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Author Topic: AVATAR : "Triumph of the Will" for the NWO Green Nazis  (Read 108571 times)
squarepusher
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« Reply #680 on: February 15, 2010, 01:41:14 PM »

I agree.  I will add my own observations:

The Navi's planet, with its indigenous populations ability to communicate with it was an ultimate example of of network science, net-centricity.  Kind of like if you took the AI from the movie Eagle Eye, and it expanded beyond its current constraints of existing within the digital realm, to one in which it fully merges with Bio-Cogno-Info-Nano--the goal of DARPA/NWO.  DARPA's self-healing networks, where the network is no longer just a tool, but is a weapon in and of itself, but now part of all life, and the very planet itself--to ensure permanent resilience, survivability, preservation of itself.  Again a major goal of the NWO.

So in this respect it is odd that this advantage, this net-centric environment was naturally woven into the core of the alien race and their entire planet, and that their enemy was portrayed in what we would currently recognize and regard as the NWO, did not have the same advantage of such a level of network centric characteristics (this part is a psyop, because the bad guys would in fact have all of this technology, not the other way around--that or at least both would be on a level playing field.

I honestly enjoyed the movie because I cannot be conditioned (or even if I am, no matter how subtly, I will later detect it and correct my perspective based on truth).  I was able to pull a lot from it, and the 3D effect was really pretty amazing and very immersing.  I perceived the NWO military juggernaut as weak throughout.  It is as though that the director almost wanted to show us how we would have to defeat the NWO, by us utilizing net centric warfare against our enemy to be able to defeat them.  The only way that net centric warfare can work is for everyone to be aligned with the truth.  It works for the NWO (for evil) because they are aligned with evil itself, and evil operates as a force of one mind.  The NWO does not need a leader, because the evils within human nature will make sure that enough "nodes" are always in place to continue forth with their agenda.  We only believe that we need a leader in the war against tyranny because we have been conditioned such.  

There is no one correct interpretation of this film, there are many facets to it, and many ways to look at the same aspects of it without necessarily being incorrect.

I just watched it myself (yes, I'm late to the party, because honestly, I'm not one for riding the hype train TOO early), so let me add my own interpretations:

* First of all, I cannot fathom why Alex got his panties in a bunch over this. I thought The Dark Knight was far more NWO 'in your face' than this - in fact, it almost seemed innocuous by comparison.

- As for the Gaia/earth worshipping message - this would only seem invasive/preachy/overtly confrontational to someone who hasn't watched a lot of Japanese anime and videogames over the years. Basically, Final Fantasy VII (a videogame from 1997) and Princess Mononoke (a movie from 1999 by famed anime director Hayao Miyazaki) pre-empted Avatar's basic themes by at least a decade ago. There wasn't one concept (from an environmental point of view) in Avatar that wasn't already covered by Japanese anime/videogames in the past 15 years.
- The movie did try to overemphasize how evil the military is and their gung-toting mannerisms were intended to repulse the audience - even so, taken from the military commander's point of view, he did have a point that the lead character basically needed to 'wake up' - because he was trapped into a false reality - there's a real-life parallel there that I'm sure I don't need to point out - people with all their digital 'avatars'.
- The 'bonding' and self-healing networks were all taken really (again) from Japanese anime/videogames, and even Star Wars (the 'midi-chlorians'/The Force/whatever). Again, the network-centric warfare allusions were not lost on me.
- At a certain point (this is towards the end of the movie), the Commander observes that the N'avi are building up their forces - and at a certain point he proclaims "We need to fight terror with terror". VERY telling comment there - I wonder if James Cameron has read 'Strategic Shocks: Unknown Unknowns' - this is EXACTLY what 'effects-based operations' is all about.

In fact, 9/11 was basically the perfect 'strategic shock' - which tells you all you need to know as to why it is a staged provocation/event - there's no way in hell they could have hit the jackpot by happenstance - 9/11 as a massive catalyst for change was a once-in-a-lifetime 'hit the jackpot' moment.
- The whole deal about bringing your consciousness into another 'body'/'vessel' - what this is, is tele-existence - once again, a real military concept, and it has been introduced in videogames such as Zone of The Enders and Metal Gear Solid 2 (the mass-produced unmanned Metal Gear RAY is operated through 'tele-existence'.
- It is true that they romanticize the indigenuous people as somehow superior to that of the regular human beings - methinks there is an intentional commentary there on the wholesale slaughter of Native-Americans. Also - the lead character giving up his body and preferring the 'avatar'/'remote vessel' - that basically fits into the agenda in the same way that Neo 'fighting' The Matrix by hooking up to The Matrix does.

Anyway, if you go to any movie while keeping in mind that this is NOT entertainment (Jacques Ellul: 'All fiction is propaganda'), then the basic propaganda message it is trying to instill won't really penetrate that deeply. It's once you start sympathizing and relating to the characters that it can really leave a deep imprint on the soul - and that can be dangerous especially if it's the wrong movie with the wrong message.

Another thing - back in Plato's day, people were basically required to watch 'entertainment' - because that is how propaganda was doled out to the public. These days, we voluntarily go to the movies - and the imprinting starts there.

So, is Avatar the catalyst for this global warming/climate change cult? I really doubt it - I didn't hear any malarky about carbon taxes, CO2 polluters and so on. What it IS the catalyst for, however, is digital identity and losing oneself in a half-real, half-fake reality, where eventually the 'fake reality' becomes more real than the 'real one', and you end up preferring the illusion. This is basically why people go to movies in the first place - because they are disappointed in themselves because deep down they know they amount to jack all - they are not this terribly hot, impressive chick magnet that they imagine themselves to be - they are not this incredibly successful businessman, captain of industry or this woman that everybody wants to go to bed with - so they want some escapism so they can lose themselves in the role of James Bond or some other 'avatar'.

This movie basically pushes that to the next level with some well-implemented 3D effects (still a bit on the gimmicky side, though - but the potential is here for some serious mindbombing - if they really master this technique, you can kiss goodbye any semblance of a sentient, half-awake public - it is already at this stage, but with 3D movies there's the potential for far more damage done to the brain).

This is what Avatar basically is:

Princess Mononoke (defend the rainforest/everything in nature in equilibrium with each other/Gaia hypothesis) + Final Fantasy VII (Gaia hypothesis/ecoterrorism/evil corporation mining resources/the dragons/Wyverns they use/couple with) + Halo (the art direction + the planet + the marines' rugged look) + network-centric warfare + tele-existence biotech bodysuits.
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Michal Ptacnik
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« Reply #681 on: February 15, 2010, 05:57:22 PM »

Quote
Princess Mononoke (defend the rainforest/everything in nature in equilibrium with each other/Gaia hypothesis) + Final Fantasy VII (Gaia hypothesis/ecoterrorism/evil corporation mining resources/the dragons/Wyverns they use/couple with) + Halo (the art direction + the planet + the marines' rugged look) + network-centric warfare + tele-existence biotech bodysuits.

Whether intentional or not, Avatar is a basically rip off of the superb computer game called "Albion," which came out in 1995. It was about an evil corporation (called ironically Doimir-Daihatsu-Thompson, that is, DDT) trying to mine a Gaia planet dry, and there are beings living down there who immediately remind me of the Na'vi - tall, cat like, with strange triangular foreheads, and with dots over their bodies. The good guys also join the side of the planet in the end.

But it's the details which make me think this is not just a coincidence. There are "Gaia carrier" plants called Triifalai on Albion, while in Avatar we have the interconnected trees; there is grass which shines when stepped on, and the jungle itself simply feels like being on Nakiridaani (a jungle continent on Albion). In the end (spoiler), the planet is also beseeched to help in Albion, just as they do so in Avatar.

Iskai, the natives: http://albion.gratogel.de/wiki/images/Screenshot-giria.jpg
Another Iskai, this time male, note the tail: http://albion.gratogel.de/wiki/images/Charakter-drirr2.png
The jungle: http://albion.gratogel.de/wiki/images/Map-landung.png, much more Avatar-like when in actual game.

Oh and by the way the game begins with the hero having a dream about his journey on the planet and also about how the terran civilization had taken the wrong turn. And it begins on a spaceship. And the hero finds himself confronted with the truth by an accident (a deliberate murder attempt, in fact, but it looks like an accident at first), and otherwise he'd probably not have discovered what is really going on. And the list could surely go on and on.

Seems to me perhaps that Cameron's children or grandchildren played this game and he liked it, so he decided to make it a movie, or something similar having happened. Play it yourself to find out if you agree with me, it's really a great story. Smiley
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« Reply #682 on: February 15, 2010, 06:07:22 PM »

The Mind-changing Myths of AVATAR - Blending Hinduism, Shamanism and Goddess Spirituality
http://www.crossroad.to/articles2/010/avatar.htm
http://z4.invisionfree.com/The_Great_Deception/index.php?showtopic=7774&st=0&#last
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« Reply #683 on: February 15, 2010, 07:01:18 PM »

All those subliminals like names out of adjectives etc or like unobtanium will only work on an english audience. And although my english skills are quite good I didnt even catch unobtanium since it was pronounced differently.

When I heard the word ‘Unobtainium’ it reminded me of something best summed up by the following.

“Does any body else get annoyed that advertisers use expressions like "Bifidus Actiregularis / Bifidus Regularis / Bifidus Digestivum / Bifidobacterium Lactis" in attempt to make their product sound better than it really is?
I am going to be doing a night on advertising in November on this this theme, speciffically about teenagers and outdoor activities so I couldn't help but start with good old Activia.

I was amused to find the following

"Bifidus Actiregularis, Bifidus Regularis, Bifidus Digestivum, Bifidobacterium Lactis and its variants are marketing names generated by Danone (known in the United States of America as Dannon) for one of the specific bacteria it uses in its "Activia" range of yoghurt products.
According to a reply received from Dannon by the Writerious blog, Bifidus Regularis (and therefore presumably all the variations of Bifidus...) is a proprietary strain of Bifidobacterium.

The source of "Bifidus" is from the intestinal bacterium Bifidobacterium animalis, a kind of bacteria found in the large intestines of most mammals, including humans.

"Actiregularis" is an invented word, the first half of which which emphasises the active nature of the bacteria. In common with with Bifidus Regularis, the "regularis" part emphasises being "regular" and the "is" at the end suggests a scientific derivation. The bacteria is known as Bifidus Actiregularis in UK marketing materials and Bifidus Regularis in marketing materials from the USA.

Bifidus Actiregularis used to be called Bifidus Digestivum in UK marketing materials. "Digestivum" is an invented word which uses "digestive" as a root to suggest beneficial effects on digestion, combined with the latinate ending "um" to suggest a scientific derivation"

So where does this bacteria come from? Cow stomachs. ell they do have four of them!


--
Stephen Rainsbury
ESL Agathoid Explorer Scout Unit
www.agathoid.org.uk(remove this bit)”

I think It’s all a bit much though guys, I mean come on It’s just a movie, It may well be subliminally laced as most things are you watch now days.
I’m confident the over all message was a positive one, but I’m also sure the scar faced general in his ultra combat droid will outsell the blue bloke on his dragon, and there layeth’ a clue as to what I believe tis really all about.

I’ve seen it twice now and as you can probably tell it hasn’t had a profound effect on me but I still maintain it’s a fantastic movie.
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squarepusher
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« Reply #684 on: February 16, 2010, 01:55:43 AM »

Whether intentional or not, Avatar is a basically rip off of the superb computer game called "Albion," which came out in 1995. It was about an evil corporation (called ironically Doimir-Daihatsu-Thompson, that is, DDT) trying to mine a Gaia planet dry, and there are beings living down there who immediately remind me of the Na'vi - tall, cat like, with strange triangular foreheads, and with dots over their bodies. The good guys also join the side of the planet in the end.

But it's the details which make me think this is not just a coincidence. There are "Gaia carrier" plants called Triifalai on Albion, while in Avatar we have the interconnected trees; there is grass which shines when stepped on, and the jungle itself simply feels like being on Nakiridaani (a jungle continent on Albion). In the end (spoiler), the planet is also beseeched to help in Albion, just as they do so in Avatar.

Iskai, the natives: http://albion.gratogel.de/wiki/images/Screenshot-giria.jpg
Another Iskai, this time male, note the tail: http://albion.gratogel.de/wiki/images/Charakter-drirr2.png
The jungle: http://albion.gratogel.de/wiki/images/Map-landung.png, much more Avatar-like when in actual game.

Oh and by the way the game begins with the hero having a dream about his journey on the planet and also about how the terran civilization had taken the wrong turn. And it begins on a spaceship. And the hero finds himself confronted with the truth by an accident (a deliberate murder attempt, in fact, but it looks like an accident at first), and otherwise he'd probably not have discovered what is really going on. And the list could surely go on and on.

Seems to me perhaps that Cameron's children or grandchildren played this game and he liked it, so he decided to make it a movie, or something similar having happened. Play it yourself to find out if you agree with me, it's really a great story. Smiley


It's fortunate for Cameron that this still managed to be (technically) a good and impressive film and that he managed to tie this all into an 'augmented reality/tele-existence' framework - otherwise he could be accused of the world's biggest rip-off since... well, since Lion King or something along that nature (which was pretty much a blatant rip-off of a Japanese anime from the 1960s - the same goddamn story with practically the same lion-cub character), although it exceeds even that in terms of just blatant copycatting. IIRC, The Terminator was basically an unaccredited rip-off of Harlan Ellison's shorts. The thing with Cameron, though, is that the movies look so good and the production standards so high that you almost don't notice it's all ripped off.

Cameron has openly admitted to using Hayao Miyazaki's movies as inspiration for this, and it's not so much 'inspiration' - it's more like blatant re-use of props (the sky islands, for instance, which is from Hayao Miyazakis Laputa - the forest spirits, which is straight from Princess Mononoke - the whole 'life force/chaneling energy spirit within a network', which is straight Gaia hypothesis/James Lovelock/Final Fantasy VII/Final Fantasy Spirits Within). NOTE: The Final Fantasy games have nothing to do with Miyazaki - a better analogy for that last one would be Princess Mononoke again, or even Parasite Eve (the book and the movie as well as the game).

Also, another interesting source of inspiration - Neon Genesis Evangelion, another Japanese anime! Notice how they had to 'link' and 'synchronize' a person's DNA with his 'avatar' bodysuit? They used much of the same terminology in Neon Genesis Evangelion when the pilots had to 'synchronize' with their EVA.
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« Reply #685 on: February 28, 2010, 12:03:41 AM »




Avatar is the trailer of Pocahontas.



VIDEO
http://www.wimp.com/pocahontasavatar/
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« Reply #686 on: February 28, 2010, 02:02:56 AM »

Squarepusher and Ptacnik are taking this movie to a new level. Very impressive allusions indeed.
I definitely see the connections between Japanese anime/videogames and Hollywood film-making.
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« Reply #687 on: February 28, 2010, 08:29:46 PM »

http://www2.moment.net/~michael/Avatar.htm

A link to an analysis I did of the Avatar screenplay.  Wrote WAY more than I planned to, but Cameron's crap just kept on comin'.  Haven't seen the film and I don't really care to now.  Feel...slimey after digging through the script.

i really really enjoyed your analysis.

I have to add, though, that the biggest slam propaganda of all is the use of the name and concept AVATAR
You mentioned that an avatar is the little icon picture for computer users and assumed this was a computer tie-in, I don't think that was the main point at all.
 
Research the concept of Avatar and divinity in the Zoroastrian, Christian, Buddhist etc. tradition.

Avatar's are literally God men, who come to earth in 700 plus or minus year cycles to help guide humans towards realizing themselves as God.

Jesus was an Avatar, as was Buddha, Mohammed, Krishna, etc.  They all were different incarnations of the same divinity, and said essentially the same thing, (love, serve, put self before others, etc) and their words/lives were subsequently twisted, co=opted, ritualized, weakened and subverted by organized religion.

Cameron is taking one of humanity's most powerful, continuing, revelatory aspects of the divine and pissing all over it.  He's dissing, stripping every core belief with this, and routing out what could, and does, give humans power, light, strength and direction.

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« Reply #688 on: March 01, 2010, 06:54:04 AM »

http://www.youtube.com/watch?v=urNyg1ftMIU
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« Reply #689 on: March 15, 2010, 03:53:33 PM »

i really really enjoyed your analysis.

I have to add, though, that the biggest slam propaganda of all is the use of the name and concept AVATAR
You mentioned that an avatar is the little icon picture for computer users and assumed this was a computer tie-in, I don't think that was the main point at all.
 
Research the concept of Avatar and divinity in the Zoroastrian, Christian, Buddhist etc. tradition.

Avatar's are literally God men, who come to earth in 700 plus or minus year cycles to help guide humans towards realizing themselves as God.

Jesus was an Avatar, as was Buddha, Mohammed, Krishna, etc.  They all were different incarnations of the same divinity, and said essentially the same thing, (love, serve, put self before others, etc) and their words/lives were subsequently twisted, co=opted, ritualized, weakened and subverted by organized religion.

Cameron is taking one of humanity's most powerful, continuing, revelatory aspects of the divine and pissing all over it.  He's dissing, stripping every core belief with this, and routing out what could, and does, give humans power, light, strength and direction.



http://www.lucistrust.org/en/service_activities/e_pamphlets/a_time_of_expectancy

Humanity is experiencing a climaxing time of change with all the accompanying pain, chaos and disruption. Old forms are dying out and new ones are coming to life. Always in such times, a Teacher comes forth to inaugurate the new age, a World Saviour, an Illuminator, an Avatar, a transmitting Intermediary, a Christ. Today will be no exception to this ancient rule and universal law.

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« Reply #690 on: April 16, 2010, 01:42:36 PM »



I believe this thread is the right place for this article .... we discussed the dangers of these new 3D
technologies quiet a bit here.

WARNING!


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~



Samsung warns of dangers of 3D television
Samsung has issued a warning about the health risks of watching 3D television.
 

Published: 7:30AM BST 16 Apr 2010



 Samsung has warned elderly people, children and pregnant women to exercise caution when watching 3D TV

The world’s largest electronics firm has highlighted potential dangers the technology poses to pregnant women, the elderly, children and people with serious medical conditions.

The Korean manufacturer, whose 3D sets will hit British stores in the coming days, warned of an array of side effects viewers could suffer.

The devices could trigger epileptic fits or cause ailments ranging from altered vision and dizziness to nausea, cramps, convulsions and involuntary movements such as eye or muscle twitching, it said.

Those who have been deprived of sleep or who have been drinking alcohol are also advised to avoid watching 3D television.

The scale of the warning threatens to overshadow the launch of 3D, which has been billed as the future for television by manufacturers and broadcasters.

The technology has been given a boost by 3D blockbuster films such as Avatar and Alice in Wonderland and is being pushed by Sky for enhancing its football coverage.

To view television in 3D, users wear special glasses which bombard the eyes and brain with a succession of flashing images that appear for a fraction of a second.

However, the technology puts unusual strain on the body, hence Samsung has advised viewers to take regular breaks to prevent suffering side effects.

Samsung’s statement, posted on its website, says: “Children and teenagers may be more susceptible to health issues associated with viewing in 3D and should be closely supervised when viewing these images.

“Some viewers may experience an epileptic seizure or stroke when exposed to certain flashing images or lights contained in certain television pictures or video games. If you suffer from, or have a family history of epilepsy or strokes, please consult with a medical specialist before using the 3D function.

“Even those without a personal or family history of epilepsy or stroke may have an undiagnosed condition that can cause photosensitive epileptic seizures.

“Pregnant women, the elderly, sufferers of serious medical conditions, those who are sleep deprived or under the influence of alcohol should avoid utilising the unit’s 3D functionality.

“Viewing 3D television may also cause motion sickness, perceptual after effects, disorientation, eye strain and decreased postural stability. It is recommended that users take frequent breaks to lessen the potential of these effects.

“If your eyes show signs of fatigue or dryness or if you have any of the above symptoms, immediately discontinue use of this device and do not resume using it for at least thirty minutes after the symptoms have subsided.”

“Watching TV while wearing 3D glasses for an extended period of time may cause a headache or fatigue. If you experience a headache, fatigue or dizziness, stop viewing TV and rest.

http://www.telegraph.co.uk/technology/news/7596241/Samsung-warns-of-dangers-of-3D-television.html


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« Reply #691 on: April 16, 2010, 05:18:51 PM »


Avatar director James Cameron vows to fight on against Amazon Dam

    * From correspondents in Washington
    * From: AFP
    * April 17, 2010 8:58AM

AVATAR director James Cameron has vowed to fight on for the indigenous people of the Amazon after a Brazilian court overturned a ruling that would have halted construction of a huge dam that would flood tribal lands.

"We are disappointed but we knew this would be a long battle," Cameron told AFP by phone during a brief visit to Washington.

"If Brazil lets me back in, I would love to come back down and work with the indigenous people I met" during several visits to the vast South American country after the release of Avatar, Cameron said.

"But I want to go back as a film-maker, not a sign-waver. I want to film the culture of the Kayapo Indians and let the world see how they live in harmony with the forest," he said, evoking strong parallels with Avatar.

The blockbuster movie tells the story of the peaceful Na'Vi people who live in harmony with nature on the planet Pandora and are forced to wage a bloody fight against strip-miners from Earth who have no compunctions about destroying the Na'Vi culture to get their hands on a precious mineral, unobtainium.

"Avatar was based on real but abstract stories. It came out of articles in National Geographic and documentaries on TV.

"But after meeting the indigenous people of the Amazon with whom we communicated very clearly and emotionally, it's real for me. And it's personal," Cameron said.

After he had finished filming Avatar, the veteran film director and self-avowed environmentalist travelled several times to Brazil on fact-finding missions to "drill down and study the tectonic interface between progress pushing up against the natural world and bulldozing it out of the way".

"It's happening now and it's a reality for these people" in the Amazon, he said, adding that his visits to Brazil had helped to shine an international spotlight on the fight being waged by Amazon communities to preserve their forest and river communities.

"Through our visits, we were able to get the story on the front page of newspapers in the US, and I don't believe that the powers that be in Brazil really expected that kind of media scrutiny of a process they had tried to keep out of the public eye," Cameron said.

http://www.news.com.au/breaking-news/avatar-director-james-cameron-vows-to-fight-on-against-amazon-dam/story-e6frfku0-1225854818134
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« Reply #692 on: April 17, 2010, 08:20:25 AM »





http://english.aljazeera.net/news/americas/2010/04/201041751748514609.html

UPDATED ON:
Saturday, April 17, 2010
12:14 Mecca time, 09:14 GMT


Court approves disputed Amazon dam


A Brazilian judge has overturned a decision that could have delayed construction of a huge Amazon dam opposed by locals, environmentalists and the director of the film Avatar.

The judge in Brasilia, the country's capital, reversed on Friday a decision to suspend contract bidding scheduled for next week for the 11,000MW Belo Monte dam, according to a statement by Brazil's solicitor-general.

He also said that the judge overturned the suspension of the environmental licence for the dam.

Renato Brill de Goes, the federal prosecutor who is acting on behalf of dam opponents, questioned why the dam was put back on track so quickly, just a day after the suspensions were appealed by the government.

He said that an appeal would be filed against this decision.

'Big steamroller'

James Cameron, the Avatar director, who recently spent a week in Brazil protesting against the dam, asserted that government pressure played a role in the quick court reversal.

"The justice system in Brazil has succumbed to government pressure and justice was not served in this case," he told Al Jazeera.

"The battle is not over and, in any event, we made news while we were."

The original decision halting the dam from going forward had come on Wednesday, when Cameron was visiting a small city near the proposed dam site.

Aneel, Brazil's electricity regulator, resumed plans to hold an auction on Tuesday to choose a consortium.

The consortium that offers the lowest price for producing electricity will build the $11bn dam and sell electricity to the nation.

Battle not over

Amazon Watch, a San Francisco-based group that works to protect the rain forest and the indigenous people living there, pledged on Friday to continue backing the anti-dam campaign.

"We are committed to supporting Brazilian indigenous peoples who have vowed to fight to stop the Belo Monte dam," the group said.

Amazon Watch members accompanied Cameron on his Brazil visit and said that "the battle is not over.

"This dam is one of the most destructive projects ever undertaken in the Amazon".

Belo Monte would be the world's third-largest hydroelectric energy producer, behind China's Three Gorges dam and the Itaipu dam that straddles the border of Brazil and Paraguay.

Environmentalists and indigenous groups say Belo Monte would devastate wildlife and the livelihoods of 40,000 people who live in the area to be flooded.

They also argue that the energy generated by the dam will largely go to big mining operations, instead of benefiting most Brazilians.

Luiz Inacio Lula da Silva, the Brazilian president, has repeatedly insisted that the dam is essential, and says it will provide clean and renewable energy to feed increasing demand.

Latin America's largest nation has a fragile energy grid that was hit last year by a blackout that darkened much of the nation.

Belo Monte would supply six per cent of the country's electricity needs by 2014, the same year Brazil will host soccer's World Cup and just two years before Rio de Janeiro holds the 2016 Olympics.

International issue

Lula has suggested that foreigners should not tell Brazil what to do in the Amazon.

But Cameron said the nation's jungle is an international issue because the Brazilian Amazon is seen by many as the world's biggest natural defence against global warming.

It acts as a "sink", or absorber, of carbon dioxide while also serving as a contributor because about 75 per cent of Brazil's emissions come from rain-forest clearing, as vegetation burns and felled trees rot.

"I am sure (Silva) doesn't like us poking around in his affairs, but this is an international issue," Cameron said.

"The international community needs to engage on this issue because it affects all of us."

Media attention

Cameron said he believes his opposition to the dam will give opponents a boost because his presence has focused media attention on the issue.

"The tug of war has become quite public in the media in Brazil and internationally, and that's a gain because up until now the people affected by the dam haven't had a voice," he said.

Sigourney Weaver, actress who starred in Avatar, accompanied Cameron to the jungle city of Altamira and to Brasilia for a protest march.

Their visit was reminiscent of a 1989 trip by the rock star Sting, who protested against the same dam alongside Indians in an event that helped persuade international lenders not to finance it.

Brazil was reeling under a heavy foreign debt at the time.

But an economically booming Brazil no longer needs money from abroad now to build the dam.
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