder if M. Night Shamylan(this movie's director) is some CIA/CointelPro agent - I mean this Philadelphia native just came out of NOWHERE to strike gold in the movie business, and then became an overnight media sensation(even made the cover of Newsweek). I believe his college degree was in the medical profession, and not film(please correct me if I'm wrong).

His other films, Signs and The Happening in particular, have NWO written all over it. Come to think of it, his first one, The Sixth Sense, when I think about it more, had Blue Beam written all over it.

[Erastus]

The Big Lebowski!!! - Just watch it!

Pulp Fiction

Being John Malkovich

Dazed and Confused

Eternal Sunshine of the Spotless Mind

A few of my fav...  Everyone should watch ChinaTown and all the other greats.

[Dig]

I always wonder if M. Night Shamylan(this movie's director) is some CIA/CointelPro agent - I mean this Philadelphia native just came out of NOWHERE to strike gold in the movie business, and then became an overnight media sensation(even made the cover of Newsweek). I believe his college degree was in the medical profession, and not film(please correct me if I'm wrong).

His other films, Signs and The Happening in particular, have NWO written all over it. Come to think of it, his first one, The Sixth Sense, when I think about it more, had Blue Beam written all over it.

33rd degree freemason is my understanding

[America2]

33rd degree freemason is my understanding

Thanks! Like I said - now that I've woken up, I've been suspicious of this guy. Like I was saying - for someone who has NO film experience(didn't even take a 101 film class in college) other than going to the movie theaters for $5/show, he looks like he makes films like he's an all-pro. And being an overnight sensation/media-made star raises another red flag.

Come to think of it, his other films like the 2004 one with Ron Howard's daughter(Bryce Dallas Howard, but forgot the name of it) had Blue Beam written all over it. It was as if the NWO wanted to predictive program NASA's Project Blue Beam to the masses through this man's popular films.

Also - someone earlier in this thread mentioned "Pulp Fiction" as being NWO. I don't remember much about it(b/c it's been so long), but if memory serves, the MSM chronicled Quinton Tarantino as someone who MERELY worked at some no-name video store, which inspired him to become a filmmaker through watching all these movies at his video store, which inspired him to make the critically acclaimed "Pulp Fiction". Again - sounds like yet another cockamamie rags-riches story that a 10 year old can make up. For someone who has NO film experience(even back in junior high), he all of a sudden makes a critically acclaimed film that gets tons of Oscar noms? Nonetheless - no surprise that a big NWO film gets acclaim by their respective NWO-runned media.

[joeblack]

in the movie "knowing" a plane crashes. the picture reminds me of what you should have seen at the pentagon. good movie!!

[Brocke]

Generation RX (2008)

For decades, scores of doctors, government officials, journalists, and others have extolled
the benefits of psychiatric medicines for children. GENERATION RX presents”the rest of the
story” and unveils how this era of unprecedented change in Western culture really occurred –
and what price has been paid by our society.

[phasma]

in the movie "knowing" a plane crashes. the picture reminds me of what you should have seen at the pentagon. good movie!!

Good Call, shocked the hell outta me when i saw this movie its was devastating (the damage) and though cgi alot more believable than the "carnage" at the pentagon.

[America2]

Generation RX (2008)

For decades, scores of doctors, government officials, journalists, and others have extolled
the benefits of psychiatric medicines for children. GENERATION RX presents”the rest of the
story” and unveils how this era of unprecedented change in Western culture really occurred –
and what price has been paid by our society.

This is one film I really need to check out - thank you!

[Dig]

From "Network" http://sfy.ru/sfy.html?script=network

THE CONFERENCE ROOM - C.C. AND A. BUILDING

The overwhelming cathedral of a conference room remembered perhaps from an earlier scene where Frank Hackett gave his annual report.  When last seen, it was in pitch darkness, but now the enormous curtains are up, and an almost celestial light pours in through the huge windows.  Being on the 43rd and 44th floors, the sky outside is only sporadically interrupted by the towers of other skyscrapers.  The double semi- circular bank of seats are all empty, and the general effect is one of hushed vastness --

JENSEN
Valhalla, Mr. Beale, please sit down --

JENSEN suddenly wheels to his audience of one and roars out:

JENSEN
You have meddled with the primal forces of nature, Mr. Beale, and I won't have it, is that clear?!  You think you have merely stopped a business deal -- that is not the case!  The Arabs have taken billions of dollars out of this country, and now they must put it back.  It is ebb and flow, tidal gravity, it is ecological balance!  You are an old man who thinks in terms of nations and peoples.  There are no nations! There are no peoples!  There are no Russians.  There are no Arabs! There are no third worlds!  There is no West!  There is only one holistic system of systems, one vast and immane, interwoven, interacting, multi-variate, multi-national dominion of dollars! petro-dollars, electro-dollars, multi-dollars!, Reichmarks, rubles, rin, pounds and shekels!  It is the international system of currency that determines the totality of life on this planet! That is the natural order of things today!  That is the atomic, subatomic and galactic structure of things today!  And you have meddled with the primal forces of nature, and you will atone!  Am I getting through to you, Mr. Beale?

You get up on your little twenty-one inch screen, and howl about America and democracy.  There is no America.  There is no democracy. There is only IBM and ITT and A T and T and Dupont, Dow, Union Carbide and Exxon.  Those are the nations of the world today.  What do you think the Russians talk about in their councils of state -- Karl Marx?
   
They pull out their linear programming charts, statistical decision theories and minimax solutions and compute the price-cost probabilities of their transactions and investments just like we do.  We no longer live in a world of nations and ideologies, Mr. Beale.  The world is a college of corporations, inexorably deter- mined by the immutable by-laws of business.  The world is a business, Mr. Beale!  It has been since man crawled out of the slime, and our children, Mr. Beale, will live to see that perfect world in which there is no war and famine, oppression and brutality -- one vast and ecumenical holding company, for whom all men will work to serve a common profit, in which all men will hold a share of stock, all necessities provided, all anxieties tranquilized, all boredom amused.  And I have chosen you to preach this evangel, Mr. Beale.

-----------------------------------------

NETWORK NEWS CONTROL ROOM

The CREW at their various control panels.  Business as usual.  If anything, EVERYBODY in the control room appears a little more bored.  On the SHOW MONITOR, HOWARD BEALE stands in his stained-glass-filtered spotlight, but, rather than his old enraged self, he seems sad, resigned, weary --

HOWARD (ON MONITOR) (sad, resigned, weary)
Last night, I got up here and asked you people to stand up and fight for your heritage, and you did and it was beautiful.  Six million telegrams were received at the White House.  The Arab takeover of C.C. and A. has been stopped.  The people spoke, the people won.  It was a radiant eruption of democracy.  But I think that was it, fellers.  That sort of thing isn't likely to happen again.  Because, in the bottom of all our terrified souls, we all know that democracy is a dying giant, a sick, sick dying, decaying political concept, writhing in its final pain.

I don't mean the United States is finished as a world power.  The United States is the most powerful, the richest, the most advanced country in the world, light-years ahead of any other country.  And I don't mean the Communists are going to take over the world.  The Communists are deader than we are. What's finished is the idea that this great country is dedicated to the freedom and flourishing of every individual in it.  It's the individual that's finished.  It's the single, solitary human being who's finished.  It's every single one of you out there who's finished. Because this is no longer a nation of independent individuals.  This is a nation of two hundred odd million transistorized, deodorized, whiter- than-white, steel-belted bodies, totally unnecessary as human beings and as replaceable as piston rods --

----------------------------------------

other than targeting "Arabs" (obvious conditioning for what was to come) and misnaming this republic a democracy, seems right on the money for how the NWO has infiltrated and consolidated the elites in the networks.

[Brocke]

The Caller (2008)
http://www.youtube.com/watch?v=ch7bACWapRM

An energy business exec is assisted by a private investigator in his effort to expose his corporation's corrupt practices.

Frank Langella follows up his amazing performance in Frost/Nixon with this tense thriller direct from its February 2009 Theatrical Release. Langella stars as an aging Senior VP of an international energy company who decides to blow the whistle on the corporate misdeeds he has been involved in. Knowing that this will be his death warrant he hires a private investigator (Elliott Gould) to follow his every step and catch his eventual killer.

[Atomgrad]

Read Sanes list in this thread

http://forum.prisonplanet.com/index.php?topic=118486.0;topicseen

[Dig]

Tuesday in November (1945)
http://www.archive.org/details/Tuesdayi1945
Internet Archive's in-browser video player requires JavaScript to be enabled. It appears your browser does not have it turned on. Please see your browser settings for this feature.

Idealized portrayal of 1944 U.S. presidential election, made to show the world that the United States was sufficiently secure to hold a free and fair election during wartime. Shows campaign activities, efforts to ensure the secrecy of the ballot and fairness of the election, and media coverage of the electoral process, all culminating in a giant nighttime gathering in Times Square where a huge crowd awaits the result. Director: John Houseman. Assistant Director: Nicholas Ray. Animation: John Hubley. Music: Virgil Thomson.


This movie is part of the collection: Prelinger Archives

Producer: U.S. Office of War Information
Sponsor: N/A
Audio/Visual: Sd, B&W
Keywords: Political campaigns and elections; Citizenship; Media: Radio

Creative Commons license: Public Domain

[Silveryminnow]

The Underground Civilization with Mayor Jason Robard was similar to a Beaverton Maryland parade.

Off the Top of my head;
Death Race-Team America-Escape from New York (LA mentioned)-Total Recall-Quarantine-Invasion of the Body Snatchers-Doctor Strangelove-Clockwerk Orange-Red Dawn-Magnificent Seven-Time Machine... and the list goes on.

[Dig]

Expelled (No Intelligence Allowed)
http://www.btmon.com/Video/Unsorted/Expelled_No_Intelligence_Allowed_-_Full_mp4.torrent.html

There is a nation today in which scientists are being silenced and ousted, in which teachers and professors teach a theory as indisputable fact. No, this isn’t a Third World dictatorship, it’s America, as recorded in Ben Stein’s controversial, satirical and entertaining documentary EXPELLED: No Intelligence Allowed.

Stein, the well-known television personality, actor and former White House presidential speechwriter, takes a journey across America and to Europe to explore the debate between proponents of intelligent design and Darwinian evolution. What he discovers is an elitist scientific establishment that has traded in its skepticism for dogma.

Even worse, Stein uncovers a long line of scientists and philosophers who have had their reputations destroyed and their careers ruined by a scientific establishment that allows absolutely no dissent from Charles Darwin’s theory of random mutation and natural selection. What freedom-loving American wouldn’t be outraged?

“Big Science in this area has lost its way,” says Stein, who is also a lawyer, economist, author and social commentator. “Scientists are supposed to be allowed to follow the evidence wherever it may lead, no matter what the implications are. Freedom of inquiry has been greatly compromised, and this is not only anti-science, it’s anti-American.” --© Rocky Mountain Pictures