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Author Topic: 1925 Fritz Molech Metropolis  (Read 7236 times)
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« on: December 13, 2007, 11:39:50 PM »

Scene from Fritz Lang's 1925 film, "Metropolis", portrays a city which is sustained by massive underground machine-works and colonies of  subjugated workers.

The scene, Freder, the son of the "Master of Metropolis", strays into the forbidden sub-underground where the machines and human machine operators are hard at work. An accident occurs and many workers are killed as Freder looks on in horror. "Moloch!" he shouts, as the great machine transforms into the face of a demonic ghoul with pointed fangs and mouth agape. Workers clad in black plunge into the demon Moloch's cavernous mouth, paying the ultimate sacrifice to the monstrous machine-deity.


http://video.google.com/videoplay?docid=8388683946945239928
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« Reply #1 on: December 14, 2007, 02:39:42 PM »

I had to watch this movie in high school. I asked my teacher who moloch was and she didn't know (she was a complete moron). Too bad I forgot to look up who Moloch was back then. I would have woken up much earlier.
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TahoeBlue
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« Reply #2 on: March 29, 2011, 01:03:59 PM »

Moloch

Very important thread -  "the banishment of beauty in the art world"
totally agree. .... NOT an accident



Babylon - The beasts - Revelation 13:1-10 —bothbeasts have seven heads and ten horns

God remembered Babylon the Great and gave her the cup filled with the wine of the fury of his wrath
She held a golden cup in her hand, filled with abominable things and the filth of her adulteries...


Germany 1920's inflation....
http://www.leninimports.com/dr_mabause.html
Fritz Lang remembered a poster in Berlin which summed up the nihilistic state of mind

Berlin, sein Tanzer is der Tod (Berlin, your dancing partner is Death)

http://www.mitpressjournals.org/doi/abs/10.1162/dram.2009.53.1.73?journalCode=dram
“Berlin … Your Dance Partner Is Death”

Dance and death combined in post-WWI Germany to complicate the material authority they were seen to share





http://www.flickr.com/photos/hab3045/3585961101/

poster plastered around Berlin in 1919, which read: “Berlin, stop and think! Your dance partner is Death!”

Berlin, sein Tanzer is der Tod (Berlin, your dancing partner is Death)

http://www.mitpressjournals.org/doi/abs/10.1162/dram.2009.53.1.73?journalCode=dram
Dance and death combined in post-WWI Germany to complicate the material authority they were seen to share.

Using nascent modern dance techniques to exploit the expressive capacities of the dancing body, choreographers turned to dances of death to portray the increasingly difficult conditions of humanity. The logistics of performing these spectacles of the real are investigated through three choreographer/performers of the Weimar Republic: Kurt Jooss, Valeska Gert, and Anita Berber.



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worcesteradam
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« Reply #3 on: March 29, 2011, 01:16:43 PM »


The movie opens by showing the workers and their city, situated deep below the earth’s surface. They are shown dressed alike, walking in sync, holding their heads down in submission, resignation and desperation. Throughout the movie, the human cattle is depicted as being physically and mentally exhausted, highly impressionable and, let’s say it, all-around dumb. Like a flock of sheep, the workers move in crowds, are very impressionable and can easily be deceived. This description of the masses corroborates those of Walter Lippmann, an American thinker who, five years earlier in Public Opinion, compared the general public to a “bewildered herd” that is not qualified to manage its own destiny.

great site here - http://vigilantcitizen.com/musicbusiness/the-occult-symbolism-of-movie-metropolis-and-its-importance-in-pop-culture/
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TahoeBlue
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« Reply #4 on: March 29, 2011, 01:24:38 PM »

I recently looked the film over again, and I got the "Complete" Metropolis dvd
It is just an amazing film.

http://www.scifiwright.com/2011/01/metropolis/

Fritz Lang himself fled Germany the same night he was offered a post by the Nazis in their new regime.

update:  this bit about Fritz and the Nazis is not quite right....

http://en.wikipedia.org/wiki/Fritz_Lang
Fritz Lang
...
At the outbreak of World War I, Lang returned to Vienna and volunteered for military service in the Austrian army and fought in Russia and Romania, where he was wounded three times. While recovering from his injuries and shell shock in 1916, he wrote some scenarios and ideas for films.
...
At the end of 1932. Lang started filming The Testament of Dr. Mabuse. Adolf Hitler came to power in January 1933, and by March 30, the new regime banned it as an incitement to public disorder. Testament is sometimes deemed an anti-Nazi film as Lang had put phrases used by the Nazis into the mouth of the title character.

Whereas Lang was worried about the advent of the Nazi regime, partly because of his Jewish heritage,[5] his wife and screen writer Thea von Harbou had started to sympathize with the Nazis in the early 1930s and joined the NSDAP in 1932. They soon divorced. Lang's fears would be realized following his departure from Austria, as under Nazi eugenics laws he would be identified as a Jew even though his mother was a converted Roman Catholic, and he was raised as such.

Shortly afterwards, Lang left Germany but the circumstances of his emigration remain controversial: According to Lang, propaganda minister Joseph Goebbels called Lang to his offices to inform him that The Testament of Dr Mabuse was being banned but that he was nevertheless so impressed by Lang's abilities as a filmmaker (especially Metropolis), he was offering Lang a position as the head of German film studio UFA. Lang had been, unbeknownst to Goebbels, already planning to leave Germany for Paris, but the meeting with Goebbels ran so long that the banks were closed by the time it finished, and Lang fled that night without his money, not to return until after the war.[6][7]

This account is problematic as many portions cannot be verified, while those that can, run counter to other evidence: Lang actually left Germany with most of his money, unlike most refugees, and made several return trips later in the same year. There were no witnesses to the meeting besides Goebbels and Lang, but Goebbels's appointment books, when they refer to the meeting, mention only the banning of Testament. No evidence has been discovered in any of Goebbels's writings to affirm the suggestion that he was planning to offer Lang any position. Jean-Luc Godard's film Contempt (1963), in which Lang appeared as himself, presents a bare outline of the story as fact.

Whatever the details, Lang did in fact leave Germany in 1934 and moved to Paris.[8] after his marriage to Thea von Harbou, who stayed behind, ended in 1933
...


http://en.wikipedia.org/wiki/Thea_von_Harbou
...
In 1932, a year before Adolf Hitler came to power, she joined the National Socialist German Workers (Nazi) Party, which presumably led to the divorce from Lang, who left Germany in 1934 for Paris after his film The Testament of Dr. Mabuse had been banned by the Nazi government. Fritz Lang's mother, although religiously a convert to Catholicism, was of Jewish extraction (see The Religious Affiliation of Director Fritz Lang).

In 1934, she wrote a cinematic adaptation of Gerhart Hauptmann's play The Assumption of Hannele, which she also directed.[1]

Harbou wrote the script for Der Herrscher (1937), directed by Veit Harlan and starring Emil Jannings. The movie celebrates unconditional submission under absolute authority, eventually finding reward in total victory.

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« Reply #5 on: March 29, 2011, 01:37:28 PM »

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« Reply #6 on: March 29, 2011, 01:48:15 PM »

Wow! I just watched this movie the other day and forgot about it!

Dark Metropolis -Mankind has lost a 300-year war against a genetically enhanced race that man created, abused and finally tortured. Now the descendants of that race - known as the 'Ghen' - control the planet Earth from advanced underground cities. An entire new universe has risen inside the remnants of our world known as Hollow Earth. Humans now work the surface in factories as slaves in the New World Order with pockets of resistance carrying on the fight. As rising Ghen Politician Crecilius Pryme takes power he urges his people to annihilate the remaining human population unleashing a shocking secret that will change the world forever. Trailer  http://www.youtube.com/watch?v=3c8LcozVWbw

full movie- http://stagevu.com/video/yruvvlyhmkvc
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« Reply #7 on: March 30, 2011, 08:40:05 PM »



 Shocked yikes!!!  
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TahoeBlue
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« Reply #8 on: March 30, 2011, 08:45:55 PM »

Shocked yikes!!!  

referenced: http://biblelight.net/Tower-of-Babel.htm
... illustration of the one of the buildings of the European Parliament in Strasbourg France, the Louise Weiss Building, which includes a tower that appears to be unfinished.

Below on the left is a painting done in 1563 of the Tower of Babel, by Pieter Brueghel the Elder, a Flemish Northern Renaissance Painter.

Below on the right is a poster produced by the European Union symbolically depicting their mission. It combines the 12 stars of the EU flag with the rebuilding of the tower of Babel with the motto Europe: Many Tongues One Voice. Note also that the stars are shown as inverted pentagrams, an occult symbol for Satan.

The tower of the Louise Weiss Building (shown below), although it looks unfinished, was designed with the expressed purpose of resembling the tower of Babel as depicted in Brueghel's painting!



http://en.wikipedia.org/wiki/Seat_of_the_European_Parliament_in_Strasbourg
Tower
...
The [purposely]... unfinished aspect of the 60m high tower carries heavy symbolism, ..., the open side of the tower ... faces west. ... alleged that its design consciously mirrors the Tower of Babel as painted by Bruegel (the Vienna version),
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TahoeBlue
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« Reply #9 on: March 30, 2011, 09:04:31 PM »

Now I'm just feeling sick....

http://www.glamourgirlsofthesilverscreen.com/show/325/Ludmilla+Tcherina/index.html
Monika Avenirova Tchemerzine)
http://www.carto.net/andre.mw/photos/2008/10/08_strasbourg/20081008-144152_europe_a_coeur.shtml


Europe à Cœur
Prise de:  On the Boulevard de Dresde, near the main entrance.
 
Description:  Bronze monumental de Ludmila Tcherina (1992) placé devant le nouveau Parlement européen de Strasbourg. Deux être s'embrassent et se protègent mutuellement.
http://www.featurepics.com/online/Sculpture-European-Parliament-Strasbourg-Picture391673.aspx

http://en.wikipedia.org/wiki/Ludmilla_Tch%C3%A9rina

Ludmilla Tchérina (10 October 1924 – 21 March 2004) was a French prima ballerina, sculptor, actress, painter, choreographer and author of two novels.

Tchérina was born Monique Tchemerzine, into Circassian aristocracy as the daughter of Kabardian Prince Avenir Tchemerzine (Shamyrze), a former Russian general, who had escaped from St. Petersburg, and Stéphane Finette, a Frenchwoman.

She also conceived and executed several monumental sculptures, including Europe à Coeur, chosen in 1991 by the EU to symbolise the union of Europe and now located at the European Parliament

http://en.wikipedia.org/wiki/Circassians


The Adyghe or Adygs also often known as  Circassians

 are a North Caucasian and European nation and an ethnic group who belong to one of the oldest indigenous peoples of the Caucasus and are among the original inhabitants of the Caucasus.[9][10][11]

The name Cherkess is not a native name, but one applied to the Adyghe by the Turkic peoples (principally Kyrgyz,[15] Tatar[18][19][20][21] and Turkish[22]) and the Russians

Before monotheistic religion, the Circassians were polytheistic and adhered to their ancient indigenous beliefs, worshiping multiple deities, or gods and goddesses

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« Reply #10 on: March 31, 2011, 04:28:41 AM »



With that being in front of the rebuilt Tower of Babel, i would have to say its a statue of Semiramis and Tammuz, or better known today as Madonna and child or Mary and baby Jesus. This image has been taken from Babylon all over the world, and is the basis of the Catholic faith.



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HOW TO BE SAVED
http://www.jesus-is-savior.com/how_to_be_saved.html

Ye Must Be Born Again!
http://www.jesus-is-savior.com/Basics/ye_must_be_born_again.htm

True Salvation & the TRUE Gospel/Good News!
http://www.contendingfortruth.com/?p=1060

how to avoid censorship Wink
Brocke
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« Reply #11 on: March 31, 2011, 04:42:30 AM »



The Occult Symbolism of Movie “Metropolis” and its Importance in Pop Culture

http://vigilantcitizen.com/musicbusiness/the-occult-symbolism-of-movie-metropolis-and-its-importance-in-pop-culture/
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« Reply #12 on: March 31, 2011, 05:37:02 AM »

The movie is on NetFlix - streaming play.  It's worth a watch.
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« Reply #13 on: March 31, 2011, 10:57:05 AM »

The movie is on NetFlix - streaming play.  It's worth a watch.

Which version is it? Is it the one with the long-lost scenes of the Thin Man confronting Josephat and the dude finding the money in Freder's coat and spending money like crazy in the entertainment district? Or is it the bastardized Giorgio Moroder "remake"?
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TahoeBlue
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« Reply #14 on: April 13, 2011, 11:45:57 AM »

http://www.script-o-rama.com/movie_scripts/m/metropolis-script-transcript-fritz-lang.html
Finally, the Metropolis script is here for all you quotes spouting fans of the Fritz Lang silent movie.  This script is a transcript that was painstakingly transcribed using the screenplay and/or viewings of Metropolis
...
The Tower of Babel Theme.
...
Five groups of Workers, a metaphor: Like the fingers on a hand.

Looking for a still photo of this... ( the building of Tower of Babel ) which has masonic connections:

Out of evil comes good, however, and the confusion of tongues gave rise to ‘the ancient practice of Masons conversing without the use of speech.’”  Mathematics ... blueprints etc.....

http://vigilantcitizen.com/musicbusiness/the-occult-symbolism-of-movie-metropolis-and-its-importance-in-pop-culture/
The Occult Symbolism of Movie “Metropolis” and its Importance in Pop Culture


Madonna as the Great Harlot Babylon
...
Metropolis is a definitely a movie “by the elite, for the elite”. It tackles the concerns of those managing the world and presents a solution that does not disturb the status-quo. The movie is also permeated with Masonic symbolism and contains many symbols referring to ancient Mysteries which were meant to be decoded by proper initiates. In other words, the movie was primarily aimed at the ruling class.
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« Reply #15 on: April 13, 2011, 12:27:13 PM »

http://www.script-o-rama.com/movie_scripts/m/metropolis-script-transcript-fritz-lang.html
Finally, the Metropolis script is here for all you quotes spouting fans of the Fritz Lang silent movie.  This script is a transcript that was painstakingly transcribed using the screenplay and/or viewings of Metropolis
...
The Tower of Babel Theme.
...
Five groups of Workers, a metaphor: Like the fingers on a hand.

Looking for a still photo of this... ( the building of Tower of Babel )


http://vigilantcitizen.com/musicbusiness/the-occult-symbolism-of-movie-metropolis-and-its-importance-in-pop-culture/
The Occult Symbolism of Movie “Metropolis” and its Importance in Pop Culture


Madonna as the Great Harlot Babylon
...
Metropolis is a definitely a movie “by the elite, for the elite”. It tackles the concerns of those managing the world and presents a solution that does not disturb the status-quo. The movie is also permeated with Masonic symbolism and contains many symbols referring to ancient Mysteries which were meant to be decoded by proper initiates. In other words, the movie was primarily aimed at the ruling class.


... but the minds that had conceived the Tower of Babel could not build it.
The task was too great. So they hired hands for wages.


Metropolis - the Babel Scene
http://www.youtube.com/watch?v=dlfvBgBDpm0 (2:43)
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That men do not learn very much from the lessons of history is the most important of all the lessons of history.
~Aldous Huxley
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« Reply #16 on: April 13, 2011, 12:39:11 PM »

Thank you! The fingers (workers) don't know what the hand (controlled by the mind) is building....

http://vigilantcitizen.com/sinistersites/sinister-sites-the-eu-parliament/



This statue, standing in front of the Winston Churchill building, refers to ancient mythology and depicts one the most ancient representation of Europe. Its based on a story where Zeus disguised himself as a white bull in order to seduce the princess Europa who was gathering flowers. When she approached the bull and got on its back, the bull seized the occasion to run away with her and eventually rape her (I’m giving you the non-censored version of the story).

So the woman (who represents Europe) on top of this bull is about to get raped. OK, weird. Anyways, it represents Good vs Evil, Sun vs Moon and all of that. An integral part of the Mystery Religions.

http://www.earthinpictures.com/world/france/strasbourg/european_parliament_-_winston_churchill_building_with_the_bridge_to_the_louise_weiss_building.html



European Parliament - Winston Churchill Building With The Bridge To The Louise Weiss Building
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TahoeBlue
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« Reply #17 on: April 13, 2011, 05:36:42 PM »

An interesting site that focuses on the history of digital restoration of Metropolis....

http://www.celtoslavica.de/chiaroscuro/films/metropolis/metro.html


...we see the tranformation from human to superhuman [god] as the "wired" new creation sits beneath the pentagram...
The occult is all about "transformation" into a "godlike being" [Genesis 3:5]


"... In its own time Metropolis was clearly more of an event than Kubrick's masterwork [2001] was in 1968 — an attempt to beat Hollywood at its own game that took well over a year to shoot, reportedly used up to 30,000 extras, and sabotaged the career of the most talented and prestigious producer of silent German cinema, Erich Pommer, who lost his job at UFA after the film went so far over budget it could never earn back its investment.

The astonishing thing is that Metropolis seems much more relevant to current events than 2001, which assumed that the cold war would still be going on. Metropolis emphasizes not merely class divisions, but the emotional confusion underlying the creation of androids — also a major theme of A.I. Artificial Intelligence. 2001 dramatizes some of the same confusion, but the female robot in Metropolis, the false Maria, has much more in common with A.I.'s Gigolo Joe than she (or it) has with 2001's talking computer HAL (though someone ought to examine HAL's and Gigolo Joe's sexual ambiguities).
...
— Jonathan Rosenbaum: Unified Theory, Chicago Reader 2002

http://en.wikipedia.org/wiki/The_Testament_of_Dr._Mabuse
http://www.youtube.com/watch?v=n-WnY_ZmT9E
The Testament of Dr Mabuse (Fritz Lang) - The empire of Crime
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TahoeBlue
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« Reply #18 on: September 15, 2012, 01:54:37 PM »

Fritz Lang \ William Friedkin Interview 1975

Fritz Lang, interviewed by William Friedkin, about a year before his death in 1976.



Another fritz Lang film:

http://en.wikipedia.org/wiki/Die_Nibelungen
Die Nibelungen Siegfried

Die Nibelungen is a series of two silent fantasy films created by Austrian director Fritz Lang in 1924: Die Nibelungen: Siegfried and Die Nibelungen: Kriemhild's Revenge.
 
Both films were co-written by Lang's then-wife Thea von Harbou, based upon the epic poem Nibelungenlied written around 1200 AD.[1] Siegfried was released in the U.S. on 23 August 1925, premiering at the Century Theatre in New York City in the short-lived Phonofilm sound-on-film process. Kriemhild's Revenge was released in the U.S. in 1928

Die Nibelungen Siegfried 1924 Fritz Lang - Segment
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