MTV AWARD SHOW - Mock human sacrifice, luciferian initiation for all the kiddies

[Dig]

The famous JFK speech. Nothing but truth. U know what he's trying to say?

That he has looked the devil in the eye and said...

"F*CK YOU AND YOUR F*CKED UP PSYCHOPATHIC GENOCIDAL AGENDA

IF THIS WAS ENGLAND I WOULD HAVE TO GO BUT SINCE THIS IS AMERICA YOU HAVE TO GO!"

And then they proved how much power England still had and blew the brains out of his head for all the world to see.

And now it is up to us to allow these feudalistic maniacs to continue driving us into slow extermination and bankruptcy or prove that JFK was right and that things are indeed different here.

[AtomicBlythe]

Do u know who owns the walt disney company?
That might shed some light

I think you might be preaching to the choir

[Dig]

Do u know who owns the walt disney company?
That might shed some light

Key people   
http://en.wikipedia.org/wiki/The_Walt_Disney_Company


Robert A. "Bob" Iger President & CEO
John E. Pepper, Jr. Chairman
Roy E. Disney Director Emeritus
Steve Jobs Chief Shareholder
Anne Sweeney President, Disney-ABC Television Group & Co-Chair, Disney Media Networks

~~~~~~~~~~~~~~~~~~~~~~~~

John E. Pepper, Jr.
http://en.wikipedia.org/wiki/John_E._Pepper,_Jr.
From Wikipedia, the free encyclopedia

John E. Pepper, Jr. serves as chief executive officer of the National Underground Railroad Freedom Center and chairman of the board of The Walt Disney Company. Previously, he served as vice president of finance and administration at Yale University from January 2004 to December 2005. Prior to that, he served as chairman of the executive committee of the board of directors of The Procter & Gamble Company until December 2003. In May 2007, Yale University Press published Pepper's book "What Really Matters," entailing his experience with service, leadership, people, and values.

From 1963-2003, he served in various positions at Procter & Gamble, including chairman of the board from 2000-2002, chief executive officer and chairman from 1995-1999, president from 1986-1995 and director from 1984-2003. Pepper serves on the board of Boston Scientific Corp. and is a member of the executive committee of the Cincinnati Youth Collaborative. Pepper has been a director of The Walt Disney Company since 2006.

Pepper graduated from Portsmouth Priory (now Portsmouth Abbey School) in 1956 and from Yale in 1960, where he served on the board of the Yale Daily News. He served as a fellow of the Yale Corporation from 1995 to 2003, including two years as senior fellow, and also served as a member of the Advisory Committee of the Yale School of Management.

Mr. Pepper was inducted into the Junior Achievement U.S. Business Hall of Fame in 2008.

~~~~~~~~~~~~~~~~~~~~~~

Company Officials   Company Founders   Walter Elias Disney · Roy Oliver Disney

Board of Directors   Susan Arnold · John Bryson · John S. Chen · Judith Estrin · Robert Iger (President, CEO) · Steve Jobs · Fred Langhammer · Aylwin Lewis · Robert Matschullat · John E. Pepper, Jr. (Chairman) · Orin C. Smith

~~~~~~~~~~~~~~~~~~~~~~~

More than you will ever want to know about Disney: http://forum.prisonplanet.com/index.php?topic=92676.msg539035#msg539035

[Dig]

McMartin Preschool Case - What Really Happened and the Coverup
http://74.125.47.132/search?q=cache:KW39oN_fQocJ:ritualabuseinfo.livejournal.com/1202.html
Sep. 3rd, 2008 at 1:15 AM

Ray Buckey's Press Corps and the Tunnels of McMartin - From: Psychic Dictatorship in the USA, Alex Constantine (Feral House, 1995).

A fusillade of press reports, OpEd Columns and television documentaries have dismissed the McMartin case as a "witch hunt" born of mass hysteria, coercive therapy, false memories and greed. Yet all seven jurors attending a press conference after the second trial raised heir hands when asked who among them believed children had been abused at the preschool. So why the call to public denial from the press?

After the initial flurry of press coverage of the McMartin Preschool molestation case, a number of sympathetic reporters and psychiatrists publicly exonerated Ray Buckey and his co-defendants. This observer's gallery of "skeptics" also deny that ritual abuse is a social problem. The argument consistently leads to the lament that the McMartin allegations were incited by mass hysteria, an ambitious district attorney and an incompetent child therapist. The hysteria thesis, promoted by a small group of pedophile defense psychologists, mostly, has appeared in publications of stature including the Los Angeles Times, San Francisco Chronicle, Wall Street Journal, Village Voice, Harper's, New Yorker, Newsweek,. The McMartin case was the subject of an Oliver Stone cable feature.

Media boosters of the defense neglect to acknowledge the most damning evidence in the McMartin case. Instead, they explain away superficial, carefully-sifted pieces of the case. In preparation for the trial, 389 toddlers were interviewed - nearly all of them described abuse at the preschool, and do to this day. Some 80 percent had physical symptoms, including blunt force trauma of sexual areas, scarring, rectal bleeding and sexual diseases. Interestingly enough, skeptics of ritual abuse in the public print often have dubious bona fides themselves. Some even participate secretly in the pedophile and occult undergrounds, most notably a couple of Los Angeles writers who have written the only two book available on McMartin, taking mental health professionals, police, the press and prosecutors to task for pursuing false allegations of abuse.

The Politics of Child Abuse, by Paul and Shirley Eberle, purports to be something of a definitive investigation. A blurb for the book exults: "This has got to be one of the most devastating political detective stories of all time. The authors smashed open the child abuse witch-hunt so everyone can see it for what it is - the way it really happened, and why. Here is the amazing story, starting with the first spectacular accusations, the marathon pre-trial hearing, the endless series of false accusations." Since the Eberles' first McMartin book appeared in 19896, the Eberles have achieved national status as child abuse experts. In courts of law their work is frequently cited, and they lecture widely to receptive audiences.

The Eberles once appeared as featured speakers at a conference held by Victims of Child Abuse Laws (VOCAL), an organization that feted The politics of child Abuse as positively revelatory. But Paul and shirley Eberle can hardly be considered credible reporters. Blurbs in their own pornographic tabloid, L.A. Star, failed to mention that in the 1970s the authors once ran an underground tabloid for pedophiles in Los Angeles, Finger, which delved heavily into sadomasochistic sex, sex with children and sex acts involving human excrement. Finger contained sexual drawings by children and pedophile erotica, including "My First Rape," "She was Only Thirteen," "Sexpot at Five," and "What Happens when Niggers Adopt White Children." One issue featured a cover photo of two naked adults reclining amid a pile of inflated dolls. A letter to Finger declaimed: "I'm a pedophile and I think it's great a man is having sex with his daughter.... Would like to see pics of nude girls making it with their daddy, but realize its too risky to print."

The book's publisher, Carole Stuart of Lyle Stuart & Co., told Ms. magazine that the Eberles have been "friends of the family for years." In The Politics of Child Abuse, the Eberles claimed that since the McMartin arrests, "we have been barraged with hundreds of sexual abuse cases, in which many people have been sent to prison for staggeringly long terms on little or no evidence." That the Eberles themselves remain at large would seem to contradict the notion that child abuse laws are stringently over-enforced. The Eberles attempt to portray every abuser as a victim of the justice system: We believe that every molestation case in which there has been a conviction should be reopened and reviewed. There is convincing evidence that innocent people have been imprisoned, that naive juries and judges were unable to believe the defendants would be brought to trial if no crime had occurred, and defense attorneys have not been allowed to bring all the pertinent facts before the public.

Los Angeles attorney Sally Dichter, in a book review, argued that the Eberles have "nothing to offer to any discipline." The book she lamented, "is an attempt to vindicate every individual who has been convicted of child abuse." Considering their credentials as child pornographers, of course the Eberles, as Dichter discovered, believe "every molestation case in which there has been a conviction should be reopened and reviewed." Dichter found this point of view unbelievable: "The Eberles seem intent on convincing the reader that child abuse never occurs." The authors "skepticism" of ritual child abuse is shared by Gerald Larue, professor emeritus of Biblical history and archeology at the University of Southern California. Larue is one of the principals behind the Noah's Ark hoax, which culminated in February 1993 with a two-hour CBS prime-time special, "The Incredible Discovery of Noah's Ark, billed by CBS as a documentary. Scholars immediately denounced it. The network refused to retract.

Satanism in America, a book that Larue co-wrote, attributed the McMartin case to a "satanic panic" incited by wild-eyed "religious fanatics, opportunists and emotionally unstable survivors whose stories simply are not to be believed" ---- an agonizing irony given Larue's instigation of the Noah's Ark hoax. He argues that the "child abuse hysteria sweeping the country us being fueled by people for whom facts have no meaning. They invent 'facts.'"

Langley Connections and the Rise of the Child Abuse Backlash

Another "expert" who has dismissed McMartin as a classic witch-hunt is Dr. Douglas Besherov, once the director of the National Center on Child Abuse and Neglect. He is also a directory of the rabidly right-wing American Enterprise Institute, a Washington D.C. think tank To supplement his weighty credentials, Besherov writes for academic social and political quarterlies with long histories of collaborating with the CIA for propaganda purposes. He is a coeval of Irving Kristol, a veteran CIA psychological warfare specialist. In 1976, the Congressional Church committee hearings revealed that the CIA is deeply entrenched in the American press. Some 400 journalists, it emerged at the hearings, had collaborated with the Agency at least once. CIA propagandists like Besherov and Kristol provide others in the field with a scholastic support base, and mold opinion on campus. with such CIA-anchored academic journals as Encounter and The Public Interest, both edited by neo-con Kristol. In 1986, Public Interest published a monograph by Dr. Besherov entitled "Unfounded Allegations - A New Child Abuse Problem." Besherov opens with the observation of legal scholar Sanford Katz that "the maltreatment of children is as old as recorded history. Infanticide, ritual sacrifice, exposure, mutilation, abandonment, brutal discipline and the near slavery of child labor have existed in all cultures."

Dr. Besherov, left dry-eyed by such conditions, blamed the media and mandatory reporting laws for dragging child abuse out of the closet (where he seems to prefer it) and blowing the severity of the problem out of proportion. Besherov's influential follow-up article, "Doing Something About Child Abuse: The Need to Narrow the Grounds for State Intervention," was published in 1985 by Irving Kristol and the American Enterprise Institute. In it, Besherov argues that most allegations of child abuse are statistically unfounded. His slipshod use of statistics drove the Child Welfare League of America (CWLA) to publicly find him responsible for leading the public "to believe that child abuse is leveling off or that, as reports increase, the level of substantiation decreases." The CWLA notes that its survey results indicate a "substantial increase in reports," and "a stable rate of confirmation," directly contradicting Besherov's statistical red herring. Turning to the children removed from their homes by social workers, Besherov states flatly: "According to data collected by the federal government, it appears that up to half of these children were in no immediate danger at home and could have been safely left there."

The government "data" cited by Besherov derives from a study conducted by the National Center on Child Abuse and Neglect. The authors of the study told New York Times reporter David Hechler that "the information is not there" to support Besherov's assertion that half of all abused children left in the custody of their parents are in "no immediate danger." "He has used our statistics in this case to prove a point when (he) simply can't do it," a Center researcher told Hechler. When asked for his response, the AEI scholar refused to comment. By fabricating statistics, Besherov reveals himself to be a propagandist. Have unfounded allegations led to a national McCarthyite frenzy, as Besherov contends? "I'm sure there are false allegations,," concedes David Finkelhor, a sociologist specializing in child abuse. "I'm sure when people are caught up in false allegations it's terrible." But in criminal cases of all kinds, "there's always the possibility of false allegations, and I don't think they're more severe in the area of child abuse that they are in -- I want to say something innocuous - people making false allegations about having had money stolen from them, or false allegations of embezzlement." Besherov's work has given rise to such hysteria-producing diatribes as "False Accusations of Child Abuse: Could it Happen to You." (Women's Day, July 8, 1986), and "Invasion of the Child Savers: No One is Safe in the War Against Abuse" (Progressive, September, 1985) - both are adventures in hyperbole, like Besherov's cooked statistics.

"Family abuse," by A.C. Carlson, another protégé of Irving Kristol. appeared in Reason magazine, a publication that has frequently runs CIA disinformation. Hechler writes that Carlson has gone "even further than Besherov, inflating the unfounded rate beyond belief." Erroneously, in fact, Carlson laments that "the victims pile up," like corpses in a pile, and commiserates needlessly with "the sky-rocketing number of parents and teachers falsely accused of child abuse."

Ritual abuse "skeptics" with CIA connections are covering up the latest phase in Agency-sponsored mind control experimentation. For thirty years Agency scientists have collaborated with cults (many of them founded by the government) to conceal the development of mind control technology. Jim Jones and the People's Temple was one product of the alliance. McMartin was another. Both episodes have been buried in disinformation. The campaign to mislead the public about ritual abuse is ambitious, rivaling the campaign to conceal the facts in the murder of John F. Kennedy. The smokescreen is also explained in part by reports implicating the CIA in child prostitution for the purposes of political blackmail - a variation on the age-old sex trap. CIA agents have been directly involved in organized child sex rings. In Enslaved (1991), an investigation of the worldwide slavery underground, Gordon Thomas found Agency participation in the kidnap of Latin American children "flown across the border in light aircraft, and sold to child sex rings, or sold so their organs could be used in transplants." Some of the pilots, Thomas discovered, "made two or three flights a day. The more experienced used Beech 18s because of the aircraft's capacity and maneuverability. The majority of the fliers were mercenaries who had flown for the CIA."

Ray Buckey's father, Charles, worked for Hughes Aircraft. There is an old adage that holds "Hughes is the CIA." Charles Buckey built the McMartin Preschool. According to carbon dating readings, the tunnels unearthed beneath the preschool were dug in 1968 - the year the school was built. Buckey Sr. testified on the stand that there were no tunnels. The media has been completely silent on this score, which brings us to...

The Tunnel Cover-Up

El Paso reporter Debbie Nathan, utterly convinced of the defendants' innocence, entered the fray in The Village Voice, and has appeared in newspapers across the country, including The L.A. Weekly, Sacramento Bee, San Francisco Chronicle, and elsewhere. She has been honored with the Free Press Association's H. L. Mencken Award, and Northwestern University's Medill School of Journalism prize. She is a leading proponent of the "mass hysteria" thesis, the notion that many child abuse allegations are "unfounded." Her cavalier dismissal is not supported by objective research. Dr. David Chadwick of San Diego's childrens' Hospital, in the Journal of the American Medical Association (May 26, 1989), contends that 8 percent of all abuse allegations are unfounded, at most, and are "rather easily distinguishable in a careful review."

At times it is difficult to tell whether Nathan is a "skeptic" or an apologist of sexual abuse. "Most pedophilia," she contends, "consists of caressing and fondling. for most children, these experiences appear to be at best confusing, at worst traumatic. But others seem to willingly participate, and some adults recall that while still legally minors they accepted, even welcomed, sex with grown-ups." Nathan doesn't condemn the abuser. After all, "compared to the abuses of a child protection movement gone mad, could incest be any worse?"

Alex Cockburn is a Nathan supporter, and has on occasion gotten caught up in her pro-pedophilic obfuscations, as in this diatribe from The Nation for March 8, 1993: As a Miami-based anthropologist, Rafael Martinez, consultant to the Dade County Medical Examiner's Office, told Nathan, in traditional Latin American cultures "kissing and hugging is common with children up to three or four years old. It is common for females to kiss children all over the place - including on the genitals.

The practice of kissing children on the genitals may be traditional in some cultures, but it is frowned upon by the Manhattan Beach preschool licensing board. Alex Cockburn's skepticism toward ritual abuse was summed up in an editorial appearing in the February 8, 1990 Wall Street Journal, "The McMartin Case: Indict the Children, Jail the Parents." The son of a British spy, and a loquacious defender of the Warren Commission, Cockburn has such strong feelings about the McMartin case that he once publicly maligned an editor of the L.A. Weekly for refusing to print a recommendation that "the tots bearing false witness in the McMartin preschool case be jailed for perjury."

His primary source on the subject of child abuse, Debbie Nathan, is herself something of a false witness. In 'What McMartin Started: The Ritual Abuse Hoax" (Village Voice, June 12, 1990), Ms. Nathan moaned that "children at McMartin told of being molested in tunnels under the school. None were ever found, but until recently parents were still digging." In fact, 30 days before Nathan's article appeared, the tunnels were discovered beneath the preschool by scientists hired by the parents, confirming the testimony of the children. The project employed a team of archeologists from local universities, two geologists, a professional excavator, a carbon-dating specialist and a professional photographer to document the dig's progress and findings. The longest tunnel was six feet beneath the preschool, running eastward 45 feet from the southwest wall, and ten feet along the north wall. The tunnel walls were held in place by support beams and a roof of plywood and tarpaper. A branch of the tunnel led to a nine-foot chamber (the "secret room" described by the children?). Another extended from the preschool to the triplex next door, surfacing beneath a roll-away bathtub. Forensic tests on thousands of objects found at the site - including two hundred animal bones - were conducted.

Until the tunnels were found, the L.A. Times covered the dig - with a smirk. The parents and scientists involved were portrayed as crack-pots - until the existence of the tunnels were substantiated by experts, at which time the newspaper abruptly stopped reporting the story. the public was left with the false impression that the search had failed. Critics of the excavation pointed out that District Attorney Ira Reiner had already searched for tunnels. At best, this is a half-truth. Reiner's team tore up a bit of floor tile, but did not even bother to remove the glue that held it in place. The D.A.'s team, as it happens, dug up the lot next to the preschool, not underneath. "Actually," McMartin mother Jackie MacGauley, who supervised the excavation, notes, "we were the first to dig on the property." The search for the tunnels was undertaken with ground-penetrating radar to probe for inconsistencies in the soil. A bell-shaped area of disturbed earth was discovered along the foundation of the west wall. The tunnels beneath the opposite wall was unearthed (precisely where the children said it would be found all along) beneath the foundation. A [passage had been knocked through the concrete. "It was interesting," MacGauley told L.A.'s Pacifica Radio, "because a lot of the child development specialists, psychiatrists and therapists across the country thought that it was some psychological phenomenon that the kids would talk about tunnels. Somehow that idea got 'planted,' and they had all these theories as to why all the kids would talk about something like this. It obviously couldn't be true. And the district attorney at the time just flatly did not believe it, and really didn't want to look." Neither did the press.

A Cottage Industry of Child Abuse Debunkers

"MODERN WITCH-HUNT - CHILD ABUSE CHARGES" bawled a Wall Street Journal editorial for February 22, 1993. But the tone of the column was dry and high-toned. Dr. Richard Gardner, professor of clinical psychiatry at Columbia University, cautioned that "a great wave of hysteria" had gripped the country. In the early 90s, the mass hysteria premise was touted by big city newspapers and magazines of elite stature, all attempting to persuade - with evident bias and inflated "expert" opinion - that false child abuse charges were endemic. This school of disinformation coaxed public opinion with dire exhortations of a child abuse witch-hunt. In his Wall Street Journal comments, Dr. Gardner warned that a great wave of hysteria, "by far the worst" in history, the most devastating "with regard to the number of lives that have been destroyed and families that have been disintegrated."

Gardner's basic argument is that allegations of child abuse are often fabricated by parents embroiled in custody disputes - another explanation not supported by statistics, the ones Gardner ignores. One study found that a mere two percent of all abuse accusations stem from visitation and custody disputes. Other researchers have placed the percentage slightly higher.) As for "mass hysteria," one of the earliest promoters of this thesis was Ralph Underwager, co-author with his wife, Hollida Wakefield, of Accusations of Child Sexual Abuse. "Few physicians will wish to invest the time and money ($70) to own or even read this book," complained a reviewer for the Journal of the American Medical Association. "It is of little value to those who work with abused children except as it may be important to be aware of all points of view. The book will be doubtless be useful to attorneys defending persons accused of sexual abuse of children. It appears to have been written particularly for that audience.... The authors cite over 700 references, but they do not really review this body of literature. When a given reference fails to support their viewpoint, they simply misstate the conclusion."

Since 1974, Dr. Underwager has been the director of the Institute for Psychological Therapies in Northfield, Minnesota. He has since been frequently called upon to provide expert testimony - in the late '80s he spent 60-70 percent of his professional life shuttling between courtrooms. He is the author of numerous articles debunking the credibility of ritual abuse victims. Dr. Underwager has frequently been cited by Debbie Nathan as a leading authority on the subject. Lisa Manshel, author of Nap Time, an account of the New Jersey ritual abuse case, found that "child sexual abuse was not his field of knowledge," but "it was his field of courtroom practice. He proliferated the opinion, 'No one knows how to tell accurately whether a child's been abused' throughout the nation's courts." He has testified in most states, and by satellite in foreign countries, before at least 200 juries." Dr. Underwager once stated on the stand that he considered it "more desirable that a thousand children in abuse situations are not discovered than for one innocent person to be convicted wrongly." Dr. Underwager, a founder of the False Memory Syndrome foundation, is an ordained Lutheran minister. He believes, he once said in an interview appearing in an Amsterdam journal for pedophiles, , that sex with children is not only acceptable, but "God's will."

Q: Is choosing pedophilia for you a responsible choice for the individual?

Underwager: Certainly it is responsible. What I have been struck by as I have come to know more about and understand people who choose pedophilia is that they let themselves be too much defined by other people. That is usually an essential negative definition. Pedophiles spend a lot of time and energy defending their choice. I don't think a pedophile needs to do that.

Underwager insisted that pedophiles "should attack the concept, the image, the picture of the pedophile as an evil, wicked and reprehensible exploiter of children." Following the interview, Underwager was forced to resign as a founding member of the False Memory Syndrome Foundation (which is largely directed by CIA psychiatrists with backgrounds in mind control experimentation) The London Observer for December 12, 1993 reported that Dr. Underwager denied ever condoning sex with children. He added, however, that "scientific evidence" had demonstrated that "60 percent of women sexually abused as children reported that the experience was good for them. He contended the same could be true for boys involved with pedophiles..

The Descent of Mann

In a five-part series that appeared after the hung jury verdict of Ray Buckey's first trial, Los Angeles Times reporter David Shaw found that the newspaper's research files explained little of "the crucial behind-the-scenes role played by screenwriter Abby Mann." Mann's writing staff and circle of disinformationists have shaped public opinion on the McMartin case. Noel Greenwood, an L.A. Times editor, has described the wall of pro-Buckey PR thrown up by Mann and friends as "a mean, malevolent campaign conducted by people ... whose motives are highly suspect and who have behaved in a basically dishonest ... and dishonorable way." Abby Mann, an Oscar recipient for a film about the Nazi war crimes trial, Judgment at Nuremburg (an oxymoron, since there was precious little justice at Nuremburg, a carefully-managed show trial that culminated with the execution of a small clutch of Nazis, minor prison terms for some - and recruitment of thousands of others by the CIA.) From the beginning, Mann was a vociferous advocate of the McMartin defendants. "We like to think we are different from Salem," Mann sniffed at the resolution of Ray Buckey's first trial. "I don't believe that anything happened at that school."

Abby Mann has worked diligently, largely back-stage, on behalf of Buckeys. It was Mann who first interested Sixty Minutes in the McMartin case. The November 2, 1986 broadcast was decidedly biased in favor of Ray Buckey. Defense attorney Danny Davis characterized the segment as "wholly sympathetic to the defense point of view." Sixty Minutes led off with the camera panning a long couch and five of the original defendants. Mike Wallace asked: "Do these women look like child molesters?"

New York Times reporter David Hechler noted "gaping holes in the story. Why were no police or D.A.'s investigators interviewed or even mentioned? And if Ira Reiner believed the case was so weak against the five defendants, why did he wait until the five-month preliminary hearing was completed before dropping the charges? These questions were never asked." The innocence of the defendants was assumed by Wallace and crew as a foregone conclusion, and the charges against them were framed as the aberrations of nattering lunatics. Most of the Sixty Minutes segment on McMartin was taped in Abby Mann's living room. But heavily-biased media coverage was only one of the strategies quietly enacted by Abby Mann. When Deputy District Attorney Glenn Stevens was caught leaking information on the prosecution's case to Mann, he was forced to resign. No charges were brought against him. From the Los Angeles Times. Gaining the confidence of the McMartin defendants, the Manns were ultimately hired as "investigators" for the defense. That and their earlier alliance with former prosecutor Glenn Stevens sparked charges from parents of alleged child molestation victims of a conspiracy to obstruct justice for monetary gain. After Los Angeles Tmes reporter Bob Williams met Abby Mann, he wrote a flurry of memos charging the coverage of Lois Timnick, the paper's reporter on the McMartin beat, with extreme bias favoring the prosecution. The accusation was investigated by Noel Greenwood, the regional news editor at the Times. Greenwood concluded that it was Williams who'd acted with extreme bias, not Timnick. Greenwood's memoes state that Williams' memos were "reckless and irresponsible." Williams had "undermined a fellow reporter and seriously harmed the credibility and effectiveness of the Times." Williams was temporarily suspended without pay. Shortly thereafter, he went to work for Abby Mann. Williams surfaced next as a consultant to Mary Fischer, whose "A Case of Dominoes" in Los Angeles magazine drew upon the argument (first postulated by the child pornographers Paul and Shirley Eberle), that former District Attorney Robert Philobosian initiated the McMartin prosecution for political gain.

Fischer once admitted to the late Wayne Satz, the KABC television reporter who broke the McMartin story, that she wrote the article under the direction of Abby Mann. "There was never any case at all," Fischer wrote with absolute certainty. "At the very least, it is a blueprint for preying on public fears." Fischer has gone so far as to claim that therapists, parents and children attending McMartin masterminded a "conspiracy" to harass and imprison innocent people. When pressed on one occasion by Carol Hemingway, a Los Angeles talk show host, Fischer was unable to offer supporting evidence of conspiracy (as McMartin parents did), nor could she explain the motives of the conspirators. Fischer did her utmost to dismiss the medical evidence that molestation took place at the preschool. In October, 1988 the Los Angeles Times reported that medical examiners of the original 13 children scheduled to testify found "scars, tears, enlarged body openings or other evidence indicating blunt force trauma consistent with the repeated sodomy and rape they described."

One of the children bled from the anus. Some contracted venereal infections. Yet Fischer found relevant the findings of a Fresno pediatrician who refused to testify at the first McMartin trial. The 1987 study, summarized by Fischer, concluded that "any kind of irritation - not just sexual abuse - may damage children's genitals." This reader, at least, was left to ponder forms of "irritation" that might leave the McMartin children with chlamydia, confirmed by medical examinations and difficult to explain away. Fischer's follow-up McMartin story in Los Angeles for October, 1993 opined that a "hysterical tone" in press reports on McMartin was established by Wayne Satz. who died of heart failure in 1992, "causing some to speculate it was karma," wrote Fischer, an ersatz and mean-spirited elegy. "I still don't know how anyone could believe all that bull," Virginia McMartin told her. "Especially with a school as wide open as ours and people coming and going at all times. Or who could actually believe there were tunnels.. (The archeological team that led the excavation - ignored by Fischer - could have given her a guided tour.) "It shows the power of the media."

Apparently Abby Mann has a need for Ms. Fischer and the other writers in his employ. A best-selling Hollywood biographer (speaking on condition of anonymity) offers this insight into the career of Abby Mann. "He's incapable of writing scripts himself. It's true," he said, "he can't write. Abby keeps a fairly large stable of ghost writers to produce scripts in his name." Who is Abby Mann? Mae Brussell, the late Carmel-based political researcher, speculated in a November, 1987 radio broadcast that Mann is a covert operator posing as a Hollywood progressive, plying extensive media connectioins to influence public opinion. Mann's behind-the-scenes manipulations, ghosts and an exhaustive supply of funds and press contacts, support the hypothesis that Abby Mann is a media mole. Indictment, yet another disinformation effort supposedly written by Abby and Myra Mann, premiered on May 20, 1985 on HBO. The movie was produced and directed by Oliver Stone. As a political researcher, I had taken more than a passing interest in Stone's film JFK, and couldn't help but note that the media assault on Stone's bore a resemblance to Mann's campaign to discredit the McMartin children. The day after an announcement of the "secret" project already underway appeared in Variety, I contacted Stone's office and spoke with Jean Marie Burke, a researcher for Ixtlan Productions, Stone's company in Santa Monica. I informed Ms. Burke that much of the information about McMartin in the corporate media was disingenuous, beginning with the Eberles.

She brightened up. "Oh, the Eberles - I have their books right here!" She went silent when I told her that Paul and Shirley Eberle were child pornographers. I sent her a package of accurate information on the case by certified mail, then contacted her boss with a letter informing him simply that he had hold of a bad project, which had already been shot and was in the editing stage Stone wrote back, asking me to clarify. My response follows:

Mr. Stone: McMartin is poorly understood by most people because a disinformation gambit is afoot to discredit the children's¹ testimony -- a fusillade, in fact, similar to the one you were treated to after JFK. You asked me to clarify my objections. Consider how difficult it was to sort through and communicate the multitude of facts relevant to the killing of John Kennedy. And then recall how a carefully-conceived film on the assassination can be explained away with a glib "no evidence" from an Edward Epstein or Dan Rather. This is the problem I¹m up against with McMartin. There is a complex story behind the abuse -- it involves CIA mind control experiments, and this is largely what the plants in the establishment press, and fronts like the False Memory Syndrome Foundation, are concealing. (Nine out of ten psychiatrists in both the U.S. and Great Britain from large samplings believe ritual abuse to be a very real social problem. But the media inevitably talks only to the one of ten who deny, and many of those are experimental scientists on the CIA payroll.) You now find yourself on the same side (of the McMartin argument) as Alex Cockburn (you recall the knock-down-drag-out Nation debate with a leading progressive who rejects key crimes of government ((including the Kennedy assassination)) for high-toned, but ultimately silly reasons), Newsweek, etc. That alone should make you uncomfortable in the extreme. One of your researchers brightened up when I mentioned the only two books available on McMartin, both written by Paul and Shiirley Eberle. She knew those books inside out. The problem is, the Eberles published child pornography in the 1970s -- garishly packaged in an underground rag called Finger -- featuring adults having sex with children, children with excrement smeared on them, children in lewd positions and posing provocatively. This ludicrous pedophile sheet ran stories with such unsavory testimonials as "She was Only Thirteen," "What Happens when Niggers Adopt White Children," "My First Rape," and so on. Don¹t bother to read the McMartin books, if you haven¹t already. Each page is full of factual errors and conscious distortions. Your movie will perpetuate the Eberles' disinformation. But the LA Times will love it. (Buffy Chandler told a source of mine, in a moment of rage at her family, that her parents (the owners of the L.A. Times) funded weird genetic experiments years ago. This is no more bizarre than some of the things done in pre-schools around the country, and may explain the newspaper¹s change of attitude after the initial reporting.)

But Noel Greenwood, a Times editor, knew what he was talking about when he said there is a "mean-spirited campaign" in play to slant the truth about McMartin. Abby Mann is a key proponent. His attorney threatened to sue if I didn't retract my comments when an early version of my research appeared several years ago. I did not retract. In fact, the newspaper, Random Lengths in Long Beach, backed me. Others appearing in the story threatened me. They did not sue. Why not? They made such a noise. Now they are the sources of your movie, still making noise about "innocence abused," and it¹s hollow.

They contend there is no evidence that children were abused at McMartin. On the contrary, there is an abundance of evidence. But the DA had no real intention of gathering it. Neither did the press. Same as JFK, eh? The CIA connection to cults around the country began in 1963. The story was told by a Berkeley psychologist in a thesis entitled "The Penal Colony," which was presented at a psychiatric conference in San Francisco by Congressional aide Joe Holsinger after Leo Ryan was killed at Jonestown. The hybrid was conceived because people were asking questions about experiments at McGill, the University of Pennsylvania, John Hopkins, UCLA, Honeywell, NASA and other haunts of the CIA's MKULTRA mind control fraternity. Jonestown was one product of the association. Another, more recent example was the Solar Temple killings in Switzerland. The British press reported that this cult was running arms to Australia and South America, and laundering the proceeds at BCCI. The American press couldn't find this information. What does this tell you?

Buckey Sr. testified that he did not have tunnels dug beneath the preschool. Why would anyone do that? Five scientists have put their reputations on the line to confirm that there are tunnels. One, a carbon-dating specialist, discovered that the tunnels were excavated in 1968. That was the year the preschool was built. It was built by Charles Buckey. He lied on the stand. The kids gave fairly accurate descriptions of the tunnels. Did Abby?

Regards, Alex Constantine

Despite this protest, and threats of a boycott of HBO from children's advocacy groups around the country, Indictment aired anyway. The movie simply reinforces the many misconceptions the public has been force-fed since Abby Mann became involved in the case. The Most Hated Man at the L.A. Times In January, 1990, after the anti-climactic, deadlocked verdict of the second trial, the Los Angeles Tmes ran a four-part series by media critic David Shaw, trashing the paper's own coverage of the McMartin case. Shaw described press coverage of the case as a "media feeding frenzy" ranking with exposes of Gary Hart, Oliver North and Dan Quayle. "More than most big stories," Shaw explained, "McMartin at times exposed basic flaws in the way the contemporary news organizations function. Pack journalism. Laziness. Superficiality." Daily newspaper coverage, he argued, was contaminated by "cozy relationships with prosecutors," and a competitive furor "that sends reporters off in a frantic search to be the first with the latest shocking alllegation."

Shaw's McMartin series won the Times its 18th Pulitzer, but few reporters attended the champagne party thrown in his honor. "Most people don't like him," Times staffer Lee Dye told a reporter for Los Angeles magazine. "He really is disliked at the Times," said restaurant critic Ruth Reichl. Bill Boyarsky, another staffer, says "everyone around me hates him." The harshest opinion of Shaw came from the late Glenn Binford, the paper's late night editor at the city desk, who refers to Shaw as "an oily little prick." The nickname stuck. "Even the late Dial Torgerson," reported Los Angeles, "a droll, dry-witted newsman's newsman ... adopted the moniker, though it was uncharacteristic of Torgerson to disparage anyone." Reporters for the "Metro" section particularly harbor a keen disdain for David Shaw.

Why is so much animosity directed his way? Most of Shaw's colleagues at the Times feel that he receives special treatment. He is contracted to write a mere four stories a year. He moonlights as the monthly "Dining Out" columnist for GQ magazine. As the official ombudsman of the Times, one reporter complains, "Shaw plays favorites and purposefully ducks anything that may really irritate his superiors, tending instead to aim at those with no actual power."

One of his primary targets is staff writer Lois Timnick and Cathleen Decker, whose McMartin coverage was hardly "frantic" or "superficial." Shaw's depiction of them as reportorial McCarthyites is not borne out by a review of the newspaper's McMartin coverage, and the air around Times Mirror Square has, since his series appeared, been thick with acrimony. A week before Shaw received the Pultizer, Timnick (who has since stopped talking to him) threatened to organize an office "suicide party" if he won. When he did walk away with an award, the Pulitzer committee stated that it was given to Shaw not on the merits of his writing, but because the Times permitted him to criticize the paper's own coverage of a landmark trial. Shaw was born on an Air Force base in Dayton, Ohio. He was educated at Pepperdine and UCLA. His career took off when, as a reporter for the Long Beach Independent Press-Telegram, he published a scalding investigative story on Max Rafferty, the Republican opponent of Alan Cranston for a Senate seat. Shaw's five-part series killed Rafferty's political prospects with allegations of draft dodging. Shaw received an award from the Los Angeles Press Club for the story, and a job offer from the Times.

That was 18 years ago. He was informally assigned to "the sex beat." Shaw plied his investigative skills with titillating exposes of massage parlors and strip clubs. His piece on a nightspot featuring live sex with a dog threw the newsroom into turmoil - this is the same commentator who later dismissed most press coverage of McMartin as "sensational" and "superficial." Shaw defines himself publicly as a "liberal," but he frequently expresses right-wing sentiments, and his writing can be fairly summed up as propagandistic. He chose to write on McMartin, Los Angeles magazine reported, "because he needed an excuse to stay in town. 'My wife was eight months pregnant, and I was looking for a story that would keep me in L.A. so I would be here for the birth."

"Experts" on the McMartin debacle - Shaw, the Eberles, Dr. Underwager, Abby Mann, and others - have, in violation of their own admonitions, retired it in the press. Ray Buckey is supposed to be as innocent as Ceasar's wife. If so, why do Buckey's supporters ignore critical evidence? Why the statistical fabrications? Why lament repeatedly that the case took five years to try when dragging it out was a conscious defense strategy? Why ignore the tunnels and the bones? And, most troubling off all, why has so much effort been put into propagating mass deception on Buckey's behalf?

~~~~~~~~~~~~~~~~~~~~~

MORE:


http://www.isgp.eu/dutroux/Belgian_X_dossiers_of_the_Dutroux_affair.htm
http://www.prisonplanet.com/articles/january2006/010106sexslavescandal.htm
http://educate-yourself.org/cn/franklincoverupexcerpt.shtml

[Silveryminnow]

Doesnt the M in MTV stand for Moloch?

 
MOOOO

[Dig]

More fun from the "ENTERTAINMENT" industry...

I think this sh*t is hideous
I caught the show in Portland oregon and felt sick
as a humanist, playwright and teacher, i was totally repulsed
They take the soul out of the human, not to mention the dignity

everyone i was with thought it was awesome and valuable "medically"
that we could "learn" so much
once again, I'm the outcast, the crazy, the negative trouble maker
i said yeah, like what are you going to learn?
like learning the value of an old growth forest from one slice of wood, turned into plastic

this shi* is off the charts ugly

Sick picture of sick "artist" having cadavers f**king

[JBS]

It's time to start poking a stick into the all seeing eye once and for all.

So, is this the rogue CIA/Executive Branch?
 
"For we are opposed around the world by a
monolithic and ruthless conspiracy
that relies primarily on covert means
for expanding its sphere of influence--
on infiltration instead of invasion,
on subversion instead of elections,
on intimidation instead of free choice,
on guerrillas by night instead of armies by day.
It is a system which has conscripted vast human and material resources
into the building of a tightly knit,
highly efficient machine that combines
military,
diplomatic,
intelligence,
economic,
scientific and
political operations.
Its preparations are concealed, not published.
Its mistakes are buried, not headlined.
Its dissenters are silenced, not praised.
No expenditure is questioned, no rumor is printed, no secret is revealed."

-John F. Kennedy

[Silveryminnow]

I could have lived without seeing that picture Sane. :vomit:

[Dig]

I could have lived without seeing that picture Sane. :vomit:

I changed it to a link so others do not have to puke.

[Dig]

Anyway, the Disney stuff is highly appropriate....

~~~~~~~~~~~~~~~~~~~~~~~~

The Disney Bloodline

 

CHAPTER 5

SCIENCE NO. 5 - THE SKILL OF LYING, THE ART OF DECEIT


This chapter is actually a chapter of the Deeper Insights book, but it was also added as one of the interconnected illuminati families

The Illuminati have refined the art of deception far beyond what the common man has imagined. The very life & liberty of humanity requires the unmasking of their deceptions. That is what this book is about. Honesty is a necessary ingredient for any society to function successfully. Deception has become a national pastime, starting with our business and political leaders and cascading down to the grass roots. The deceptions of the Illuminati's mind-control may be hidden, but in their wake they are leaving tidal waves of distrust that are destroying America. While the CIA pretends to have our nations best interest at heart, anyone who has seriously studied the consequences of deception on a society will tell you that deception will seriously damage any society until it collapses. Lies seriously damage a community, because trust and honesty are essential to communication and productivity. Trust in some form is a foundation upon which humans build relationships. When trust is shattered human institutions collapse. If a person distrusts the words of another person, he will have difficulty also trusting that the person will treat him fairly, have his best interests at heart, and refrain from harming him. With such fears, an atmosphere of death is created that will eventually work to destroy or wear down the cooperation that people need. The millions of victims of total mind-control are stripped of all trust, and they quietly spread their fears and distrust on a subconscious level throughout society. One problem about lies is that one lie will call for another and then another. It's hard to keep lies single. They seem to want to breed more of their kind to protect themselves. Soon the liar becomes a victim of his own lies, trapped in a dishonest web that demands lots of energy to protect his false fronts. This is the sad fate that the intelligence agencies have painted themselves into. They must maintain groups that oversee their double-agents' lies to insure that the lies that they have disseminated don't contradict themselves. Finally, they have put out so much disinformation, they lose track of reality themselves. Far from saving this nation, the intelligence agencies have spread the cancer of deception into all walks of life, so that this cancer is contaminating and killing anything of value in the United States. The soon-to-come death of this nation's sovereignty, as well as the destruction of this nation's morals are the results of this cancer. People who have attended high level Illuminati meetings were instructed in how the Illuminati plan to bring in the NWO AntiChrist reign by making everything appear as if it has happened naturally. The Illuminati have decided to camouflage their actions with the creation of normalcy to avert any suspicions. An example of something which appears to have happened naturally is the O.J. Simpson case, which was planned based on previous murder scenarios which had been successfully covered up. O.J. Simpson was a CIA mind-controlled slave, and the entire Simpson case was concocted as an elaborate effort to cause racial tensions. The Mishpucka, the CIA, the Mob and the Illuminati have all had their dirty hands involved in the entire affair. The entire affair reeks of manipulation and planning. It is not the goal of this paragraph to go into the case, but just to drop a couple details. Joey Ippolito, Jr. is both CIA & Mob. Ippolito at one time lived in Hallendale, FL, a mob housing subdivision which was protected by a police force run by the mob. He has helped run drugs and wet ops for "the Combination" which interconnects with the Illuminati. O.J. Simpson's friend Cowlings worked for Joey Ippolito, as well as O.J. Simpson. Simpson distributed cocaine for Joey Ippolito & the Combination. Simpson's lawyer also is tied to the Illuminati, the CIA, and the mob. One of his lawyers on TV said the trial reeked of government corruption. Nicole Simpson lived next door to Carl Colby (former CIA director Bill Colbys son). Colby's wife and kids have been subjected to mind-control. Colby's wife testified in O.J. Simpson's trial, but was addressed as "Miss Boe" rather than by her name. O.J. Simpson's mother worked for a California State Mental Hospital in San Francisco for 30 years. Many State Mental Hospital workers have children who have been programmed. When one of the jurors in Simpson's case, Tracy Hampton, had her mind-control programming go haywire, she began staring for long periods at a blank TV and hearing voices. She had to be dismissed. During the Simpson trial, Judge Ito gave Joe McGinniss the best front-row seat that a journalist could have. Joe McGinniss was the coverup author who wrote a book covering up about the McDonald-Fort Bragg Drug Smuggling Case. The McDonald-Fort Bragg Drug Smuggling Case involved the Illuminati drug smuggling operation within the U.S. military during the Vietnam War. On and on the stink goes. The manipulation of history by those in power has been well-covered over. An example of how mind-control and its role in manipulation of events has been covered up by the perpetrators is an article written in the Journal of the American Medical Association (JAMA) in the Sept. 11, 1967, Vol. 201, No. 11 issue. The article, which was submitted to the magazine from three CIA doctors (Mark, Sweet, and Ervin), claims that riots are caused by brain disease. While the article is correct in the subpoint that only a small percentage of underprivileged urban dwellers participate in many of the riots, the article's thesis is obviously a slide to prevent people from catching on that the small number of deviants who create riots might be under mind-control or might have some other motivation beyond simply being brain-diseased. Any deception, whether it is an exaggeration or an understatement of the NWO's capabilities is considered a useful deception for the Illuminati's double-agents to spread. The german battleship the Bismarck was sunk due to a little lie sent to Germany by a double-agent which underestimated the range of British radar. The Germans, thinking they were out of British radar range, made some bad decisions that cost them the battleship.

 

DECEPTION DIMINISHES POWER

Knowledge is power, and lies diminish the knowledge of deceived dupes, and therefore diminishes the power of the deceived. Deception obscures the alternatives that people have. It also clouds up various objectives people would work toward. Some people give up certain objectives due to their mis-perceptions that the objective is undesirable or unattainable.

 

PROGRAMMING DECEPTIONS

In the programming, colors and directions are used. Be prepared to find out. that sometime programmers use their creative imaginations such as using the color "octarine," or the direction "TURNWISE" or perhaps "WIDDERSHINS". During the most fundament programming which is done via LSD trips in sensory deprivation tank to lay in foundations of the Alpha, Beta, Delta, Ome and Theta programs, each programming memory will be given a code. Where one popular programming deception takes place that the programmer knows ahead of time h to sequence his memory codes so that instance, the fifth memory is coded as trip, and strenuous methods are used to up the memories of the first four trips. victim’s s mind will be told to forget the four trips. The memory codes are deceptively designed to fool the deprogrammer and the victim alike. Part of the reason the programmer does this, is that they know that IF a therapist should stumble onto these first memories, the backup programming to protect these memories is so severe that the therapist will shatter the victim’s mind. Backup programs such as Atom bombs and vegetable programming are locked into place to protect the fundamental programs.

 

BE WISE AS SERPENTS

The Holy Spirit moved an apostle to write, “We are not ignorant of Satan’s devices.” Christ warned his disciples to “be wise as serpents and harmless as doves.” The Israelites sent out spies before entering the promised land. Within the text of The Art of War by Sun-Tzu (a book studied today by men in intelligence), he discusses “hidden provocation agents” in Book 13. Sun-Tzu was born in 534 B.C. and lived most likely until after the year 453 B.C. In 500 B.C., some men were farmers, and some were agent provocateurs. Today, both occupations still exist. The modern American farmer is vastly superior to the ancient farmer of 500 B.C., so how does the modern agent provocateur compare? He is vastly superior also. It appears the Word of God is accurate, for it warns that God’s people will be destroyed for lack of knowledge. The difficulty in obtaining honest information in today’s Big Brother world is aptly described by an intelligence asset over the Internet, “If you are lucky and work hard, you will find some of the truth. If you are lucky and work REALLY hard, you might find the WHOLE truth...as someone wants you to know it. If you are PHENOMENALLY lucky and really work your tail off, you might even go on to find the REAL truth. But no outsiders...and in fact, very few insiders  ever ... EVER ... learn the WHOLE REAL truth.”

This book & our two previous books on mind-control) are the result of extremely hard work and numerous miracles of God, and what non-Christians would call lots of luck”. The story behind the books is amazing. This book’s two authors have had to ,,swim upstream” for years in search for the real truth. One thing is very clear to this author, during the last seven years of exposing the NWO almost every person who is believed to be a leader against the NWO has tried to impede the work this author has been doing. People need to be aware that the New World Order created their own opposition long before some of us began sincerely trying to expose it. This author’s informed opinion is that essentially all (about 98% of the people leading the opposition to the NWO are double agents), and no less than 50% of the therapists are double-agents. In this state, this author knows as a fact that 50% of the licensed therapists working with programmed DID patients are programmed DID (MPD) slaves themselves. Recently, one of the therapists in this area, who the False Memory “Spin”-drome & the Illuminati took down, was a therapist who had also been on a local T.V. talk show revealing that she was a multiple & a SRA victim.

 

DISINFORMATION TO MAKE THEIR DOUBLE-AGENTS LOOK GOOD

“A Force” was MI-6’s group that carried out deception. They would have their double agents pass out CHICKEN FEED (which is what they call classified information that can be thrown out to the public) to establish their double-agents’ credentials (BONA FIDES) as agents against the British. Today, there are numerous anti-NWO people who are actually double agents. They are distributing chicken feed to make people think they are legitimate. By the way, it is interesting to note for those who realize how important carousels are to programming that MI-6 (HO in Vauxhall Cross, Eng., with a training ctr. at Ft. Monckton, near Gosport, so. Eng.) is nicknamed (actually its cryptonym) ,,Carousel” by its daughter organization Mossad (officially aka Central Intelligence Collection Agency).

An example of a double-agent who is popular among Christians is an Illuminati witch named Gretchen Passantino, who tours around to Christian conferences belittling the idea of mind-control. Dr. Loreda Fox reports in The Spiritual and Clinical Dimensions of MPD that 74% of women abused by SRA come from “Christian homes.” The Christian churches are heavily infiltrated.

 

SLEEPER AGENTS

In the Vol. 2 book a number of references were made to sleeper agents. The idea of placing someone somewhere in society and letting them lead a normal life for years without ever being used is designed to provide a legitimate smokescreen about what they are all about. Mind-controlled slaves make excellent sleepers. The concept of making sleeper agents is not a secret. The CIA has publicly admitted that they tried to discover long-range sleeper agents in the Los Niñios children of Republican Spain who were the descendants of communist spaniards who returned to Spain in the 1950’s. They also have admitted to having tried to weed out long range sleepers in the Trebizond Greeks who lived near the USSR in Turkey and returned in the 1950’s to Greece. As the CIA and KGB mirror-imaged each other in their manufactured Hegelian Dialectic mock dual (which was very real for the “little” person) you can well imagine that the CIA sent sleeper agents against the KGB.

 

NAMES of TYPES of DISINFORMATION AGENTS

The intelligence agencies have their own lingo for the types of disinformation agents they send against everyone else. So far, we have named only double & sleeper agents. Here are some of their disinformation agents:

 

AGENT OF INFLUENCE - These agents can be unwitting, under mind-control, or ideologically motivated to use their positions of influence to sway the minds of others. Examples of Agents of Influence are anchor men on T.V., journalists, labor leaders, TV commentators, academics quoted by the media, & some politicians.

 

CONFUSION AGENT - An agent whose job is to produce confusion by disseminating confounding information.

 

CONTRACT AGENT- These are the rogue agents, such as the mob, who the CIA get to do particular jobs on contract. Their connections can be denied.

 

DEEP COVER AGENT - A sleeper agent (often a programmed multiple or person with mind-control programming) who has been a long term sleeper agent.

 

DISINFORMATION AGENT - This is a highly placed agent who passes disinformation to other governments.

 

NOTIONAL AGENT - A fictitious non-existent "agent" which is created with a real-looking identity to mislead.

 

PROVOCATION AGENT - An agent sent in to provoke & destabilize the target group to do foolish things.

 

SPOON-FEEDER AGENT - Someone who dribbles out legitimate information, this is often done to build up a person's credentials (bona fides). Lots of the people who are pretending to expose the NWO are spoon-feeder agents who provide a little new information, tons of already known secrets, and sprinkle in a measure of disinformation for added fun. Generally spoon-feeders increase their percentage of disinformation once they gain respectability. There are very few people really exposing anything of consequence about the NWO. This author has endured the loss of several of the really legitimate whistle blowers who were friends being assassinated since he began writing exposes. What this means is that agents for groups that do mind-control may: have been sleepers for many years and look very legitimately innocent, they may give good correct information to our side, they may say all the right things and try to get us motivated to do more than we would want, they may talk about other friends who are giving them information who do not even exist. It takes discernment to spot people who are not on our side. Unfortunately, such discernment seems to be fundamentally lacking within the public at large. For instance, I have seen people choose obvious NWO agents over this author as a source of “information” (which is in reality disinformation). Most people have bought so much disinformation during their lifetime, perhaps it’s unrealistic to expect them to purge out all the junk they’ve accepted. Just as people in the world need to toss out their worldly thinking, people in the church need to toss out all the indoctrination they’ve gotten from the numerous kinds of harlot churches. At the moment, the system is set up so that the perpetrators of the mind-control are in control of the credentialing process, so that they can provide their stooges/and agents with the best credentials. As the reader can see, the roots of power behind the mind-control go deep.

 

TRICKING SUSPECTS

One trick (or variations of it) that has been used with suspects is to arrest them, place the suspect in a situation where the police are in two groups--one group looks like police, the other group looks like the group the suspect has come from. After the suspect arrives, the group pretending to be arrested group members, overpowers the police contingent and escapes to another setting where another police group pretending to be even more of the suspect’s group ask him who he is and to explain his credentials. Letting his guard down, the original suspect explains what he is all about, thereby giving them the information they needed in the first place. Variations of this script can be run. English intelligence calls this basic script CACKLEBLADDER because chicken blood is used on the police actors that are overpowered to make them look injured.

 

THE NAMES OF DECEPTION TRICKS

FOUR FACES refers to pretexts used by agents to get interviews. DANGLE is the craft word for luring a victim into a provocation. A dangle operation would be an operation to provoke a group or individual into a particular action. This was done with Elohim City and many other groups that the NWO is trying to set up as patsies.

 

STANDARD DECEPTION DEVICES

Agents use BLEEP-BOXES to tap telephones and in other instances to make free-of-cost telephone calls. A CABMAN is a device to remotely activate a telephone with a radio beam. It can be used without entering the building where the telephone is located.

 

MASKS

The use of masks in the occult world is ancient. For centuries, the gypsies have used them for their hypnotic powers. Special healing masks for their people are kept secret and never shown to the public. Masks have a shock value & fascination value. Gypsy and other occult groups have special rituals to create the masks, including using hair clippings from the person who will wear the mask. Gypsy healing masks are destroyed after the patient gets well. Illuminati programming masks may or may not be destroyed after their use. The Illuminati’s mask-making abilities (according to deprogrammed victims of their mind-control) are very high quality. Sometimes the programmers simply wear halloween cartoon character masks that anyone can obtain, to fulfill their role in the programming script that they are involved in during the time.

 

COVERS

Some beginners who have just started into studying the World Order question why the Illuminati would use legitimate religious covers. Why would the Illuminati want to create a slave who is an evangelist? Why? Because those new converts will go to some establishment church where other programmed multiples in leadership positions will demand obedience (and then support those demands by quoting scriptures that make them seem like they are God’ss authority over that new convert). Because the evangelist or missionary and the bishop or pastor are controlled puppets, the convert will never get the full truth, just enough truth to keep him working hard for their organization. Even though the convert “got God in my life”, the Illuminati never lose control over him.

The Christians have as much vested interest in preventing the exposure of the Illuminati programmed multiples who are big name Christian ministers running Christendom, as the Illuminati has. Imagine what would happen if the world found out that most of Christianity was run by the human-sacrificing, slave-making Illuminati? This is one of the sad effects of the infiltration. Perhaps the subject of covers can be explained from another angle. The reader knows that the elite like monopolies. They play monopoly for real--for us it’s oniy a board game! To establish a monopoly, you find a good product that everyone wants or needs, and then you eliminate all the competition by either destroying them, or owning the competition yourself. In the U.S., the Illuminati can’t have a one-religion monopoly. In Russia, they had communism with Marx, and Lenin as the Father God and Gon the son figure. Communism had a monopoly on worship. In the U.S., they have established a monopoly by controlling all the various religious groups. (This author wrote an 800 page heavily documented book Be Wise As Serpents to show the details of how this is done.) It’s not a matter of what they teach, it’s a matter of control, so that the elite have a monopoly. And when you, as a mover & shaker in the world, control all these various religions via money, blackmail, & programmed multiples under your leadership, etc. which religion would you pick to emphasize the most? You will pick the one that sells the best, i.e. the best product. And which brand of Christianity will sell the best? The televised charismatic brand will sell the best. Covers that slaves use to explain what they do in life are almost always “legitimate”. A missionary, a military officer, a salesperson, etc. will usually actually do their cover job most of the time. Their cover is their occupation, their service as a mind-controlled slave is almost an unwitting avocation. Organizations are used as covers. The Illuminati use military, social, intelligence, education, banking and other organizations as covers. (See my Be Wise As Serpents book for many of these.) Moriah’s front organizations, such as the CIA, in turn use other organizations. Here is just a sampling of CIA fronts, to show the variety of fronts used:

 

  Asia Foundation was an academic organization created by the CIA.

  Castle Bank & Trust Co. has been a bank in the Caribbean that is a CIA front.

  Forum World Features has been a front created for CIA propaganda purposes and based in London, UK.

  Geschicter Foundation for Medical Research (as well as the Josiah Macy Foundation) was used as an intelligence front to launder money used for mind-control.

  Air-Sea Forwarders, Inc. was the legal corporation name of a CIA front in North Hollywood, CA. The company was involved in moving freight. In the last few years, this corporation sued E-Systems, the company which builds the CIA and the NWO’s electronic systems such as their communications satellites. In court, the company proved that it was a CIA front, in spite of CIA denials. As this chapter provides information about some of the Illuminati/ intelligence connections to Hollywood, bear in mind that this CIA front was proven in court to be a CIA front in Hollywood. A feat that rarely occurs.

[Dig]

One of the Greatest Deceptions of all Time: Disney

 

INTRODUCTION

For years, I have heard many Americans say that something is terribly wrong in this country & that things are “going to pot”, and yet Americans can’t put their finger on what exactly is wrong. When I first began to receive reports from victims of Illuminati mind-control about Disney’s involvement in their mind-control, I kept an open ear, but I wanted some tangible proof. After investigating for myself, there is now no doubt in my mind that Disney (the man, the movies & the entertainment parks) has been a major contributor to the demise of America, while maintaining a very well constructed front of wholesomeness. In this chapter, you will learn why Disney is one of the best deceptions of the Illuminati. This author has read a good portion of what is available to the public concerning Disney. This exposé is undoubtedly the deepest on Disney that has ever been done. Perhaps part of my motivation is that I’ve tired of Christians talking and acting like Disney stands for sainthood. Christians, who should have known better, are some of the ones who have swallowed “hook, line and sinker” the enormous deception that entails Disney. They feed their children a steady diet of occultism and witchcraft because they have been programmed to think of Disney as wholesomeness and everything that is good about America. Many writers over the years have tried to expose Disney, most have been stopped before they could get their books published. The few authors who have managed have faced vicious attacks on their character & integrity, and have faced enormous struggles against public relations campaigns paid for by the Disneys. The Disney’s power, and the power behind them, has frightened most people away from challenging them. But someone needs to speak on behalf of the victims. Whether anyone listens or not, the victims will know that somebody cared enough to stand up & write the truth. Disney has not only left mind-control victims in its wake, but they have harassed land-owners, stolen employee idea’s and left all kinds of hurting victims in their path. Disney has risen to become the unquestionable largest media-entertainment conglomerate in the world, & was ranked company no. 48 in the top 500 companies by Forbes 500.

 

Observations about HOW THE ILLUMINATI LIKE TO HIDE BEHIND PERFECT FRONTS.

There are numerous Illuminati homes, restaurants, wineries and other institutions that are today carrying out the same type of strict standards upon their employees that Walt Disney Studios maintained. While Hollywood was immersed in moral filth from the start, Walt Disney Studios had strict standards. In the 1930’s, Disney had a dress code that required men in ties, and women in sober-colored skirts. If a man looked lecherously at a woman at Walt Disney Studios he risked being instantly fired. Walt was a shining example of the strictest legalism. Even during the ’50's, if an employee were caught saying anything considered a cussword such as “hell” they were instantly fired no matter who they were. Walt would not allow his male employees to have any facial hair, even though he himself sported a mustache. He never allowed employees to have alcohol at the studios, (which might not be a noteworthy standard except that Walt himself drank heavy amounts of alcohol in his private office at work for decades). Initially, Walt was very reluctant to have his young artists, who were being trained by Don Graham, draw live nude models, but reluctantly gave approval. Again the motive was not to serve God, but to make sure the Disney reputation remained untarnished. With the power of the establishment media behind Disney, Walt had nothing to worry about, news about the nude drawing classes and their detailed drawings never reached the light of day. Behind such strict fronts of legalistic morals, cleanliness & soberness, you will often find lots of guilt and high level satanic ritual. For instance, Hitler (who was by the way also a failed artist & who liked mechanical things more than people) obsessively washed his hands many times a day (out of guilt), and so did Walt Disney. Walt obsessively washed his hands several times an hour, every hour. Walt liked animals & his trains more than people. This author has seen some alters who were forced to take another human’s life, and when they relived the memory, the alters then tried to physically wash the blood guilt off of their hands. Another example is that over the years this author has discovered that many of the exclusive restaurants that are meticulous in every detail are tied in with the mind-control and criminal activities of the elite. Dirty money is keeping the places looking sparkling clean.

Walt Disney worked very hard at maintaining a great image for himself and his company. An example of this, is how he exploded in rage and wrote an angry memo when a Disney character was placed in a beer ad. (Memo mentioned in Thomas, Bob. Walt Disney An American Original. Hyperion, 1994, p. 7.) He had a personal image builder, Joe Reddy, who worked full time to build Walt’s image. Joe Reddy was a cigar-smoking irishman who loved the catholic college Notre Dame’s football team. He also was a publicity agent for Shirley Temple. But the Disney deception entails far more than Joe Reddy’s decades of image making, and Walt’s own abilities to create good images of himself. Just as with Billy Graham (see Vol. 2 about Billy Graham), the entire Illuminati threw their weight behind promoting Walt Disney. Ronald Reagan and Walt Disney were good friends and both cut from the same die in many ways. Both men were high ranking Freemasons, both came from socialist backgrounds (Ronald’s mother was Eleanor Roosevelt’s best friend, & Walt’s Dad was a socialist leader), both were paid FBI informants, and both were involved heavily in the abuse of mind-controlled slaves. Walt always generously supported Reagan’s political campaigns, and in turn Reagan did political favors for Walt as Gov. of California. For instance, Disney’s Mineral King mountain resort needed an access route through the Sequoia Nat. Park at a time when there was lots of congressional pressure to preserve the last stands of redwoods. Gov. Reagan got his friend Disney his road through the park.

Reagan served as the emcee for the opening day of Disneyland on July 17, 1990. He returned with Illuminati TV host Art Linkletter for the 35th anniversary. Ronald Reagan & Art Linkletter both pumped Disney publicly. Another slave abuser that spent time with Disney was Bob Hope, who would spend time on the golf course with Walt. On the opening day’s telecast, cameras showed Sammy Davis, Jr. (a member of the Church of Satan) and Frank Sinatra (a mind-control slave handler) driving the pint-sized Disney ears at the Autopia ride. When Disney celebrated its fifty yr-anniversary with a two hour special on May 20, 1991, the program included people like occultist Bill Campbell and was named “Best of Disney, 50 Years of Magic.” For the silver anniversary of Disney World in Oct. ’96, the Clinton’s were invited to help open 15 months of celebrations. The theme of the anniversary celebrations was “Remember the Magic”. A Boy’s & Girl’s Club sang ‘When you wish upon a star’ (a popular programming song). Hillary Rodham Clinton (herself an Illuminati Grand Dame and a mind-control programmer) shared with the audience that she and Bill “first brought daughter Chelsea to the Magic Kingdom when she was four.” Roy E. Disney, nephew of Walt, told the public that Disney World “is the story of men and women who took hold of a dream and never let go.” There is a double meaning to that. Many victims of trauma-based mind-control have taken hold of the illusions that were programmed into their mind secretly at Disney, and never let go. Among the visitors to Disneyland have been all the American Presidents from Eisenhower to Clinton, over a dozen kings & queens, as well as Emperor Akihito of Japan, Anwar Sadat, and Robert Kennedy (who rode the Matterhorn with astronaut John Glenn.) Both Denmark’s & Belgium’s kings who are in the Illuminati visited, as well as the dictators of Indonesia, the Shah of Iran and Ceausescu of Romania. (As a side-note Roy E. Disney was forewarned by Arab leader that the Shah was to be deposed.) Organizations that have been actively working for a New World Order for many years gave big awards to Walt in his early years such as the B’nai B’rith (Man of the Year Award to Walt) and the Chamber of Commerce. In 1936, Walt was given the Chamber of Commerce’s annual ,,Outstanding Young Man” award. The establishment’s Yale & Harvard Universities gave him honorary degrees. Walt Disney biographer Leonard Mosley, who researched Walt Disney for years (as well as writing books on the duPonts, the Dulles brothers, and Hirohito) wrote in his book on Walt Disney, “The studio publicity machines in the film colony had, as usual, gone out of their way to try to persuade me, as a writer for a powerfully influential British newspaper, that this was a city of lawless gods and goddesses, full of clean-living, sanitized stars.

“It was even more of a deodorized world at the Walt Disney Studio where the publicity men insisted their boss was faultless--never drank too much, never used a swearword, never lost his temper, never quarreled with his wife or family, never let down a friend. And woe betide anyone who tried to suggest otherwise. Members of the resident foreign and local press risked their jobs if they dared to write stories inferring that Walt Disney could be domineering, implacable, and unforgiving (as was the case, for instance, before, during, and after the 1941 studio strike). The Disney flacks were capable of exerting heavy pressure on editors and proprietors or, through the advertising pages, against anyone who inferred Walt Disney was not the epitome of well-scrubbed and benevolent perfection." (Mosley, Leonard. Disney’s World. New York: Stein & Day, p. 10.) Disney is perhaps the epitome of Illuminati abilities to create images. They have created great images for things Disney, incl. Walt Disney, Disney movies, and Disney’s Amusement parks. In some cases these things have been overrated, in other instances the sinister side to them has been carefully hidden. In order to make movies that contain the typical smut of Hollywood, sex and violence, Disney did a slight of hand and created subsidiaries which Disney runs, which has allowed them to keep their good image. They also never showed the public the hard core porn that was made for years in secrecy for the elite. Behind Disney’s good front lies hard porn, snuff films, white slavery, Illuminati mind-control, and the seduction of several generations into witchcraft. Disney’s involvement in these kind of things will be explained in this chapter. Nobody has sold America witchcraft as well as the Disney brothers. Movie after movie has cleverly brought the occult into the warp & woof of American thought, all under the disguise of entertainment. For instance, it was Disney that brought us cannibalism and told us that it was a “triumph of the human spirit” (a direct quote from Disney’s Touchtone Producer Robert Watts concerning Disney’s movie “Alive” featuring survivors of an airplane crash who turned to cannibalism). Under the disguise of entertainment & showing us how “triumphant” the human spirit was, they subtly promoted cannibalism. Mickey Mouse plays a leading role in “The Sorcerer’s Apprentice.” And yet when this author has suggested that Disney movies aren’t wholesome, many Christian parents come unglued and have gotten angry with this author. The deceptive image that Disney movies are wholesome is a triumph in Illuminati deception. Parents would be surprised what is slipped into cartoons. In Disney’s “The Little Mermaid” the castles are male sexual organs. In one cartoon Mighty Mouse is shown without comment clearly snorting cocaine. Walt Disney Studios Chairman Joe Roth is in charge of Walt Disney as well as subsidiaries Touchtone, Miramax, and Hollywood Pictures, which were all created to camouflage the Disney production of adult films. Disney operates in a clandestine manner regarding the promotion, distribution and rating of the films produced by their subsidiaries.





 

DISNEY MAKES MALE PHALLUSES INTO CASTLES.

Roth oversaw Disney’s subsidiary Hollywood Pictures’ Evita film. Evita has as its main start “Material Girl” Madonna. Madonna is in reality a mind-controlled slave who has appeared in numerous underground porn/& ritual porn movies. (This author has an underground catalog from a porn business, that has recently changed its location of business. The catalog offered a film of Madonna performing an actual blood sacrifice.) She also was the main actress in Disney’s Dick Tracy film which is reported to be used for mind-control. During an Arsenio Hall show, Madonna, who as a guest acted dissociative, was picked up by the cameras during the show kissing her Baphomet ring. Disney controls the products that are associated with the movies of their subsidiaries. In Evita’s case they are marketing hats and other items, as just one more of Disney’s countless artificially generated consumerism campaigns. In Ruth Stein’s interview of Madonna, Madonna appeared bored with plugging Disney’s consumer products. When asked about the tango dresses and hats inspired by Evita that popped up in stores after the film, Madonna said, “Believe me, I have nothing to do with it. Disney is pushing the whole thing.” (San Francisco Chronicle, 12/29/96, Datebook section). In one interview Madonna states she wants her daughter to grow up knowing Catholicism, but she doesn’t believe that it would be good for her daughter if Madonna narried the father of her child from Lourdes, Carlos Leon. In another interview, Madonna says, “Actually, I’m a very good role model, because I say, ‘Look, these are my standards’...” She then goes on to plug homosexuality, same sex marriage, and single families in the interview. Walt Disney stated that it plans to release an album by DANZIG, a heavy metal band whose songs contain “dark themes”. The Disney press release announces on its by-line “Mickey Mouse is going heavy metal.” Disney’s album ,,BLACK ACID DEVIL” was due to hit the music stores Oct. 30, 1996 during Halloween time. According to Disney this music has no satanic references, but does have “dark, Gothic and sexual” overtones. Glenn Danzig denies that he is a satanist.

   

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CONTENTS IN THE DISNEY DECEPTION SECTION OF CHAPTER 5.

a.  an introduction

b.  an overview

c.  Who was Walt Disney?

d.  Who was Roy O. Disney?

e.  Who is Roy E. Disney?

f.   What do we know about the in general?

g.  A history of Disney

h.  Disney and its mob connections

i.   Disney and its government connections

j.   Disney and mind-control

k.  Detailed Script of how one Disney movie is used for programming.

1. Partial List of Sources

 

 

B. AN OVERVIEW

Disneyland and Disneyworld are world famous and the pride of America. They are also extremely important programming centers for the Illuminati to create total mind-controlled slaves. Disneyland is also involved with providing a place for rituals, porn and other satanic activities. In terms of deception, Disney movies and Disney Amusement Parks rate as one of the best deceptions. According to deprogrammed ex-Illuminati slaves, the Illuminati in the 1960’s needed to shift their programming away from the military bases, because too much publicity (heat) was shined on the military bases. Their goal was to have someplace that people from all over the world could come to without raising any suspicions, and a place which would be the perfect cover for many of their criminal activities.

According to a witness, the Illuminati Programmers got a big laugh out of using Disneyland as a major Illuminati base for criminal activity. Under the disguise of entertaining the world, they carried out money laundering, child slavery laundering, and mind-control. They nick-named Disneyland “the little syndicate of mind-control.” When a child of 3 or 4 was kidnapped, they could torture the child and then put him on a ride such as a ferris wheel or carousel that a. created dissociation from the pain, while also b. going along with some fairy tale programming script. An abducted child while waiting to be picked up from one Illuminati non-parent caretaker by another, could be kept happy and distracted while waiting for the pickup. For years, Disneyland was an Illuminati center for many of their world-wide activities. Now Disney has created other sites around the world such as EuroDisneyland 20 miles east of Paris and Tokyo Disneyland. Tokyo Disneyland in 1991 had 16 million people attend. With such hugh crowds, it doesn’t take much imagination how the Illuminati have been able to do sneaky criminal activities right in front of people, and the public never sees it, in the middle of all the activity. EuroDisney has been a money losing affair, but the Saudis who benefit from its mind-control, gave Disney the money to keep it financially in business. Walt Disney Records is the largest children’s record label in the world. Disney through their movies, books, toys, records, etc. has made a tremendous impact on the children of the world. Their movie Return from Witches Mountain was one of the most powerful witchcraft promotions ever made. Ducktails, which has deliberate Monarch mind-control triggers written into the script, is also broadcast in Poland and the former USSR.

From the time of the Roman Empire (at least, if not before) the oligarchical leadership, who have been in control of both the Mystery Religions and European aristocracy, have known about BREAD & CIRCUS. Bread and Circus refers to the concept that IF the masses of people are given entertainment and food staples, THEN they are easy to control. Walt Disney movies have played a key role in providing entertainment for the masses to insure Illuminati control. Walt Disney’s friend the Masonic prophet H.G. Wells in his book A Modem Utopia that there would be lots of shows in the New World Order. The World Future Society in a book review in their publication Future Survey Annual, 1993, (ed. Michael Marien, Bethesda, MD:     World Future Soc., p. 91) describes Disney: “Control of commodities [such as entertainment] and access to commodities translates into control over people. ‘The postmodern US is a massive rush of disconnected commodities, each seeking a moment of our attention.” The world of commodities is our soma, and entertainment is the current form of public discourse. Walt Disney World, spread over 27,400 acres of central Florida swamp and scrub forest, ‘is the most ideologically important piece of land in the U.S.’ What goes on here is the quintessence of the American way. It is visited by over 30 million people a year--not only the major middle-class pilgrimage center in the US, but by far the most important entertainment center in the world. It is clearly Oz, utopia as a marketing device.”

Two Disney brothers Walt (Walter Elias) and Roy O. Disney have been at the center of the creation of amusement parks and popular Disney films. In more recent times, two other men, Eisner and Katzenberg have been notable at Disney. Eisner & Katzenberg, as well as others will be discussed later. One of Disney’s directors, Victor Salva, was convicted of molesting a boy and filming one of the sexual molestations. Recently Disney Director Salva produced the Disney movie “Powder”. (Victor Salva’s sexual molestation conviction was covered by newspaper articles such as Robert W. Welkos of the LA Times, in newspapers such as The Oregonian, Weds. Oct. 25, 1995, A sect.) The impact of the Disney brothers is monumental. Mickey Mouse teeshirts can be seen being worn by natives all over the world. Disney World and Disneyland are the quest for a large segment of humanity, who often esteem these amusement parks as the highlight of their life. What is highly esteemed among men, is an abomination to God according to the Word of God. The Bible arbitrarily makes this claim, but sadly, research by this author over the years proves that a close examination of Disney & mankind’s esteem for “Disney” things does vindicate the Biblical expectation. In other words, as readers of this article will find out, behind the appearance of wholesomeness of the Disney brothers and their creations lays abominations-- some of the most grotesque aspects of generational occultism the world has ever seen. Disney’s Magic Kingdom has become an American Institution that impacts people all over the world from the cradle to the grave.

 

C. WHO WAS WALT DISNEY?

In the large book The Art of Walt Disney from Mickey Mouse to the Magic Kingdom by Christopher Finch (N.Y.: Harry

N. Abrams, 1975) on page 11 an interesting and revealing statement is made: "By definition, public figures are known to everyone; yet, even after talking with some of Disney's closest associates, it is impossible to escape the conclusion that nobody really knew him. Always there was some aspect of his personality that was just out of reach."

Those who got to know Walt too closely make complaints such as he was “self-satisfied, intractable, and arrogant.” He could bring his artists to tears or anger in a matter of seconds. Finch is not the only author who has tried to warn his readers that the public’s image of Walt Disney was just that--only a false image. Mosley also writes in his biography of Walt Disney, “Since Disney is regarded by millions of people, particularly in the United States, as perhaps this century’s most brilliantly successful creator of screen animation, I think I should make one thing clear right away. I share the general admiration of a man whose cinematic achievements were always so happily inspired and inspiriting. But--and this is where I differ from uncritical idolaters--I have to know all the facts, no matter how unpalatable, as well as the romantic myths about any great man or woman I admire. Many of the myths that have been created by his publicists about Walt Disney are unpalatable, unbelievable, and unsatisfactory because so much of the real Walt Disney has been deliberately concealed.. .Walt Disney...had grave flaws in his character.” (Mosley. Disney’s World, pg. 9) Years ago, an Illuminati Grand Master and programmer stated, “If the world only had the eyes to see the fibers which lay under the surface of Walt Disney’s image, they’d tar and feather him, and drag him through the streets. If only they knew what Disney’s primary goal s."

 

PERSONAL DETAILS

Walt had black hair with a black mustache, and bright quick eyes and was about 6’ tall. He used his own facial features to clue artists on how to draw Mickey Mouse’s features. He liked specially rolled brown cigarettes which he smoked up to 70 a day. He picked up the smoking habit in the army. He loved expensive Scotch Whiskey, red sunsets, and horses. He had a vacation home in Palm Springs, CA called the Smoke Tree Ranch. He often wore the Ranch’s letter STR emblazoned on his necktie. He played lots of golf with Bob Hope and Ed Sullivan at the ST Ranch. His main home was an estate in Holmby Hills. The Holmby Hills estate was located in a plush area where lots of rich show-business families lived. It was located between Bel-Air (an occult word for Satan) & Beverly Hills.

Walt spent many of his nights at the Disney Studios and later he had his own private quarters at the center of Disneyland. He had reoccurring bouts of insomnia. (For his nerves and insomnia he’d take alcohol and tranquilizers.) He’d go weeks on end without stepping foot on the Holmby Hills estate and seeing his family.

The main topic at the studio by the staff during different time periods was Walt’s bizarre behavior-- he would not be available until late afternoon, when he would emerge from the studio’s subterranean maze of tunnels, where supposedly he was “chatting with the maintenance engineers” everyday. The value of his estate when he died was 35 million dollars of which Lillian his wife inherited half. In his later years, when Disney took a vacation he went to Paris for 3 weeks, and 3 weeks at the Hotel du Cap, in Antibes, and then cruised on Fritz Loew’s yacht with Ron and Diane Disney. In England, Walt spent time with the British Royal family and met privately with masonic prophet H.G. Wells. In Rome, Walt visited privately with the Pope and the dictator Mussolini. In 1966, Walt Disney died. Prior to his death he had investigated cryogenesis--being frozen, and it is believed by some that his body is frozen somewhere in California, while others claim he was cremated.

 

MICKEY MOUSE

According to one source, the inspiration for Walt to create Mickey Mouse came when he was unemployed and saw a mouse in the gutter. There are quite a few stories in circulation as to where the idea came from. Ub Iwerks claimed he thought Mickey up at an animator’s meeting in Hollywood. Walt once said, “There is a lot of the Mouse in me.” (biographical article written by Elting E. Morison, p. 131) In fact, Ub Iwerks told Walt that Mickey Mouse “looks exactly like you--same nose, same face, same whiskers, same gestures and expressions. All he needs now is your voice.” Walt often did serve as Mickey’s voice. A book put out by Walt Disney Co. in 1988 reveals that Walt Disney told Ward Kimball “Quite frankly, I prefer animals to people.” Walt usually was the voice behind Mickey Mouse, (even though he wasn’t the artist.) His mother was chilly for years about the work Walt did. Around 1940, after much pleading, he finally got her to watch Mickey Mouse. His unsupportive mother (which he would within a few years learn was not actually his biological mother) told him she didn’t like Mickey Mouse’s voice, to which he told her it was his, and then she responded by saying he had a horrible voice. The “cold towel” she threw on Mickey Mouse helped convince Walt to quit making Mickey Mouse cartoons. Very few came out of Disney after that, and the very next Mickey Mouse full-length feature cartoon, Fantasia, had Mickey mostly silent.

Walt’s idea for The Sorcerer’s Apprentice was based on some of his own ideas. Walt had had the dream which was used for Mickey Mouse in The Sorcerer’s Apprentice of having “complete control of the earth and the elements.” Disneyland and Disneyworld were partial fulfillments of that dream for control. Walt’s final pet project just prior to his death was the meticulously restored version of the witchcraft film ,,Bedknobs and Broomsticks.” (Disney Magazine, Winter 96-97, pub. by Disney, p. 96 mentions this.) As a programming device, Mickey Mouse works well because it plays on the subconscious genetically transmitted fear of mice that women have. Mickey’s image can help create a love-hate relationship, which is so valued during the traumatization & programming of mind-controlled slaves.

Some sources state that Walt’s love for animals came from the time his family had a farm near Marceline, Missouri. Walt began his schooling at Marceline, but continued it after the age of eight at Benton School in Kansas City, MO. Walt’s Dad had a serious gambling problem and passed the spirit of gambling to his son Walt. Walt never graduated from high school. He had a natural love and a flair for art work, although (contrary to his public image) he never became proficient at it. He joined the army in W.W. I as an ambulance driver by lying about his age. During the war, he also chauffeured dignitaries. He also did some other things that are very revealing. He enjoyed drinking & gambling while in the service, and he ran a scam where he doctored German artifacts picked up on the battlefield to sell to people. War relics were tampered with to get them in shape to get the most money from them possible. Walt took the battle souvenirs - and dressed them up, for instance, coating the insides of helmets with grease, hair & blood and putting holes in them to make them into expensive souvenirs. This shows that Walt was willing to build illusions if it paid. He could be deceptive if he saw an advantage to it. From gleanings from things Walt said to people, it appears that as a child, he’d seen the darker side of life (for instance, his father had a habit of beating him in the basement) and had had some interest or exposure to magic as a child. Bob Thomas writes, "Walt took a boyish delight in playing tricks on his parents. He was fascinated with magic tricks...” (Walt Disney, An American Original, p. 35.) After the military, Walt hoped to have a career as an artist. He applied to the advertising agency of Pesman-Rubin. Roy, his brother, claimed that Pesman-Rubin hired Walt as a personal favor to Roy who handled the agency’s account at the bank Roy worked at. Walter lasted a month until the advertising agency let him go due to Walt’s “singular lack of drawing ability.” According to Current Biography 1952, in 1923, Walt and Roy had together $290. They borrowed $500 from another Disney, one of their uncles named Robert Disney and began to try to make cartoons. Robert Disney had retired in the L.A. area in Edendale, CA after a successful mining career. Robert had always been close to Walt’s father Elias, and helped Walt and Roy out when they came to California. Walt loved to study Charlie Chaplin (a member of the Collins family). He scrawled notes about his body language, facial features, and his gag methods. He also read everything he could about animation and cartooning. They worked out of their uncle’s garage in Hollywood, CA. They were finally able to make a good cartoon Steamboat Willie in 1928, which became an instant hit. As with many things in life, the cartoon was not only good, but Walt finally had the right ,,connections.” On Nov. 18, ’28, Steamboat Willie was shown in a small, independent theater without any advance promotion or advertising. But amazingly(!) the New York Times, Variety, and Exhibitor’s Herald all ran rave reviews of the cartoon the next day. Was this an accident? did journalists from all these prestigious periodicals just happen to go to this tiny independent theater? no it was connections. The reason the elite decided to promote Walt Disney after Steamboat Willie came out as Hollywood’s newest “boy wonder” was to deflect enormous bitterness that had been generated by the Stock Market collapse toward Jewish financiers. Hollywood, even in its first two decades, was known as “Babylon” and “Sin City”. The movie industry was well-known to be run by Jews, and many people blamed the Stock Market Crash on the moral degradation that Hollywood had introduced to this nation. There were calls for government regulatory groups to stop the smutty Hollywood films. Edgar Magnin, the spiritual leader of the major movie makers who were part of the Los Angeles B’nai B’rith reportedly encouraged those in the Mishpucka and others who were B’nai B’rith movie makers that Hollywood needed to protect itself by putting Walt Disney in the limelight as a Christian “white knight with family values”. (By the way, Edgar Magnin was nicknamed “Rabbi to the Stars”, because he was “the Hollywood rabbi”.) E. Magnin’s grandfather’s department store chain was one of the first major accounts of the Bank of Italy, and Edgar Magnin had continued his family’s close association with the Bank of Italy. The closeness also came from the Bank of Italy’s close ties to the B’nai B’rith and ADL. In 1930, the movie industry made a production code which stated that the industry must make a special effort to make movies appropriate for children. Hollywood directly praised Disney in that code as an exemplary model of what the movie industry wanted to do. With the power of the B’nai B’rith and ADL behind him, Walt began sailing to fame. Movie studios that had been turning out smut, with lots of sex and violence all jumped on the bandwagon to show Walt’s clean wholesome cartoons. Walt was the facelift Hollywood needed after the Depression caused Americans to think about America’s morals. Many of the regular movie makers were so corrupt they were out of touch with moral issues, but Walt Disney knew black from white. The Jewish movie makers “pushed the man [Walt] they considered their best hope to the front of the pack” who was billed as a fundamentalist Christian (albeit a masonic “Christian” who rarely stepped foot in a church). (quote from Walt Disney Hollywood’s Prince of Darkness, p. 50.) Strangely, the biographies indicate that Walt quit doing the actual drawing in 1927, and Walt devoted himself entirely to the development of the cartoon business, such as raising money. In other words, the image of Walt Disney being the artist who has created the Disney cartoon’s is inaccurate. The Disney brothers actually hired many other artists to do the art work. If Walt quit drawing in 1927, and their first marketable cartoon was in 1928, that clearly shows that Walt did not do the actual cartooning. He continued to oversee the work, walking in and rigidly inspecting what was being done to suit his own intuitive tastes. Actually the genius cartoon artist (animator) who made Walt Disney a success was Ub Iwerks, about whom Walt on a number of occasions said was “the best animator in the world”. Without Ub Iwerks to take Walt’s ideas and turn them into reality, Walt would never have become famous. Ub was an incredible genius who had a sense of line, a sense of humor, patience, organization and a great sense of what Walt wanted. Walt treated him cruelly at times, interrupting him, playing tricks on him, and not being totally honest with paying him, but he stayed with Walt over the years and made Walt the success Walt became. (The books Disney’s World and Disney Animation: The Illusion of Life have information on the unheralded genius Ub Iwerks.) Another unknown great artist was Floyd Gottfredson. Floyd Gottfredson drew all the Mickey Mouse cartoons from 1932 until October, 1975--which is a period of 45 1/2 years. Floyd Gottfredson was a Mormon born in a railway station in 1905, and raised in a tiny Mormon town, Siggurd, 180 miles so. of Salt Lake City. In 1931, before Floyd totally took over the Mickey Mouse drawings, he would take suggestions from Walt on what to draw. For instance, Walt puzzled him by insisting he do a cartoon series of Mickey Mouse committing suicide. Floyd had said, “Walt, You’re kidding!” But Walt thought that a series on suicide would be funny. Over the years the Walt Disney products never mentioned Floyd’s name. The bulk of the fans were led to believe Walt did the cartooning of Mickey Mouse himself. (See the book Walt Disney’s Mickey Mouse in Color. Ed. Bruce Hamilton, pub. The Walt Disney Co., 1988.) Fred Moore was involved in the creation of Pluto and some other cartoon characters. The idea for Pluto was Walt’s and it was Norm Ferguson’s genius at drawing that took the idea and created the actual images. Walt Disney was awarded 32 personal academy awards for the work that was done by his studios. Walt Disney’s famous signature was actually designed by someone else, and was taught to Walt. (Schickel, Richard. The Disney Version: The Life, Time, Art and Commerce of Walt Disney. NY, 1968, p. 34.) Walt could only make a crude Disney signature, so he delegated the writing of the signature to several artists including Bob Moore, Disney’s publicity artist. Later, after much practice he learned to make it well enough to do for publicity. Many people who wrote letters asking for his actual signature, and who actually did his signature, thought that they had received forgeries by his staff, because the famous Disney signature was so crude. The nicer looking ones were the forgeries. One cartoon animator who joined Disney in 1940 recalled that Walt told him the first day, “You’re new here, and I want you to understand just one thing. What we’re selling here is the name Walt Disney. If you can swallow that and always remember it, you’ll be happy here. But if you’ve got any ideas about seeing the name Ken Anderson [his name] up there, its best for you to leave right away.”

[Dig]

OCCULT PORN KING

Walt grew up fascinated with the occult and in an abusive home situation. He was fascinated with cartoons, nature and children. He had an intuitive sense for quality cartoons that would appeal to children. At some point, the syndicate got him indebted to them. At that point he was their man. He owed them a debt that they held over him. In secret, Walt became a porn king. A victim remembers that he was sadistic and enjoyed snuff porn films. His interest in children was far from altruistic. The Hapsburgs of the 13th Illuminati bloodline had a sex salon in Vienna, where a porn photographer named Felix Salten worked. Felix Salten wrote a book Bambi, which was then translated into English by the infamous communist Whittaker Chambers. The elite were just beginning to form the roots for today’s environmental movement. The book appealed to Disney, because Disney liked animals better than people. In the book, tame animals view humans as gods, while the wild and free animals see humans as demons who they simply called “Him.” The book begins with both free and tame animal viewing humans as rightly having dominion over them. In the end, the animals view all humans as simply being on the same level as animals, a vicious animal only fit to be killed. Disney instructed his animators to make the animals “to be human. I want people to forget they are watching animals.” Bambi was to receive a Christ-like manger birth, with the animals hailing him as a “prince.” Due to his sexual problems, Walt at one point permitted himself to be subjected to the packing of his genitals in ice for hours at a time. (Elliot, Walt Disney Hollywood’s Dark Prince, p. 83.) Children were instructed to call Walt “Uncle Walt.” An example of this were the Mouseketeers. For those who know how mind-control programmers have traditionally liked to be called “uncle” by their child victims, the insistence by Walt to be known as “uncle” is distasteful. From what this author has learned from some sources about Walt’s non-public life as a hidden sadistic porn king, it raises questions about other parts of his life. For instance, Kenneth Anger in his book Hollywood Babylon II, p. 192, “Some animators stated that the boss [Walt Disney] seemed to have fallen in love with the boy. There may be some truth in this...” The boy, who Walt fell in love with, was a small young attractive boy actor named Bobby Driscoll who signed up in 1946 with Disney. He acted in Song of the South, Treasure Island and Bobby’s voice was used in Peter Pan. Bobby Driscoll was very intelligent and attractive. Did Disney help or abuse him? If Disney was such an upbuilding wholesome atmosphere, & this child actor had everything going for him, why did Bobby become a methamphetamine addict at 17 & die within just a few years? Why didn’t his talent & early career lead to something positive in his life? From those who knew Walt personally one learns that he had an obsession with the buttock part of anatomy. He enjoyed jokes about this part of the anatomy, which he told to his staff quite frequently. The staff edited out many of his crude posterior jokes from cartoon scripts. Two examples that got by the editors are a Christmas special where a little boy is unable to button the drop seat of his pajamas. The little boy’s problem in maintaining his modesty is the running gag of the cartoon. In the end, Santa gives him a champer pot. The 2nd example is the paddling machine used on the wolf in The Three Little Pigs. Numerous Disney cartoons feature buttocks of characters provocatively twitching.

 

AS A WITNESS BEFORE CONGRESS

After W.W. II, Walt Disney was called upon by Hollywood to testify in their defense at the Un-American hearings which were being carried out by congressmen who were concerned about the heavy communist influence within Hollywood. Walt downplayed any communist influence in Hollywood to Congress. Interestingly, Walt’s father was an outspoken Socialist Party leader in the United States who advocated a socialist New World Order. He regularly voted for socialist presidential candidate Eugene Debs. One of the first drawings Walt did as a boy was to duplicate the socialist political cartoons he found in a socialist periodical Appeal to Reason that his father subscribed to. When Walt asked in the 1930’s how his father felt about socialism’s successes, his father Elias said, “Today, everything I fought for in those early days has been absorbed into the platforms of both the major parties. Now I feel pretty good about that.” (Thomas, Bob. Walt Disney, An American Original, pg. 147-148) Walt’s movie Alice’s Egg Plant (1925) was pure communist doctrine where the red hen (communist) leads the working chickens on a strike against Julius the farm manager (representing capitalists.) The strike at Disney and unionization of Disney in 1940, soured Walt toward communism. The workers at Disney publicly made personal verbal attacks on Walt & he never forgave the humiliation. In spite of his public distaste for communism, his Magic Empire (his castle where he was king) was run like a socialist dictatorship, similar to what the NWO plans. Employees at Disney did not have titles; it was faceless egalitarianism with an all powerful dictator Disney at the top. It was racially elitist too. The only full-time African-American during Walt’s lifetime at Disney was a black shoe shine man. Was Walt a socialist of the National Socialist (Nazi) variety? Arthur Babbitt claims, “On more than one occasion I observed Walt Disney and Gunther Lessing there [at Nazi meetings], along with a lot of other prominent Nazi-afflicted Hollywood personalities. Disney was going to meetings all the time.” Lessing was mobster Willie Bioff’s crony. Bioff had spent his earlier days running a whorehouse, before coming to Hollywood for the mob. In the final panel of the Mickey Mouse comic strip of 6/19/40 a swastika appeared. Some people have wondered what this & other “secret signals” in Disney’s work meant. Disney was not Illuminati. The powerful elite are very skilled at controlling people that rub shoulders with them, those who are beginning to become independently wealthy. For instance, they destroyed Robert Morris, the great financier of the American Revolution. They simply used Hegelian Dialectics on Walt Disney. Their Unions and the Mob made Disney’s studio one of their prime targets. In order for Walt to protect himself from the unions, which he perceived as communist, Walt got help from the FBI and the mob. Walt was vulnerable to the unions, because he treated his workers terrible, with long hours, low pay, in addition to repeated abuses to their dignity. Walt’s large number of employees essentially never received any credit or recognition for their years of creativity and hard work, which was all essentially stolen and credited to Walt by the establishment to build his image. (I write “essentially”, because someone might find some obscure exception, but across the board, Walt got all the credit for what his creative workers produced.) Perhaps Walt needed the ego boost from all the purloined public praise which he stole from his staff to be seen as a great animator, because he had wanted to be an artist/cartoonist and failed. The praise helped sooth the wounds. One worker recalls that Walt “had no knowledge of draftsmanship, no knowledge of music, no knowledge of literature, no knowledge of anything really, except he was a great editor.” This may not be much of an exaggeration, because Walt was a high school drop-out, who grew up in poverty on a Missouri farm. Walt’s first official attempt to direct a film (and last) was the film The Golden Touch in 1935. The film was an embarrassment. Walt had to pull it from distribution. If Walt lacked abilities to animate, and direct, what was Walt’s talent? Walt was the driving force, the spirit so-to-speak behind Disney. He was the dictator who was feared enough to demand more from his workers than they knew they could give--and he could get it. He was the driving force that took a mob of artists, and gag creators, etc. and shaped them into a powerful force to make cartoons and later movies. He was the hard-driving genius who knew what he wanted and got others to create it for him. He was the driving force that kept an army of costumed sanitation men meticulously cleaning Disneyland. In normal year, Walt would have 800,000 plants replaced at Disneyland, & Walt refused to put up signs asking the “guests” (visitors) not to trample them. How powerful was Walt? Here is a man who during his lifetime and even up into the 1990’s had a rule in the studio & Disneyland that no male employees could have any facial hair, yet he himself wore a mustache for most of his life.

 

A possible CHRONOLOGY OF EVENTS surrounding WALT DISNEY'S ILLEGITIMATE BIRTH

It is beyond doubt that Walt Disney was an illegitimate child, but that fact resulted in a long list of mysterious happenings. It also gave power hungry men, something to blackmail Walt Disney with. Because this chapter 5 on Deception is focusing on Disney, and the big boys used blackmail to keep Disney in line, this information is pertinent. The following chronology of events is what this author’s believes most likely happened. Without any genetic tests, it is difficult to determine beyond a shadow of a doubt who Walt’s biological parents were, and what the actual history of Walt Disney was. Several people have spent many years investigating the real facts surrounding his birth. Many interesting and tantalizing clues have been found. This author believes that the following chronology is suggested by the evidence. (This author’s chronology is offered without hundreds of pages of evidence, because the mysteries around Walt Disney’s birth are here to stay, no matter what excuses people come up with, and this author doesn't want to stray from the intended purpose of the chapter.   This is to show that Walt Disney had a secret bastard birth which gave J. Edgar Hoover --and his superiors-- blackmail leverage over Walt Disney. Walt may also have had gambling debts and an abnormal sexual appetite which also helped entrap him. For those who want more evidence and facts, the following are recommended: Almendros, Mojacar, Corner of Enchantment, p. 83; Interview magazine, no. 242, ““Walt Disney Was from Almeria””, and last but not least Eliot, Marc. Walt Disney, Hollywood’s Dark Prince, chapter 11.)

 

1890--An attractive spanish woman Isabelle Zamora Ascenslo of Mojacar leaves Spain and travels to California to a Franciscan monastery. In the same year, but later on In 1890-Walt's future father Elias, who fancies himself a ladies man, leaves his family to seek his fortune in the gold fields. In California, he meets another newcomer to the state, Isabella Ascensio, and the two newcomers in California have much in common, have a sexual affair and fall in love.

1891--Elias fails to make a fortune and returns to Chicago, but he doesn't forget Isabelle.

1893--Isabelle and Elias have a son, and Elias convinces his wife to accept the baby as theirs rather than have the family's reputation, their marriage, and their family ruined. The son doesn't look like the first two boys at all.

1901--Isabelle and Elias have another bastard son, who Elias brings home and names Walter after the minister of the church he attends. The two bastard sons do not look like the older sons of Elias, and they never have much to do with them, but cling to each other as brothers.

1903--The minister of the church Elias attends finds out about the bastard children and Elias quickly moves out of state so that the scandal will remain secret. Elias has also run up gambling debts.

1905--After moving to Marceline, Missouri, Isabelle is hired as the Disney's maid, so that she has an excuse to move in with them without creating suspicions. She probably does much of the raising and care of the two boys.

1918--J. Edgar Hoover is busy involved with the prosecution of draft dodgers in WW I, and it crosses his desk about the case of Walt Disney committing the crime of forging his parents signature to join the army. Cases like Walt's were watched because people who could be blackmailed could be resources in the future for Hoover. That year, Walt discovered that he had no birth certificate. Waft observes his parents strange reactions concerning his birth certificate & other questions, & begins to deeply distrust his father.

1938, Nov. --Walt's mother dies by gas, and the Disney's maid pulls Elias to safety from the fumes, but Walt's mother dies.

1939-40--Hoover offers Walt Disney to help Walt locate his real parents if Walt will work for the FBI. Either Hoover already knows that he is a bastard child, or he soon learns the truth from an investigation. This gives Hoover blackmail power over Walt Disney, and assures Hoover that Waft will be loyal. Hoover informs Walt Disney of the truth, and then moves to generously protect Disney & his father's reputation. Two FBI men plant baptismal information of a child born to Isabelle in 1890 named Jose Guirao in Mojacar, Spain. This date is 10 years off of Walt's birthdate, and is intended to throw people off track. They can't plant a fake birth certificate for Waft in the records for 1901, because everyone knows from WW I that none exists. Therefore, they plant a fake birth certificate for Walt in the Illinois State records in the year 1890. They hope people will think that somehow a filing error occurred. This way if anything leaks, and worst came to worst, Waft could at least pretend he was adopted and is not an illegitimate bastard. They pay off townspeople in Mojacar to tell a particular story. Townspeople probably receive ongoing payments.

1941--Walt confronts his father with the truth, and his father commits suicide, and his real mother comes to live with him as his maid.

1954--In order to reinforce the myth that Walt was born in Spain, a group of Franciscan monks goes to Mojacar and visibly inquires about the birth records of Jose Guirao and/or Walt Disney. They spend time with the mayor and make sure that everyone connects Waft Disney with Jose, who is a fictitious (nominal) character that the FBI has created records of.

1967--A year after Walt's death, a large group of Americans (a large group was needed because they are not skilled like the 2 FBI men in 1940) pretend to be on "official" business for the American government. They go to Majacar Spain to destroy all the records of Jose Guirao to insure that there will be no spanish claimants to Walt Disney's fortune. Later to insure that the fictitious story is solidly in place to mislead the few who might get by the cloud of secrecy over Walt Disney, the Spanish government does a favor to certain powerful people and pays an investigator to investigate the spanish origins of Walt Disney. People of the village willingly tell people without any fear or without any fanfare that Walt Disney was born at their village. Unless they have recently done so, the village has never done anything--no monuments, no markers, or anything about the birth site of Disney. They probably didn't do this for years, because some of the village probably knew it was a lie. With the older people gone, the lie has probably become well entrenched as truth and there is most likely some type of memorial to Walt Disney.

 

[Dig]

WALT DISNEY’S CHARACTER

Because the Disney deception is such a major Illuminati deception worldwide, and because Walt Disney was the major catalyst behind all the Disney theme parks, movies, trinkets etc. it is of importance to examine his character. In studying historical figures, this author has tried to get to the rock bottom truth. One may ask, how can this be done? -especially since there have been decades of myths spread by the establishment and their media? The following procedure which has worked with other historical figures was also done by this author with Walt Disney. The first part of this author’s own procedure is to study everything that one can find on the man, paying special attention to what bias and vantage point another author comes from. Special attention is also paid to biographers who try to give the whole truth as they have found it, rather than approved biographies that repeat myths, platitudes, and flattery. The investigator has to be careful because there are authors who deceptively say in their introductions that they are “detached investigators” who are “going to be painfully honest in their reporting” when they actually are skillful coverup artists for the person they write about. When your author, Fritz Springmeier, finished investigating written material about Walt Disney, then I mentally placed what I knew on the shelf temporarily, and did a handwriting analysis based on the scientific principles of Graphoanalysis as well as the broader field of Graphology. This author is a Certified Graphoanalyst who has done handwriting analysis professionally. Using Graphoanalysis/graphology is an excellent way to get an unbiased very deep look at a historical figure. It is a way to by-pass all the propaganda and myths. However, a close historical look and the handwriting analysis (of various historical figures) have always matched each other, as they did in this case too. Here is what was found. The following paragraphs are how Walt was in the 1920’s. The personality profile you will read did not endure. Under the pressure of micromanaging Disney Productions as well as living with financial stresses, by the 1940’s, Walt could be found in rages giving rough treatment to his wife, and rough spankings to his two children. He went to psychiatric counseling to cope with the stress. And unfortunately with the progression of time, by the 1960’s Walt had become a sadistic egotistical alcoholic. One biographer described him as ,,...a bully and a know-it-all” (Disney’s World, p. 220) Even then Walt had men working for him, such as Bill Walsh (who had been a orphan as a child) who worshipped Walt. But here is how he was in the 1920’s:  Walt was a self-motivated individual with lots of energy which was constantly seeking some outlet. (People have written much about this trait of his.) He was more the giver than the taker in relationships. (In the first few years, when he was responsible for making business contracts he often gave away his work without setting prices for profits. He even wrote letters to his boss to the effect that his first priority was good cartoons not profits, and that he’d work without profits, but he did want some appreciation for his work. That was his sensitive nature showing.) Walt wouldn’t wait for others to come up with an idea or someone else to make a move--he was there first. He could communicate his ideas with clarity and ease and move easily from idea to another. (He would storm into Disney Productions and spew one idea after another into his workers’ ears.) He enjoyed competition. He had a quick mind and keen perception. He frequently acted on intuition and impulse, taking chances and endangering his own security. (He frequently gambled all his life savings and everything he could scrape together on a project.) Long projects bored him. (Fortunately the real tedious work of cartooning was done by a large staff of artists.) House chores and repetitive chores bored him and he avoided them. (He was absolutely a total slob around the house as a bachelor.) He was impatient with vague philosophies, he liked concrete realities. He was difficult to get along with because he had both a playful side (even to the point of cruel practical jokes) to his personality and an aggressive intolerant impatient side that wanted to achieve. Naturally, people around him were disconcerted because on a subconscious level they never knew which side of him they would deal with. (The reference series Current Biography “Disney” article p. 248 gives the following Walt Disney quote, “We don’t even let the word ‘art’ be used around the studio. If anyone begins to get arty, we knock them down.”) He was geared for action. He was always inventing ways to get what he needed. He could be explosive when provoked. (The old time associates of Walt remember his explosive temper.) He was a person of dynamic energy, sensuality and keen thinking, and a disciple of the pleasure principle. Because his father was so abusive and misused his position of authority, Walt came to be deeply ingrained with defiance toward authority. (The themes of his films repeatedly sympathize with those who rebel against authority, and the police and other authority figures are consistently shown as absurd. One way he expressed irresponsibility was with lively dance scenes, which has been a hall-mark of teenage rebellion during the 20th century. “Comic anarchy reaches its fullest expression in Alice Rattled by Rats, which shows what the rats do when the cats goes away!) He felt that rules were for others to follow. (That is one reason he would step outside of the law and commit illegal acts. This is one trait that may be responsible for some of the criminal activities Walt ended up participating in.) Walt also didn’t like to be closely supervised. (He wanted to manage his Disney Magic Kingdom as if it were his own kingdom. He wanted to be an authority figure, and indeed became the dictator of his Magic Kingdom. When his workers differed with his own views he felt that they were infringing upon his own inalienable rights as an individual.) He was somewhat of a melancholic temperament, that type of perfectionist who still enjoys life. He felt a need to protect himself against intimacy with others. He was most home in a setting which he made for himself. Walt had the traits of an executive. He was slow to reveal his innermost feelings, and definitely set his own goals. Walt was one of those persons that when the going got tough, he hung in there. Likewise he would cling to his ideas, plans, and possessions. (His stubborn refusal to allow his brother Roy to stop the creation of Disneyland led to events that split the brothers. His determination to succeed was taken advantage of by the crime syndicates to blackmail him with some debt. In order to get his dreams, he was willing to give them what they wanted.) A clue to Walt’s macabre sense of humor, at times almost a graveyard sense of humor, and his high tolerance of seeing pain in others, is that Walt was seriously thinking of volunteering again as a medic after the W.W. I fighting in France was over, when volunteers were needed for the Balkan fighting. Walt loved animals more than people. The only human being that he had rapport with while growing up on the farm was his Uncle Ed (who he called Uncle Elf), who looked like a cross between a leprechaun and a prune. Uncle Elf could make animals sounds and bird whistles to Walts delight. Walt loved the charm of the farm and nature and he loved royalty, pageantry and a strict social hierarchy such as Freemasonry provides. He often wove a combination of the barnyard in with royal parades and other trappings of royalty. For instance, in Alice the Piper, the King Hamlin is a farmer who sleeps in a farmhouse. In Puss in Boots the local king lives in an authentic palace incongruously placed in a village. His early film Alice’s Day at Sea includes both the features of a royal court and an American circus. In typical Disney disdain for authority, he pokes fun at criminal fraternal groups with their rituals and passwords in Alice & the Dog Catcher, Alice Foils the Pirates, and Alice’s Mysterious Mystery. And while he was a secret FBI agent, he went against Hoover’s wishes and poked fun at the FBI’s authority. Walt was loyal to what he believed and could be loyal to those individuals who he deemed worthy of his loyalty, but he didn’t want anyone to have authority over him. (Walt was a 320 Freemason & an occultist, he was loyal to that philosophy and loyal in his early years to his older brother Roy O. Disney, who was a father figure to him.) If anyone at the studios agreed with him when he was angry at his brother Roy, he or she risked losing their job. Both brothers were protective of each other, and felt they were the only ones who could criticize the other one.

 

D. WHO WAS ROY O. DISNEY?

Roy O. Disney was born in 1893, and his brother Walt in 1901. They had three other brothers, but Roy and Walt (1901-1966) were only close to each other and not to their other brothers, who didn’t resemble them. Walt was named Walter Elias, his middle name derived from his father’s first name. The Disney family had immigrated from Ireland to Canada and then to the U.S. The father of the brothers as stated was Elias, and their mother of scottish descent, who may not have been the biological mother, had the maiden name Flora Call. Roy died in 1971, shortly after the opening ceremonies for Walt Disney World. He kept his promises to his brother to build Walt Disney World. He reneged on his promises concerning the city of Epcot (which was derailed into becoming EPCOT). Roy O. during the 1930’s lived in North Hollywood. Roy’s family later located in Napa Valley, CA, and was associated with the Illuminati kingpins in the area. Napa Valley has been nicknamed the Valley of Kings. This “Valley of Kings” plays a major role in the dirty activities revealed in this chapter. Roy 0. Disney played a bigger role at Disney Studios than people realize. For example, it was Roy O. who made the decision to cut 45 min. out of Fantasia, so that Walt’s pet project could be distributed to movie theaters. Roy O., considered by some insiders as the more evil of the two brothers, kept the financial books for the Disney’s down through the years. It is known that Disney kept two books during the 1950’s, so it is hard to believe anything except that Roy 0. was fully aware of how Disney brought in their money. The big boys always kept the financial screws to Walt and Roy. The big boys often figured out scams to take their money. When the Disney brothers had an arrangement with Columbia Studio (run by Harry Cohn) they were advanced $7,500 for each cartoon which cost them an unprofitable $13,500 to make. Further, Cohn liked to cheat them by not sending them their money, and taking a ridiculous amount of time to pay them what he owed them. The cash flow problems of the Disney brothers also came from Walt’s desire to keep improving and upgrading the technology they used. When Walt went to color over Roy’s objections, Disney’s profit margin was damaged and the studio was left with shortages of cash. In 1937, Walt’s repeated gambles with cartoon production ideas caused Roy O. to say, “We’ve bought the whole damned sweepstakes.” From 1940 through 1946, Disney lost money every year. In '46, he lost $23,000. Finally in 1947, things turned around and the Disney studio made a profit of $265,000. Cartoons and movies were not really big moneymakers for the Disney brothers, until it was realized that old films could be replayed on television. Overall, from the 20’s through the 50’s, the Disneys may have broke even with animation. This is why Disney Studios at Christmas, 1931 was unable to pay its payroll. Pinocchio cost $2.6 million to make in the late ’30’s, an amount hard to retrieve at that time from the box office, and Fantasia’s original release in the ’40’s was a dismal financial failure. When Sleeping Beauty was released in 1960, it was a loser, movie goers were apathetic towards it. The real money made by the Disney brothers in the 1930-1950’s came from the merchandising of Disney products, the production of underground hard porn, and the kickbacks from various groups which used Disney for mind-control programming, and money laundering. When Walt died, his shares in Disney were worth $18 million. His family all in all held 34% of the stock in Walt Disney Productions. Roy o. Disney’s daughter Dorothy Disney Puder & husband Episcopalian Rev. Glen Puder purchased property at 1677 Sage Canyon Rd., Napa Valley east of Rutherford. (This is close to the Rothschild’s Opus One Temple mentioned in VoL 1.) O.J. Simpson’s lawyer Johnnie Cochran Jr. was in the Rothschild’s hard-to-enter Opus 1 when the jury arrived at a decision in O.J. Simpson’s case.) It is very typical for Mafia families in south Boston to have one family member in the clergy & one full time in organized crime. (See author’s Be Wise As Serpents for an expose on the Episcopalian Church, which is simply a branch of Freemasonry.) All kinds of interesting Mafia figures, Illuminati, and Bohemian Grovers live up the Sage Canyon Rd. This is an area that has a large well-kept cemetery for pets. Frank Well’s sister and Rich Frank, who will all be discussed later in this chapter, also live on Sage Canyon Rd.

 

E. WHO WAS ROY B. DISNEY?

Roy Edward Disney (nephew of Walt) is the son of Roy Oliver Disney (brother of Walt). Sometimes he has been called Junior. The 9/5/94 Newsweek story on Disney’s Magic Kingdom called him “Keeper of the Flame.” Roy is an executive with Walt Disney Co. at 500 5. Buena Vista St., Burbank, CA 91521. He has worked as an asst. producer at Walt Disney Co. from 1954 to 1977. He has also been the vice-pres. of Walt Disney Co. He is president of Roy E. Disney Prodns. in Burbank. He is chairman of the board for Shamrock Broadcasting Co. As if that weren’t enough, he is on the board of directors for St. Joseph Med. Ctr., fellow U. Ky. Recipient of the Academy award nomination for Mysteries of the Deep. He is a director of the Guild American West, the Writers Guild, which is important. He belongs to the 100 Club, the Confrerie des Chevaliers du Tastevin, and St. Francis Yacht Club. He likes speed boat racing. Roy E. Disney was the cocky son of Roy O. He married a gal named Patricia. He was merely tolerated by his uncle Walt, especially after Roy E. made some snide remarks about Walt’s plans for Disneyland, which he and his father opposed until Walt Disney personally got the project going. Walt’s son-in-law Ronald Miller is one of the Disney clan who can’t stand Roy E. The two never liked each other, and in the power struggle between them after Walt’s death, Roy E. won and ended up with Disney. Although people called Roy E. “Walt’s idiot nephew”, he eventually (with the help of his father & outsiders) won the various power struggles at Disney after Walt died, and is now a powerful figure. Roy E. Disney and Stanley P. Gold work together in various ways, and are both on the present Disney Bd. of Dir. They are friends and worked to prevent hostile takeovers of Disney in 1984. Gold is in charge of Shamrock Holdings, Inc.

 

The battle between the two Disney factions

In 1953, the two brothers and their respective sides of the family split when Walt created RETHAW corporation. The two sides have fought ever since. When Walt Disney created RETLAW (his name Walter spelled backwards), this alienated his brother Roy O. & Roy’s side of the family. Without going into all the details, what RETLAW did was cut Roy O.’s side out of the money that was to be made. But Roy’s side didn’t stand by and idly let their share of the pie be lost, they fought back and held their own. Their big break came when Michael Milken and his band of junk bond artists carried out a "greenmail” on the Disney Corp. Only a few insiders know how greenmail works. It is a legal form of blackmail. Milken would work with his friends Saul Steinberg, Sir James Goldsmith, and Carl Icahn. Milken would provide them the financial clout, to make them look financially capable of financially purchasing a corporation that they had selected as a target. According to insiders, Milken got 40% of the upside of any "greenmail” that went right. The targeted corporation would learn that someone like Saul Steinberg was going to buy them out. In order to prevent the buyout, and to keep their jobs, the officers of the targeted corporation would get frantic, and either do suicidal refinancings, or buy the stock of the potential acquirer for much greater prices than the Milken group paid for them. The "greenmail” artists would then take their loot and go on their way. The stockholders of the targeted company are the real losers of "greenmail”, because the management of the corporation in order to finance their protection spends the stockholder’s money, takes on new debts, and deprives the stockholders of some profit-making potential of their shares. Michael Milken’s group made feints to take over a large number of corporations, including Walt Disney, Phillips Petroleum and Avco. Saul Steinberg made what looked like the beginnings of a sincere hostile takeover of Walt Disney through Reliance. At one point Reliance became Disney’s largest stockholder. Steinberg filed an amended 13D saying he intended to acquire 25% of the corporation. The CEO of Walt Disney, was Walt Disney’s son-in-law Ron Miller. Saul Steinberg is a dear business partner with London’s  Jacob de Rothschild. Originally, Ron Miller (Stanford Univ. grad.) and Ray Watson (a Bohemian Grove mmbr from Stanford Unive.) of Walt Disney’s management brought in the Bass brothers to help them deal with Saul Steinberg’s takeover and to buy and develop land (esp. in Florida). Ray Watson was Ron Miller’s key right hand man to run things. The Bass brothers are mafia. Disney acquired the Bass Brother’s Arvida, and brought the Bass brothers into Disney’s management. The Basses sold their stake in Texaco back to the oil co. & then used this money to bolster Disney. Sid Bass & Chuck Cobb (chief exec. Arvida) worked out a deal with Disney. Arvida (sold to Disney for $200 mil.) would profit from developing Disney land in FL & Disney would profit from the new financial strength that getting Arvida would provide. Arvida owned oil fields, theme parks, and had helped create planned communities. For Ron Miller, on the one side was the Illuminati and the other side of things was the mafia. He didn’t trust either, but Steinberg’s takeover could eliminate Disney’s management and both he (and Roy E. Disney) wanted to save Disney from a takeover by Steinberg. At first, Roy E. wrote a letter to Ron Miller & the other board members stating his concerns about the acquisition of Arvida For Disney management, at least the Bass brothers would let Walt Disney continue to make their family movies. After the Bass brothers joined the Disney management (and became one of Disney’s major stockholders), they soon joined sides with Roy E. in a management fallout over whether Disney should buy Gibson Greeting Card Company. With enough votes on the board, they sent Ron Miller packing. With Ron Miller, and those management men aligned with Walt’s side of the family gone, then CEO Michael Eisner, Frank Wells, Rich Frank, and Jeffrey Katzenberg and some others made the modern Walt Disney Corporation. Disney’s Touchtone studio which was mentioned above in connection to the movie Alive was created in 1984 by Walt Disney’s son-in-law Ronald L. Miller. Ron Miller’s management style was lackluster. The new management has really gone gang busters. Although Walt’s side of the family is out of the management end of Disney, they still receive financial rewards from various Disney enterprises. The Bass brothers acquired more land for Disney in Florida. But under their tutelage, Disney now has a management team that is skilled in land grabbing techniques. The Bass fortune began with Perry Bass, who created a company called Bass Enterprises. In 1969, Perry retired and turned things over to his eldest son, Sid Richardson Bass. Sid has three younger brothers Ed, Robert and Lee. The Basses owned 27% in Prime Computer, as well as sizable real estate and oil holdings. The Bass brothers founded a local prep school in Ft. Worth, TX. Their HQs in Ft. Worth is full of modern art. The Bass brothers were very clever in their deal with Disney. In exchange for their $14 investment in Arvida, they had gotten (over a period of time) $950 million dollars worth of Disney stock. In 1985, they liquidated Bass Brothers Enterprises and divided the assets between the four brothers. Sid Bass was able to shift his interests from finances to culture and high society. One of the Bass brothers is involved with wineries in Napa Valley. The Bass Brother’s financial strategist was Alfred Checchi, now of Beverly Hills, who has been a supporter of Mishpucka member Sen. Dianne Feinstein (D-Calif.). Roy is involved in criminal activities, and several people investigating him have been bluntly warned that if they continue, they will see their children murdered. Napa Valley’s Illuminati activity also connects in with CIA activities as well. The Napa Valley Illuminati families all have CIA connections. For instance, British millionaire Kenneth Armitage, who had to flee from England to avoid arrest on numerous charges of theft, deception and false accounting, had some of his good friends in the Napa Valley, such as Dr. John Duff, Johnny Beck, & others. Armitage has since mysteriously died in prison in England. Armitage had intelligence connections which tie in with twilight world of the criminal activities of the numerous intelligence acronym monsters. Also his company was authorized to provide people with Central American government documents. There is more-- much more to sordid affairs which swirl around Roy Disney. Napa Valley, where many members of the Disney family live, has the Illuminati’s Opus One temple owned by Rothschilds, as well as two roads lined with meticulously kept wineries owned by Illuminati kingpins and connected via secret underground tunnels. To top off this incredible collection of Illuminati wineries (Rothschild’s, Mondavi’s, Rutherford’s, Christian Brother’s, Sattui’s etc), on the north end of a series of wineries on highway 29 lays the CIA’s medieval-looking Culinary Institute of America Greystone (at 2555 Main St., St. Helena, CA 94574), where numerous people have suffered torture. The Greystone Culinary Institute of America recently had the person who runs their campus store mentioned in House & Garden, Sept. ‘96.

[Dig]

F. WHAT DO WE KNOW ABOUT THE DISNEY FAMILY IN GENERAL?

Several members of the Disney family came to England with William the Conqueror. They were not known as Disney then, but because they came from the French Norman town of Isigny, they took the name d ‘Isigny, and anglicized it into Disney. Walt had two daughters, Diane Marie (bn. 12/18/33) and Sharon Mae. Diane made some revealing comments when she said, he didn’t spoil us. Like a lot of adolescent girls, I was crazy about horses, and I got quite good at riding. I yearned for my own horse, but Dad wouldn’t buy one. And we didn’t have a lot of clothes and other things.” For being one of the richest men in the nation, Walt can’t be accused of having spoiled his children. He was also famous for his ten cent tips at restaurants, which became the talk of the town. Sharon Mae was adopted and arrived at the Disney home 12/31/36. (She died in ’93.) The adoption was kept very secret. The newspapers around the country announced that Lillian had given birth to Sharon, and the Disney family kept up this lie for years. The reason given for Sharon’s adoption was that Diane needed a playmate. For years, Walt Disney didn’t care much for Sharon and seldom acted like he even knew her name. Walt had wanted a son, but his wife wanted to adopt a girl, so it was a beautiful girl that Lillian picked out to be a companion for her first daughter. When Sharon was kindergarten age, Walt would take her to the carousels in Griffith Park on Sunday afternoons. Sharon was sent to private schools. She went to Westlake School for Girls, and later was shipped off to Switzerland to a girls’ boarding school. She had soft blond locks and was attractive. In June of 1948, Walt took Sharon, who was then an attractive 12 yr. old to Alaska with him for about 2 months. For most of this trip Walt and Sharon were alone together. For a father, who had ignored Sharon for years, now Walt was totally obsessed with Sharon. He bathed Sharon every night, combed her hair, washed her underwear, and carefully dressed her each night from head to toe before taking her to nice restaurants. He even followed her when she sleep walked. Why was Sharon a dissociative person? That summer in Alaska, Walt and his personal pilot took a trip in August to Mt. McKinley, AK. Both were drinking scotch whiskey and they barely missed hitting a mountain, and almost ran out of fuel before finding a runway. Sharon first married a presbyterian Robert Borgfeldt Brown. Later, Sharon went on to marry William Lund. Years later, Walt’s wife Lilly even prevented a biographer from revealing that Sharon was adopted. Sharon died relatively young. It is important to look at the Disney family rather than just Walt Disney in trying to understand the Disney phenomena. For instance in 1958, the Wall Street Journal mentioned that Lillian B. Disney was beneficial owner of over 10% of common Disney stock. Lillian, Walt’s widow, quietly purchased property in Napa Valley and moved there in the late 60’s. She bought the property through Walt’s Retlaw Enterprises and the Lillian Disney Trust. Lillian and her 2 daughters ran Retlaw for years. Diane Miller, her daughter, also bought land and moved to the Napa area. The Lillian Disney Trust bought the Silverado Vineyards, which Diane & her husband manage as ,,gentlemen growers” as they call it. This side of the Disney family is shunned by the Illuminati insiders in the Napa Valley, as well as by the Roy O. side of the family. Although very private, there are occasional moments of publicity from Diane Disney Miller, when she donated wine for a fund raiser for the Planned Parenthood Shasta Diablo held at the estate Niebaum-Coppola, owned by director/producer Francis Ford Coppola. Francis F. Coppola comes from an old mafia family. He owns a big winery & directed Disney’s Caption EO film. Locals in the Napa area do not trust any of the Disneys, especially the Roy O. side of the family. There are other Disney’s who tie in with the occult world. Wesley Ernest Disney, a 32° Mason & Shriner, who was a U.S. Congressman, a state official & lawyer in Kansas who had a brother Richard Lester Disney-- who is a Rhodes Scholar and a Mason too. Wesley Ernest Disney, by the way began as a lawyer in Muskogee County (a Satanic controlled county), and was a Christian Scientist. He lived in Tulsa, a powerful city of the Illuminati hierarchy. Doris Miles Disney has been a writer of occult fiction, such as The Magic Grandfather the Chandler Policy (1972) and Trick or Treat (1972) as well as many other occult novels.

  

G. A HISTORY OF DISNEY

“The story of Disney’s silent film career is not so much a struggle for artistic expression as it is a fight for commercial stability.” During the 1920’s, Walt stayed safely within the confines of comic animation as defined by others, such as the producers of Felix the Cat, Koko the Clown, and Krazy Kat. In other words, when many of the ideas were coming from just himself, Disney’s movies were not any better than others. In the 1930’s, Disney got some of the best talent available and he began to settle for only the best results from that talent. With the mob, and the Illuminati behind him, and driven by an indebtedness to them, Disney began to achieve outstanding results in animation. Between 1924 and 1927, Walt Disney made a series of 56 silent Alice Comedies which used three different girls (6-year-old Virginia Davis, Margie Gay and Lois Hardwick) to act as Alice who romps around in a makebelief cartoon world. These cartoons combined live action and animation. By the time the series was done, Walt Disney wanted to try working solely with animation. Margaret Winkler in NY (who married Charles Mintz) distributed Walt Disney’s Alice Comedies. From the beginning, children were the center of everything Walt did. The occult world that backed Walt, as well as Walt himself, believed that if they could bring out “the child” (that part of a person called “the child” by various psychologists), then they could appeal to the curiosity and feelings of the “child” part of adults. If it worked with adults, they could do the same with the child part in children. They knew even in the 20’s & ’30’s what had to be accomplished in the secret Great Plan for a New World Order. The Illuminati Great Plan called for family life to be destroyed, for children to rebel against their parents, and for the world to become more violent. Children needed to immerse in images of violence so that a violent society could be created. For instance, the 1925 film Alice Stage Struck shows little girl Alice strapped to a log leading to a buzz saw. They also wanted to make occultism--witchcraft the common belief of the American people. The Illuminati felt they could bring in witchcraft if they appealed to the curiosity of the child in every adult. For instance, the Donald Duck cartoon Corn Chips (1951) shows Donald harassing Chip and Dale who then get back at him by stealing a box of popcorn and spreading it all over the front yard. Now what does a cartoon like this teach kids? It teaches that stealing to repay a grudge is O.K. and that doing pranks is funny. In Disney’s 1920 films, he shows kids cutting school, shoplifting and playing hookey. He shows Alice running away from responsibility to have adventure. He shows prisoners escaping and hobos escaping work. His films are expression of misbehavior being successful. What does this teach children? In the 1951 cartoon, Get Rich Quick Goofy wins money at poker and his initially angry wife who doesn’t like gambling forgives him when she sees how much he’s won. Goofy indicates that they can have a spending spree by telling his wife, “Easy come, easy go!” The gambling spirit is a very powerful spirit that the Illuminati want to instill in this nation. How can a cartoon that promotes gambling be wholesome for children? Lt. Col. Dave Grossman is a military expert on how to condition people so that they will kill. He writes in his superb book On Killing (Boston, MS: Little Brown & Co., 1996) that the same process that the government has used to condition soldiers to kill, is being used by the entertainment industry. The only major difference is that in the military, men are taught to kill only on command, while our children are being taught to kill whenever they want to via TV’s “entertainment.” Grossman states on page 308, that the conditioning to kill begins with cartoons. “It begins innocently with cartoons and then goes on to the countless acts of violence depicted on TV as the child grows up... .Then the parents, through neglect or conscious decision, begin to permit the child to watch movies rated R due to vivid depictions of knives penetrating and protruding from bodies, long shots of blood spurting from severed limbs, and bullets ripping into bodies and exploding out the back in showers of blood and brains.” While children see horrible deaths on T.V., they learn to associate this suffering with entertainment, pleasure and their favorite soft drink, their favorite candybar, and close intimate contact with their date. (See On Killing, p. 302) Disney has the appearance of  Wholesomeness; this appearance is quite deceptive. A close study of Disney cartoons will reveal lots of violence that could not be depicted if the violence was actually real life & not animation. It’s the wholesome front which is one of the deceptions that makes Disney cartoons & films so dangerous. Yes, the image of Disney has been that its cartoons are wholesome. No wonder Illuminati mind-control programmers have laughed at how naive the American public is toward Disney. The Disney Gargoyles cartoons are a television series that is pure demonology. The story line is that a race of demons protects New York City. One of the Gargoyles is even named Demona. The Illuminati programmers are amazed at how stupid the masses of people are, and how easily deceived. How the Disney movies are used as programming scripts is very involved so only one detailed example is given at the end of this chapter. The Illuminati and Mafia knew that Walt had the ability to get the job done that the Great Plans called for. (Source: confidential interview.) They knew they had the “carrots and the sticks” to get him to cooperate. There is no doubt that Walt was a hard worker who in turn expected high standards from his employees. One co-worker of Walt wrote, “Walt made a simple statement, that you can lick them with ‘product’ if you make your product good enough, they cannot deny it.. . .In Walt’s estimation, everything that was done had to be executed with a great deal of thought and finesse.” Neelands, Barbara, compiler. About Ben Sharpsteen, article by David R. Smith (2nd Impress.) Calistoga, CA: A Sharpsteen Museum Reprint, pg. 2-3. One big turn in Walt’s outlook toward quality came in April, 1927 when the head of Universal Studios wrote a scathing report on the quality of Disney studio work. It forced Walt to realize that up to then he had been slipshod and sloppy. He resolved to never take the easy way, but to work with dedication toward making his drawings come to life with character and interesting situations. In 1922, Walt made a film Cinderella. This is not to be confused with the later animated film also of the same title released in 1950. The 1950 feature was re-released numerous times. The Alice cartoons were made with a 6- year-old girl playing Alice. The first six Alice comedies had extensive live-action beginnings, and then went into cartoon. A few of the 1920’s Alice silent cartoon titles include:

 

  Alice’s Wonderland (1923)

  Alice Hunting in Africa (1924)

  Alice’s Spooky Adventure (1924)

  Alice Plays Cupid (1925)

  Alice Cans the Cannibals (1925)

  Alice Rattled by Rats (1925)

  Alice Chops the Suey (1925)

  Alice Charms the Fish (1926)

  Alice the Whaler (1927)

  Alice the Beach Nut (1927)

 

After the Alice Series, Disney began a fully animated series called Oswald the Lucky Rabbit. Here we see the occult concept of luck (who hasn’t heard of a lucky Rabbit’s foot?) being subtly promoted. Disney cartoon may entertain, but they also indoctrinate while they entertain. In 1926, Walt Disney signed an agreement with Mintz and Film Booking Offices (EBO). Film Booking Offices were Illuminati kingpin/mob boss Joseph Kennedy’s company. For at least the next years, Disney worked under the control (auspices) of Illuminati kingpin Kennedy. All of the Disney pictures were registered by R-C Pictures Corp., one of the parent companies of Kennedy’s FBO. Joseph Kennedy also controlled the RKO studio which worked together with the other big studios to insure that no small studio would develop as a competitor. By 1937, all the big studios--20th Cent., Paramount, MGM, Warner Bros., Cohn’s Columbia Pictures and Kennedy’s RKO were allowing the mob to skim money from them. Kennedy’s RKO gave Walt a guarantee in 1937 that they’d distribute Snow White sight unseen. Walt Disney had their films distributed by Kennedy’s RKO from 1936 to 1956. Another little known detail is that in 1926, Leon Schlesinger (future producer at Warner Bros.) subcontracted animation jobs to Disney. One of these was Universal’s The Silent Flyer. In 1928, Steamboat Willie debuted. This was an animated cartoon with a soundtrack starring a mouse later named Mickey Mouse. It had taken lots of hard work and determination on Walt’s part, but it was the first cartoon with a sound track and it was successful. In 1929, the cartoon The Haunted House came out. The story is, Mickey Mouse is forced by a storm into a house full of ghosts who force him to contribute to their spooky musicale. In 1930, Harry Cohn, one of the most ruthless and unsavory characters controlling a studio bailed Walt Disney out of Walt’s trouble with con-artist Pat Powers who was stealing Disney’s money. Harry Cohn was a former NY pool hustler and gambler who was brought in by Chicago investors to front their investments in Columbia Pictures, and run their studio. He wore a sapphire ring that the Chicago mafiaman Johnny Roselli gave him. Roselli later became a rogue asset of the CIA, and testified before Congress (the Church Committee on Assassinations in ‘74) about a CIA contract which was handed him. Roselli worked for the Mafia Council of 9, which incl. Anthony Accardo and Sam Giancana. Harry Cohn was said by some to be the most hated man in Hollywood. His money gave him “the power of an emperor”. His money got him the best female flesh available which he used for his pleasure. He always seemed to arrive from Las Vegas with rolls of new greenbacks, which had close associates wondering where all the money came from that he always got when he made trips to Las Vegas. In 1931, Walt went into a long suicidal depression that lasted into 1932. In the summer of 1932, he took a vacation to try and recover from his nervous breakdown. By 1932, Ingersoll had marketed its first edition of Mickey Mouse watches. Disney products have served as a model of consumerism for the world. Disney watches have been made continuously since 1932 or ‘33. In 1932, eighty major U.S. corporations (such as General Foods, RCA & National Dairy) began to market Disney products. Ed Sullivan began regularly running stories that bragged about Disney’s work. Freemason Dr. Rufus B. von Kleinsmid, pres. of the Univ. of So. Cal., gave Disney an award from Parents magazine for Walt’s “work with children”. In 1932, several artists who had worked for William Randolph Hearst came to work for Disney. In 1932, Roy switched Disney from Columbia to United Artists. United Artists agreed to front Disney $15,000 for each cartoon. In the 1930’s, the Illuminati’ Bank of America financed Walt Disney. Years before, the Bank of America had been quietly created from Bank of Italy which was controlled by the same oligarchy that has run the Knights of Malta and renaissance Venice. The Bank of Italy was a powerful bank in Hollywood’s first years. It’s representatives A.P. and Atillo Giannini financed Walt during the 1920’s with petty cash to keep him going, but not enough to get him out of financial bondage. Joe Rosenberg of Bank of America was sympathetic to Walt. Joe Rosenberg, a jewish banker, came to all of Disney’s board meetings, sat beside Walt, and would advise Walt on what direction Disney Studios should take. Joe wasn’t a board member, but his advice got high priority. Bank of America also bankrolled other Illuminati projects and organizations. Bank of America had one of their branch offices on Disneyland’s Main St. from ’55 until ‘93. They were open on holidays and Sundays for Disneyland. Bank of America is slated to be perhaps the only bank to survive the economic crash, when the Illuminati kingpins will allow their own banks to crash. Bank of America executive S. Clark Beise (who is a Scottish Rite Freemason) has been a member of Disney’s board of directors from ‘65 to ’75. One of the biggest depositors in Bank of America is Roy E. Disney. Other Disney execs like Rich Frank have also used Bank of America as their bank of choice. The Bank of America bankrolled the Disney animation Snow White. Walt managed to sell Joseph Rosenberg on the idea, at a time when old time Hollywood people were advising Rosenberg that Snow White could only be a failure. When Snow White was successful, Walt announced a monster party for all Disney workers at Lake Norconian, near Palm Springs, southeast of San Bernandino, CA where the cost of everything the Disney workers wanted to order--food or drink or whatever, would be taken care of by the Disney’s. Under the full moon, the Disney male and female workers, finally free of the tight rules at the studios, had what amounted to a Roman orgy and a large nude skinny-dip at the lake. Almost all of the Disney workers participated in the orgy and Disney had only two options, 1. fire them all or 2. ignore that the party took place. Walt choose the later option, and after that no-one ever dared mention the party in his presence. In 1937, Walt and Roy took a trip to Europe where Walt dined with the British Royal family, & met privately with H.G. Wells, the masonic prophet! planner of what Wells & other masons called “the New World Order”. In Paris, the League of Nations (the forerunner to the U.N.) gave him an award. After the success of Snow White, Disney chose Pinocchio to follow it. Many have asked why Pinocchio was chosen by Walt. If you look at the script, the puppetmaker’s wife is taken out of the original script, and there is an emphasis on the little wooden puppet visualizing becoming a flesh & blood son to the man who had created him. Here we have a boy with no soul, who is told if he works hard he will be given one. (Does this sound familiar to readers of VoL 2?) The script was definitely changed to have a storyline far more useful to mind-control programming. For those who think Walt simply recreated fairy tales on the screen, if one examines the changes that are made from the original storylines, they are changed to make them more useful for mind-control. Both Snow White and Pinocchio have occult type “deaths and resurrections”. After W.W. II, Joseph Rosenberg persuaded A.P. Giannini, his boss, to bankroll Disney again. Although Walt was financed by the Mishpucka (Jewish Mafia), he didn’t like the idea. Richard Rosenberg, a later Pres. of Bank of America, is also Mishpucka. Richard Rosenberg (his mother was a Cohen) was also in charge of Northrop Corp. and Marin Ecumenical Housing Assn. (Other examples of Mishpucka executives are R. Goldstein, v.p. of Procter & Gamble, and Marvin Koslow, v.p. of Bristol Meyers Co.) In the 1930’s, the elite promoted Disney’s new cartoons. In 1935, Walt Disney received the French Legion of Honor for his Mickey Mouse cartoons. Also in 1935, the Queen of England (who readers of my previous articles will realize is Illuminati, involved in drug trade, and is involved with the leadership of Freemasonry) and the Duchess of York (also Illuminati) selected Mickey Mouse chinaware as gifts for 600 children. This was after Walt spent time with her in 1934. The League of Nations (the pre-W.W. II equivalent of the U.N.) took the time to vote its approval of Mickey Mouse. (Finch, Christopher. The Art of Walt Disney from Mickey Mouse to the Magic Kingdom . NY: Harry N. Abrams, Inc., 1975, p. 53.) There is no doubt that Walt Disney had talent. There is also no doubt from the record that powerful people wanted to promote him. No doubt his 320 Masonic membership and his DeMolay activities helped boost his support, and also helped Walt’s bent toward the occult. Let’s digress just to let people in on Freemasonry’s involvement with acting and motion pictures. The famous 233 Club was a masonic chapter for actors who were Freemasons. Examples of actors who were Freemasons include John Aasen, Gene Autry, Monte Blue and Humphrey Bogart, Douglas McClean, John Wayne. Then there is T.V. DJ Dick Clark. Examples of Motion picture executives who were Freemasons incl. Ellis G. Arnall (Pres. of the Soc. of Ind. Motion Picture Producers), Will H. Hays (Czar of motion pictures 1922-45, and Pres. Motion Picture Produces & Distributors of Amer. Inc.), Benj. B. Kahane (v.p. & dir. Assoc. of Motion Picture Producers, Inc.), Carl Laemmle (Pres. Univ. Pictures Corp til ’36), Frank E. Mullen ( man. dept of info. RCA, VP NBC ‘39-’46, exec. VP NBC ‘46-’48), David Sarnoff (Chrm. of Bd. Radio Corp. of Amer. & ,,father” of American television), Jack M. Warner (v.p. of Warner Bros.) and the President & dir. of Universal Pictures since 1952. The Freemasons have made much of Walt Disney’s membership in their membership sales pitches. Because the 2 Disney brothers’ chief contributions to the production of Disney films were the finances and occassionally the ideas used in a film, it is rather misrepresentative of things that Walt Disney got all the credit for the success and quality of the Disney cartoons. He was showered with 700 awards and honors from important people, including 30 oscars, and the Presidential Medal of Freedom (in ’64). Walt Disney’s great animators never got the credit they deserved, but no one should forget that Walt was the driving force that inspired and guided his workers. In 1934, Walt Disney made a cartoon about a goddess of the Mystery Religions named Persephone. In the cartoon entitled The Goddess of Spring, the goddess Persephone is captured by Satan as his bride and sent to the underworld, with the agreement she could return to earth six months of each year. The Illuminati have rituals around Persephone. On Dec. 21, 1937, Disney premiered the first full-length color cartoon movie “Snow White and the Seven Dwarfs.” This cartoon had taken $1.4 in depression-time money and three years to make. Over 750 artists worked on the film. Walt Disney had gotten the idea from a silent movie of Snow White which he saw as a boy in 1917. The movie has an important occult theme to it, and has been used for occult mind-control programming. When the 1940’s got started, Disney was in financial difficulties. At this point, Nelson Rockefeller hired his cartoon capabilities to make cartoons for South America, with the idea that South Americans would remain loyal to the American capitalist hegemony, rather than shift to rising ideologies of fascism/nazism, if they saw Walt Disney cartoons. In Rio de Janeiro, Brazil on 8/24/42, Disney did its world premiere of Saludo Amigos, a 42 minute feature about Latin America. Goofy becomes a gaucho, a parrot teaches Donald Duck to dance the samba, as well as Disney art showing various landscapes of Brazil in the film. However, the film The Three Caballeros, if it was meant to encourage South American loyalty to American capitalism, completely failed. The Three Caballeros showed a sexually lecherous Donald Duck who in bad taste tries to make it with latin women. The mysticism was also seen as bogus. Although the latin Americans hated the film, the establishment media’s Look magazine praised it. Another reason that Rockefeller sent Walt to South America was to get him out of the way so that the government could settle the strike by Disney workers. Nelson Rockefeller was the government’s Coordinator of Inter-American Affairs, a good position considering how much of South America the Rockefeller’s controlled. Rockefeller told Disney that Disney couldn’t beat the strikers, but that while Walt was in South America, FDR would see to it that the strike got settled. When Disney returned he submitted to the powers that were, and accepted the unions and the mafia’s control. Another change for Walt Disney was that in 1940, he and Roy turned Disney into a “public corporation” and initially sold 755,000 shares of common stock. The Illuminati Boston firm of Kidder, Peabody & Co. were the underwriters of the studio’s public stock-offerings. By 1940, the Disney Studio at Burbank had become a miniature city with 1,000 men & women employees and 20 buildings on a 51 acre tract of land. After the U.S. joined W.W. II, Disney Productions were made a part of the American military establishment. The very next day after Pearl Harbor, the military moved onto the Disney Studio, which leads this author to suspect that Disney was already part of the power establishment prior to the war breaking out. Disney made military movies/cartoons that taught the different branches of the military many things. They made propaganda movies for the allies. One series of films was “Why we fight.” Disney made movies for the IRS to get people to pay their taxes. Some of the Disney films were top, secret, and concerned secret military weapons or secret psychological tactics of the Americans. For instance, one military film was “Army Psycho Therapy” which taught army men how to instill fear, and about the basics of fear. Another army film was “Prostitution & the War”. Another showed a carrier pigeon evading the Germans. In 1940, Disney came out with 2 full length animated cartoons, Pinocchio and Fantasia, both of which were soon used for Illuminati mind-control programming. Fantasia contains Schubert’s sacred Catholic music Ave Maria, which was used in a concluding segment side to side with the profane Night on Bald Mountain song, as well as six other classical pieces of orchestra music. As a feature cartoon it was a flop, but as a programming tool it was fantastic. Fantasia receives a comprehensive explanation of how it is used for mind-control programming at the end of this chapter. Because an explanation of the use of a Disney film for mind-control is complex, this explanation is placed at the end of the chapter so that it won’t interrupt the flow of this chapter’s information. The Pinocchio film has been redone and released 9 times over the years. Some of the next full length animated films to come out were: The Three Caballeros (1945) The Adventures of Ichabod & Mr. Toad (‘49) Cinderella (1950) Treasure Island (1950) Alice In Wonderland (1951) The Story of Robin Hood & His Merrie Men (1952) Peter Pan (1953) 20,000 Leagues Under the Sea (1954) Sleeping Beauty (1959) Very soon after the production of all of these movies, the Illuminati and their intelligence agencies used them for Illuminati total mind-control programming. To see their misuse as programming scripts one has to understand how the fantasy worlds of a programmed multiple are created and how the movie scripts are adapted to be programming scripts. Vol. 2 gave quite a few examples of how Alice In Wonderland and the Wizard of Oz scripts were used for programming scripts. When Disney had his animal-nature documentaries, he edited and used narration to give the animals human like characteristics--something he’d already been doing with animation. Disney played an important part in the Illuminati’s plan to elevate animals and dehumanize humans. One of the biggest Illuminati kingpins, and leader (Grand Master) of the Prieure de Sion was frenchman Claude Debussy (bn.1862). Claude Debussy, a Merovingian, was Nautonnier (Navigator-helmsman) of the Prieure de Sion from 1885-1918. (See the document Dossiers secrets, planche no. 4, Ordre de Sion, written about in Holy Blood, Holy Grail.) In 1891, when some secret coded parchments (Merovingian documents) were found by a french clergyman Sauniere, he was directed by church officials to visit with Emile Hoffet, an occult acquaintance of Debussy. Debussy was close friends with many of the top french occultists of his time. He is known to have been a close friend to both the notorious satanists Jules Bois and MacGregor Mathers. Mathers started the Order of the Golden Dawn. Debussy was also a friend of the infamous Papus (aka Dr. Gerard Encausse) and W.B. Yeats. Papus was one of the men who during his lifetime was part of the interlocking occult directorate of occult groups. Claude Debussy put some works of the previous P.d.S. Grand Master Victor Hugo to music. Debussy and his other powerful occult friends were influential with Monsieur Philippe, whose Russian occult circle influenced the Russian Czars and Czarinas before Rasputin came around. Debussy travelled to Russia and Rome. Some of Debussy’s works became operas. Interestingly, Walt Disney was extremely anxious to make a cartoon using Debussy’s Clair de Lane. The work was done, but it was never shown to the public. Disney never found a place to use it. It was originally done with animation with flying cranes for the occult extravaganza Fantasia, but when the Fantasia ended up too long, Clair de Lane was cut and shelved. It was again planned for the film Make Mine Music, but then Blue Bayou was substituted in. Walt used the Le Sacre du Printemps (the Rite of Spring) music for Fantasia. This piece of music was written AS a pagan ritual where a virgin sacrifices herself by dancing to death. Disney’s mobster Gunther Lessing had threatened Stravinsky if permission weren’t given for Disney to use the piece of music, it would be used anyway. Dr. Julian Huxley got involved in the production of Fantasia. Aldous and Julian Huxley are well known by conspiracy researchers for their roles in the World Order. In the 1940’s and 1950’s, the Illuminati began using Disney’s Alice In Wonderland and the Wizard of Oz films as programming bases for their total mind-controlled slaves. Alice in Wonderland had been done many years earlier by the Britisher William Cameron Menzies (who also did Freemason H.G. Wells’ masonic forecast of the New World Order entitled “Things to Come” in 1936, and the film Invaders From Mars.). In 1944, Illuminati Kingpin William Randolph Hearst (with some minor help from others) funded the Motion Picture Alliance, and Walt Disney became a co-founder and its first Vice-President. In the early 1950’s, Walt turned his attention from animated cartoons to other projects, such as True-Life-Adventures, television shows, and the creation of Disneyland. Seal Island was his first true life adventure which was released to the general public on May 4, 1949, and soon won Walt Disney an Oscar. Alfred and Elma Milotte had shot the film on some Alaskan Islands named Pribilof Islands. James Algar had put the movie together. In 1952, Walter spelled his named backwards to create the name of another corporation ,,Retlaw”. Roy and his family saw the move as an attempt to cut them out of the financial picture. In 1954, Walt Disney and ABC made a agreement. ABC would directly invest half a million US dollars as well as guarantee $4.5 million in loans for the construction of Disneyland. This made ABC 1/3 owner of Disneyland. In return, Walt Disney agreed to produce a regular television series for ABC. Remember too that ABC’s president Leonard Goldenstein was a good friend of Ronald Reagan. On July 13, 1955, Walt and Lillian were attempting to celebrate their 30th wedding anniversary at a park and restaurant. Walt got too drunk to speak into the microphone, so he blew noisemakers into it, while Lillian rushed to pull him out of view. In 1961, Disney bought out the ABC investment (also labelled Paramount) for $7.5 million with cash and notes, and to bring this all up to date, later on July 31, 1995, Disney merged with Capital Cities/ABC, with Disney in nominal control. Actually Capital Cities has long been a CIA front company, so the merger placed Disney squarely within the CIA ranks, although it had been in bed with them for the CIA’s entire history. The Illuminati-controlled corporations of Coca-Cola and the drug firm Johnson and Johnson became sponsors for Disney’s early TV shows. On 7/3/57, the Wall St. Journal announced that Atlas Corp. got 26% interest in Walt Disney Productions. Walt Disney worked quietly with some consultants on the concepts behind Disneyland. His brother and nephew tried to prevent the project from happening. Later they requested that Walt sign over Disneyland, Inc. to Walt Disney Productions, which Walt did. Walt kept 17.25 % of Disneyland holdings and Walt Disney Productions got the rest. Walt Disney Productions then shared their portion with others. The man who helped Walt finance Disneyland was the executive vice-pres. of ABC Kintner. Walt Disney got the Illuminati’s Stanford Research Institute to determine what would be the best site for Disneyland. A retired Navy admiral Joe Fowler was in charge of constructing both Disneyland and Walt Disney World. How do admirals fit into the power structure? Admirals are briefed each day, and are given information concerning the secret power structure. Most men who are at that military level are Illuminati or at least well controlled by the system. Within the last few years there has been an intense effort to weed out any admirals who are not loyal to the Illuminati. Morgan-Evans, who lives in Malibu, and who may be of the famous Morgan clan, was the one who created the spectacular landscapes for Disneyland, Walt Disney World, and EPCOT in FL. According to CIA informants opposed to the NWO, CIA contractors were brought in to build the underground tunnels under Disneyworld in 1977. These contractors were sworn to secrecy, but were only informed on a need to know basis why the CIA was involved with an amusement park. To work on the secret tunnel project took an “Above Top Secret” clearance. A major programming center was constructed under Lake Holden. (Many of the lakes in Florida are named Lake So-and-so, rather than So-and-so Lake.) The tunnel system was built for programming trauma-based total mind-controlled slaves. It was built of concrete with steel reinforcement. Lake Holden lies just to the northwest side of the Orlando International Airport and just south of Interstate 4. (It is close to Range 29E on quad maps.) It is only (as the crow flies) about 12 miles from Disneyworld. In spite of Draconian measures of secrecy, numerous lawsuits (Fed. & State) were filed over the years by victims trying to expose the Disneyworld programming tunnels, so that finally the programming center was dismantled, cleaned up and a ,,maintenance” tunnel level and a ,,casting” tunnel level were opened to the public. During its heyday, the programmers (military & intelligence men) had exotic offices underground with unusual programming equipment. It doesn’t take any imagination to realize that if Disney carried mind-control programming above and below ground, that they would need tight security forces to protect their secrets. Indeed, such is the case. Disney amusement parks have been granted draconian powers wherever they have been built! The Disney parks have also employed armies of spies dressed like tourists to spy on Disney’s employees! If amusement park workers did anything slightly out of place, they were (and still are) reported by the spies in the camp, and they often have lost their jobs. For instance, one ex-worker, who had 10 years with Disney, was caught discussing his divorce with another worker. Since divorce doesn’t fit the wholesome image that Disney wants, when the spy dressed as a tourist reported his conversation, he lost his job. Many workers have tried to tell their personal horror stories of Disney’s draconian rules and their draconian private police force, but most of the time Disney has had the power to suppress and intimidate away any bad publicity. An exception to that is the recent Nov. 4, ‘96 Napa Valley Register article on page 2D entitled, “Critics of Disneyland Say Security Abusive Inside Magic Kingdom.” UCLA law professor David Sklansky commented about Disney’s police, “One of the major problems we have is nobody really knows what they are doing- how often they stop, interrogate or search people. They are not subject to the same sort of regulatory controls.” It’s almost superfluous to tell readers that Disney’s amusement park with it’s theme areas such as Fantasyland, Tomorrowland and Adventureland were a great success. Everyone worldwide was curious to visit this entertainment mecca to participate in something that had a clean, wholesome image to it. The entire world system pulled together to insure that Disneyland got the image and publicity that the top 13 Illuminati families and the various syndicates wanted it to have. For 40 years they’ve done this. When something that everyone thinks is clean and wholesome is not attacked by the world system, that should raise eyebrows among thinking people. Home schooling, learning to read phonetically and other wholesome activities for children have been viciously attacked and ridiculed by the established media. Why has Disney gone untouched? Disney Studios for years strove to have a very clean image. Workers had dress codes, and any activity on the part of employees that wasn’t morally conservative was grounds for instant dismissal. Of course, the exceptions were well covered up, such as an employee who used hypnosis to get quite a few of the females employees to undress until nude. John L. Hulteng, author of The Messenger’s Motives (Englewood Cliff, NJ: Prentice-Hall, 1976, p. 213) informs us, “As communication researchers have emphasized, the greatest impact the media have on the formation or change of public opinion is in terms of impressions built up over a long period.” [bold added] The wholesomeness of Disney is an image that has been built over a long period of time. Disney’s occult themes of world citizenship, witchcraft, humanism and idolatry have also been long running impressions that have been craftively perpetrated upon this nation, so long that they began prior to this author’s --& probably the reader’s-- birth. People don’t associate movie’s like Consenting Adults with Disney, or The Corpse Had a Familiar Face with Disney. In fact as previously mentioned, when Disney wanted to put out more “adult” films, they did a slight of hand and created the label Touchstone films so that people wouldn’t associate movies like Splash (which showed what looked like bared breasts) with Disney Productions. Another label, Hollywood Pictures, was created by Disney to help distribute Touchstone films. At first the personnel of these companies was simply Disney’s staff, but as time went on, they got their own production personnel. On Oct. 27, 1954, Walt Disney’s Wonderful World of Color debuted on television. The TV show celebrated Disney’s movie triumphs. The words Wonderful World of Color are not ill chosen. According to an Illuminati mind-control programmer, when Disney worked on his cartoons, and amusement parks, colors - special colors and color combinations--were specifically chosen for mind-control programming purposes. Wonderful World of Color under various names such as Disneyland aired for 22 years over the television networks. In 1955, Walt Disney made his cartoon character Mickey Mouse real by creating a fan club--the Mickey Mouse Club, which aired five days a week usually just as children came home from school. Twenty-four children called mouseketeers would help Mickey, and they would dance and sing and do skits. The Mickey Mouse Club adored the unique, cute little beanie Mickey Mouse caps with their big ears mounted to each side of the beanie. In the 1950’s, most kid viewers of the show wanted their own “Mouse Ears” and to become a Mouseketeer, especially children who were receiving Mickey Mouse scripts in their total mind-control programming. Disney used his Mouseketeers to play all the roles in an Oz movie Rainbow Road to Oz, which was never shown to the public. Adults today (both men & women) who received Mickey Mouse programming during the 50’s through 70’s can still be seen with Mickey Mouse clocks, watches, lampshades, knick-knacks, tee shirts, etc. Years later the kids who watched can still remember “Spin and Marty” and the Mickey Mouse theme song. The image that everything was perfect including Mickey was portrayed by the Club’s T.V. program. Still somehow the American people began to use the word “Mickey Mouse” as a synonym for a silly, pretend way of doing things. It became common for people to say, “He mickey-moused it together.” to mean he did a poor job putting it together. On Jan. 30, 1957, Walt Disney had a television show aired entitled “All About Magic” where a Magic Mirror explains about magic. The Magic Mirror also contains a "Bibbidi-bibbidi-Boo" sequence. In 1959, Disney bought 8 small submarines from Todd Shipyards for $2, 150.000. When ABC wouldn’t let Walt make a TV series out of a storyline where a magic ring changes a boy into a dog (a mind-control programming theme)--because ABC didn’t think the public could swallow the story line--Walt quit ABC for NBC. Walt then made a scaled down version of this occult storyline entitled The Shaggy Dog. Early in the 1960’s, Walt and his brother Roy went secretly looking for an area on the east coast to build another Disney Park. Walt the younger of the two, died in 1966, and Roy finished the project. Beginning in 1964, 30,000 acres were secretly purchased at $200 an acre in the Orlando, FL area just west of NASA’s Cape Kennedy. Using phoney names and paying cash, Disney buyers bought the land and swore the sellers to secrecy. The Magic Kingdom has been multiplying. In 1971, Walt Disney World was opened to the public. Bob Hope and others participated in a Disney special on Oct. 29, 1971 “Grand opening of Walt Disney World”. From the time of its opening until Oct. 12, 1995, Disney World calculated 1/2 billion people visited DisneyWorld. This amusement park is in Orlando, FL on over 27,400 acres and includes the EPCOT Center (now also called simply Epcot). The EPCOT center was another dream of Walt Disney’s (albeit more than slightly modified from Walt’s original EPCOT ideas.) EPCOT originally stood for Experimental Prototype Community of Tomorrow. It was to be an extension of the massive mind-control being carried out at Disney World. The original EPCOT city designed by Walt was to carry on its commerce (traffic) via underground roads and tunnels like the Disney Theme parks. After Walt Disney died, his successors changed the proposed experimental city into another theme park simply called Epcot. It is not unusual to see crowds of over 48,000 people descend on Walt Disney World and the EPCOT center in a single day. Some visitors arrive via a monorail. Visitors can buy 5-Day World Hopper passes which allow them to bounce around with admission to all the sites for a seven day period. In other words, some families stay for a week at Disneyworld. Hardcore visitors can get Annual Passports which provide unlimited use of Walt Disneyworld for an entire year. In reality, many visitors to Disneyworld begin the day enthusiastic and after a day of hot sun and waiting in long lines with large crowds for imitations of reality, the tourists are zombie-like and looking forward to getting back to their hotels. Many people have felt the rides were not nearly what they expected. Some of the rides are better than others, and some typically get comments like, “It was stupid.” Some of the spooky events like Snow White’s Adventures, or the oversized heads of the Disney characters walking around can leave the little preschool children terrified and dazed for the rest of the day. In contrast, older children, who normally rarely show patience at home may show how much they want to go on a particular Disney ride, by waiting an hour and a half in the hot sun for a ride. Alien Encounter is a Walt Disneyland feature that invites tourists in for a “demonstration of interplanetary teleportation.” When the “demonstration” as planned “breaks down” an ,,alien” with asocial traits appears among the audience and terrorizes the audience. A cute creature is hideously fried, deformed, and then vomited into space screaming.

[Dig]

Here are some comments from visitors to this Walt Disneyland attraction:

 

  “Alien Encounter ...is one of those rides I can say I’ve seen and that I have no intention of ever doing again. In fact, parents who take children under the age of six should be brought up on child abuse.” Woman, from MI

 “Alien Encounter was the WORST experience for my 10-year-old (and almost every child in there). It starts out cute enough during the preshow, but the actual show is a disaster for children. My daughter screamed and cried in terror throughout it. I thought the Disney warnings were vague and inaccurate. When we left, there wasn’t one child with dry eyes (even sturdy looking 12-year-old boys were crying.). I think an age requirement of 13 or 14 is more appropriate. I talked to a few adults and we even agreed that the special effects were extremely unpleasant even for us. This show is not a Disney family experience--its ATROCIOUS!!” A mother from Phillipsburg, NJ.

 “We did go to Alien Encounter...The preshow is deceiving. It kind of lulls you into thinking “this isn’t so bad.” When the main part came up, I admit the experience gave me the absolute heebie-jeebies. . .I am never doing that presentation again--it was way too intense for me, and I’m now 27 years of age!--from a family in Laurel, MD Michael Eisner, the President of Walt Disney Co., initially rejected Alien Encounter for not being scary enough when it was being considered as an addition to Disneyworld. One wonders what he would have liked! Snow White’s Adventures, which was an attraction at Disneyland, was one of what the Disney people called “dark rides”. After a while a sign appeared with a witch warning people that the attraction was scary. Later in 1983, they renamed it Snow White’s Scary Adventures. It might be interesting to point out that when the original Snow White and Seven Dwaffs film came out, that England forbid the film to be seen by any child under 16 unless accompanied by an adult because of the scary content of the movie. How far we have come since then. Schools in the Florida and California areas also make field trips to the Magic Kingdom that are arranged with Disney. EPCOT receives tens of thousands of children this way during March, September and October. High schools use the Magic Kingdom for proms or senior nights, and some couples use the facilities of the Magic Kingdom for weddings. Modem Bride ranked Orlando as the number-one honeymoon destination in the world. Group discussions of people who took honeymoons to DisneyWorld have had a consensus that the hype is not as great as the reality. Some weddings are done with cartoon characters. Disney offers “fairy-tale” wedding packages. A great deal for two mind-controlled slaves. They can reinforce their programming while getting married. The Disney fairy-tale wedding typically has its ceremony on a pavilion on an island in the Seven Seas Lagoon with the Cinderella Castle as a backdrop. The fairy-tale wedding can then be followed with a Fantasy reception with a choice of themes such as Beauty & the Beast or Aladdin. The fantasy programming can continue as the bride is delivered to a “Cinderella’s Ball” by an actual glass carriage drawn by six white Disney ponies. A costumed fairy-godmother & stepsisters are also at the ball. Desert is served in a white chocolate slipper.

One of the after-dark shows is IllumiNations which consists of music, fireworks, erupting fountains, special lighting, and laser technology done at the World Showcase Lagoon. EPCOT has a show Cranium Command at the Wonders of Life in the Future World section where guests sit in a theater that functions as a command control room for a boy’s brain. In 1980, Disney came out with the box office flop The Devil & Max Devlin. In 1984, Roy E. Disney brought in Michael Milken, of junk bond fame to help Disney out financially. In 1985, Disney bought MGM’s rights to Leo the Lion logo and began using the MGM Wizard of Oz material. Later a remake of Alice In Wonderland came out in the modern motif of Honey I Shrank the Kids. In the 1990’s, Illuminati controlled companies continued their promotion of Disney. For instance, the Nestle family’s Nestle company promotes Disney movies on their chocolate bars. The Nestle family is exposed in this author’s booklet Illuminati Control Over Foods and Grains, p. 4 as one of the elite Black Nobility families. In 1996, Walt Disney World created an actual residential town named Celebration on its property. This self-contained community has 20,000 and a school, a theater, a fiber optic information network linking business, as well as other features.

 

SOME DISNEY people of interest.

Over the years, the close associates of the Disneys’ is very revealing. The public can get a feel for Disney’s attitude toward Illuminati bloodlines in the Disney movie The Happiest Millionaire which is about Anthony J. Drexel Biddle and Angie Duke. Readers of this author’s previous writings will recognize the Biddle and Duke names. In fact, the movie was based loosely on a book written by Cordelia Drexel Biddle about the Biddles.

 

X Atensio. His first name was Xavier, but was nicknamed and called X. He worked on the haunted mansion of Disneyland with WED enterprises. He joined Disney in 1938, and was an assistant animator of Fantasia.

 

Warren Beatty. (b. 1937 in VA) This actor is from the Illuminati Beatty family and starred in Disney’s Dick Tracy. The Dick Tracy film uses color in a special way, and this ties in with the color programming of the mind-control. Some total mind-controlled slaves have programming based on Disney’s Dick Tracy movie for them to track down and kill “targets” (people). Warren’s sister is the famous (or infamous) Shirley Maclaine. Shirley “MacClaine” is not what she appears. Her father was a professor who was a CIA asset. She was used by the CIA as a sex slave. She became popular with the studios because she went to bed with the correct people. Her talents were used to get her as an intelligence slave into places that an obvious intelligence agent couldn’t go. She was married to a man in the NSA for nearly 20 years. Her adopted name Maclaine (reportedly her mother’s maiden name) is a pun on McLain,, VA where the CIA programmed her. She was used by the CIA in an operation in Australia, where the CIA used her as a sex slave to compromise Andrew Peacock, an Australian MP,, so that they could establish the Nugen-Hand bank for their dirty money laundering etc. She is friends with satanist Stephen Nance who has provided her with some of her teachings. Lowell McGovern writes her material. The CIA has programmed many of their New Age slaves to adore Shirley MacLaine. An example of this is Christa Tilton, one of their mind-controlled slaves, who revealed in an interview how she considered herself a born-again Christian who had spent most of her life in Oklahoma, but had mysteriously been drawn to Shirley MacLaine. During her life she has gotten repeated “psychic urgings”--that is strong urges to do things and go places, which she doesn’t understand where these urgings came from. After hypnosis, Christa drew pictures of the doctor who programmed her. Christa has had a federal agent monitor her constantly. Her husband has seen this agent, who has shown up on her door step and made calls to her. She names the agent John Wallis (most likely a cover name). This agent has a complete knowledge of her life, and government agents have taken photos of her during her supposedly “alien abduction” experiences. Christa is just one of hundreds of victims who have been programmed to adore Shirley MacLaine. (Christa is mentioned here because she is one case that this author is familiar with.) Warren Beatty, who peppers his speech with four-letter words was a student at the Stella Adler Theater Studio in NYC.

 

Black, Shirley Temple. Shirley Temple Black sat on the Disney board of directors (74-75). Her films were used for some of the early 40’s and ‘50’s programming and teaching slaves body movements/dance. She married someone in an elite Network family from San Francisco named Charles A. Black. Charles A. Black was a Lt. Col. in the Pentagon who lived at Bethesda, MD. Was Shirley an early example of brain-stem scarring to get geniuses? Shirley’s brother appears to have developed “Multiple Sclerosis” from brain stem-scarring. It was Shirley Temple who co-founded the International Federation of Multiple Sclerosis Societies, and was a member of its exec. committee. Shirley represented the U.S. at the UN General Assembly in 1969, belongs to the Sierra Club, and has been decorated with the Cross of Malta. Shirley has shown clues that she may be an Illuminati mind-controlled child protege.

 

Stephen Bollenbach. Bollenbach was part of Walt Disney management, and was a key figure who helped engineer Disney’s $19 billion buyout of the CIA’s Capital Cities/ABC, as well as sell the idea to Eisner. He is the CEO of the Network’s Hilton Hotels Corp. He recently has been involved with trying to buy ITT, in order to put together the world’s largest hotel-casino combination. Bollenbach has an extensive background with the gaming-gambling industry. When the Justice Dept. began looking into the merger of Disney with Cap. Cities/ABC, Bollenbach resigned his Disney position. Some people feel his resignation was needed for Disney to get the Justice Dept. to approve the merger, because his past was vulnerable to be exposed.

 

Warren Buffett. A major stockholder in Walt Disney. He also owns 40% of Berkshire Hathaway Inc. which also owns lots of shares of Disney stock. According to S.F. Examiner, Buffett himself owns 24 million shares of Disney. Warren Buffett is part of the Ak-Sar-Ben fraternity and Monarch slave abusers who were exposed in the Nebraska Saving & Loan scandal. He is perhaps the second richest man in the nation, and too powerful for anyone to touch. In the kingpin vs. kingpin battles, some people close to the inside see Buffett as a good guy. Readers need to study the Lincoln Savings & Loan scandal and the scandals connection to programmed child slaves at Boy’s Town to get more information on this Disney stockholder. Robert G. Hagstrom, Jr., who is the portfolio manager of the mutual fund Focus Trust, which has shares in Walt Disney, wrote the book The Warren Buffett Way. Hagstrom has a chapter on Disney in his The Warren Buffett Way. He quotes Buffett as extremely enthusiastic about Disney’s merger with Capital Cities/ABC. Because of his enthusiasm Buffett says, ,,The odds are extremely high that we will have a very large amount of Disney stock.”

 

Salvador Dali--This strange surrealist spanish artist was a friend of Walt Disney. After Salvador was kicked out of Spain for Franco’s belief that he was a communist, he came to America, and worked with Disney Studios in 1946. Salvador, an eccentric who had no particular work habits, described himself, “The only difference between me and a madman is that I’m not a madman.”

 

The Tommy Dorsey Band--This band has had a number of men in it who are Mind-control slave abusers associated with the Network. Frank Sinatra, a sexual slave user, got his big break with this band. This band performed at Disneyland in 1984 at the Plaza Gardens. Tommy Dorsey was part of the Network’s in-crowd. When he was on a USO Tour with Bob Hope, he stabbed actor Joe Hall and threw him out of a window. Joe had to have 32 stitches. But Joe didn’t get justice, the judge dismissed his case against Tommy.

 

Michael Dammann Eisner, Chairman at Disney is a CIA asset and connected to the mob. Some insiders believe he is connected to elements of the CIA & mob that are anti-NWO. Even so, these anti-NWO factions also employ mind-control. Eisner ignored a threat by Red China to boycott Disney products if he made a movie about the nation Tibet that China controls with draconian force. The U.N., the Commerce Dept. and the State Dept. all tried unsuccessfully to get him to back down on the film. A paper trail connecting Michael Eisner and Walt Disney Co. to mind control is their support of the Boys & Girls Club of Napa Valley, which is used for a supply of children for pedophilia and mind-control. The Boy’s & Girls Club is used to supply caddies for the Silverado Country Club, where these children are also used as mind-controlled slaves for the sexual perversions of the elite. Notice that Napa’s Silverado Country Club invites in celebrities (such as CIA asset Pat Boone, Joe DiMaggio ex-husband of sex slave Marilyn Monroe, Engelbert Humberdinck a slave handler, Digger Phelps Notre Dame’s coach who uses slaves, and Jack Vale nti CEO of Motion Picture Assoc. & Bohemian Grover) for a golf tournament which is billed as a ,,benefit for the Boys & Girls Club”. The benefit for child slaves is they get to caddie & sexually service elite perverts. Michael (bn. March 7, ‘42 in NY) came from old American money of a family that has been rich merchants and lawyers. Michael grew up in luxurious Park Ave. as well as his family’s “country place” in Bedford Hills near Mt. Kisco, NY. He went to an elite private school Allen-Stevenson, which is famous for its children’s orchestra. At the age of 14, he then went to Lawrenceville School, which is a prep-school for Princeton, whose tuition in ‘56 was $3,000. Eisner’s class incl. NY’s governor’s son, and other sons of powerful men, such as the son of Saudi Prince Turqi al-Faisal. The school is a prep school for the establishment’s entertainment industry. Students are only allowed to see their parents on major holidays. Eisner was in the Periweg Club, the school’s drama society. His poor scholastic performance meant that he had to go to a small liberal arts college, rather than Princeton or Harvard such as was family tradition. For instance, his grandfather had attended Phillips Exerter Academy and Harvard. His grandfather has serve in many govt. commissions and belonged to the Harvard Club, the American Club in London as well as some yacht clubs. Between his junior & senior year in high school, Eisner was a page at NBC’s HQ in the Rockefeller Center. In 1966, he landed a job in the programming department of ABC. He had an influential position. Eisner had one good break for deciding TV programming. He was 21 when the target audience was 21 years old, and when he was 35, the target age of the film industry was then 35. He has been described as having “supernatural enthusiasm” coupled to a lifetime quest for untested ideas.

 

Rich H. Frank, was Executive Vice-President with Walt Disney until his sudden resignation about a year before this was written. He worked side by side with Katzenberg and left after Katzenberg resigned in a dispute with Disney’s chairman Eisner. Rich Frank was President of Walt Disney’s TV-Media Division. He acquired the estate of VanHoffenwiggen, when VanHoffenwiggen fled the country and vanished when Lendvest began to be exposed. VanHoffenwiggen was a major figure involved with Lendvest Mortgage Inc., a drug-laundering operation and drug smuggling operation operating out of Napa Valley. It was also the fastest growing real estate mortgage company in northern California until its drug smuggling began to be exposed. Lendvest did some tricks ala Nugen Hand Bank. Millions of dollars of investors and creditors have disappeared leaving lots of hurting people, and the mortgage company filed for protection from creditors in U.S. Bankruptcy court, and is still in operation. International financier Edmond Safra’s private bank, the Republic National Bank of NY, launders money from the Medellin drug cartel. Safra’s bank sent Lendvest lots of crisp new $100 bills. The Safras are tied in with the Rothschilds. (The Safras are reportedly recent property owners in St. Helena near Napa (through Good Wine Co. which is the Spring Mountain Wineries), near where Lendvest was HQed. Edmond’s nephew, Jacob Safra, has a partnership in Napa Valley’s Good Wine Co. The Rothschild’s Citicorp gave Republic National Bank the transaction ability to issue international (world) bearer bonds (“bank notes”) The Luxembourg/Belgium branch of Bank Nacional de Paris issued a bearer bond that was connected the Lendvest drug running operation. In Britain, a U.S. citizen Mike Spire ran the British operation of Lendvest and InVest. LandVest’s parent was InVest which has operated in the U.K., Switz., Saudi Arabia & Paraguay. Long story made short, Lendvest has been an international CIA-Mafia drug running operation, with Illuminati overtones and connections to it. With all this in mind, it is strange, that Walt Disney’s President of its TV-Media Division, Rich Frank, bought the palatial mansion of John O. Van Hoffenwiggen after Van Hoffenwiggen disappeared from the country when indictments and arrests began to be made of people connected to Lendvest. According to insiders, Rich Frank is also one of a number of Napa Valley people involved in illegal labelling of wines. Rich Frank was a key figure in Disney’s programming venture with three regional Bell Telephone companies (Ameritech, Bell South, & SBC Commun.) coming together. Bell Telephone wanted to get into cable TV. Michael Ovitz formed a rival group of 3 other Bell Telephone co.s. Calvin Robinson, who tied in with Land Vest, worked with Boyce, who in turn worked for TRW Co., in Redondo Beach, CA. Boyce was sentenced to 40 years for selling US surveillance secrets to the soviets.

 

Daniel Hillis, the co-founder of a supercomputer producer Thinking Machines from MIT, is in charge of the Walt Disney Imagineering unit. Hillis helped Disney develop a virtual-reality ride at Disneyland based on the Aladdin cartoon.

 

Jeffrey Katzenberg, has been the chairman of Disney’s movie studio, is an aggressive worker, a model Type A person. ,,Ask 50 people to describe Jeffrey Katzenberg, and most will say tenacious. ‘If Jeffrey were any more aggressive, he’d be in jail.” says the producer Dan Melnick.” ( Harmetz, Aljean, “Who Makes Disney Run?”, NY Times. Feb. 7, ‘88, p. 29.) Katzenberg is the father of twins, which people joke was typical of his efficiency. Katzenberg supervised the production of Star Trek. Most of his movies have been box office successes. In the ‘70’s, Katzenberg worked for NY Mayor John Lindsay.

 

Sanford Martin Litvack. Sanford is the Executive Vice Pres. of Disney and in charge of “Human Resources” for the corporation. He is a jewish lawyer who was educated at the Jesuits’ Georgetown Univer. He is on the bd of dir, of Bet Tzedek.

 

Vincent Price. Price has been one of the major influential occultists who has provided the world with many occult horror books and scripts. He worked for Disney some, and was the voice for Ratigan in The Great Mouse Detective. Vincent Price’s good friend John Hay Whitney is an Illuminati kingpin and vice-pres. of the Pilgrim Society and was raised into the Illuminati through the Yale Scroll & Key fraternity. His friend Whitney likes horror movies.

 

The Osmond Brothers. Merrill Osmond’s boys were “discovered” at Disneyland when they were visiting the site in 1962. The Disney people on Main St. just “happened” to recognize the talent of the five boys and signed them up soon for their first professional singing contract. The Osmond Boys did some television appearances for Disneyland such as Meet Me at Disneyland, and Disneyland after Dark. (Considering the mind-control programming done to these Osmund children, these TV shows were a cruel joke.) Of the singing Osmond kids, Donny is the next to the youngest, and his sister Marie is the youngest. Both Donny and his sister Marie are programmed multiples who are slaves, who have been subjected to a lot of abuse. They have good front alters. Their father has made millions from drugs, porn and white slavery and is part of the Mormon Illuminati front. The Mormon front of the Illuminati has gotten a lot of good publicity off of the Osmonds. They sang for Andy Williams whose french wife was once arraigned on murder charges. Later they sang for the satanic Network’s Lawrence Welk show. Swedish accented Lawrence Welk has been part of the Network. Marie Osmond has grown up, and she has adopted 3 of her 5 children in spite of her busy singing schedule which includes approx. 200 singing shows a year at places like Mafia controlled Atlantic City. In terms of occult families, adopted children are often programmed children, so this is a clue that her children have been programmed too.

 

Michael Ovitz. Ovitz was the no. 2 man at Walt Disney for a while until near the end of ‘96. Michael Ovitz was a high school classmate in VanNuys, CA with Michael Milken (later the junk-bond wizard), & there are many of the same people connected to both men. When Michael Ovitz’s National Mercantile Bancorp (a saving & loan) began getting into the quicksand of several lawsuits & scandals, attorney Robert Strauss represented him. Illuminati member Robert Strauss has been a lawyer connected with drug running & the mafia. He was also an FBI agent from ‘41 to ‘45 with Hoover. He is admitted to the Wash. D.C. bar. Pres. Bush appointed him U.S. Ambassador to Russia. He has been on the board of dir, of the Illuminati’s PepsiCo, Archer-Daniels-Midland (ADM), and General Instruments (which have been exposed in other writings by this author.) He was also a board member of the Illuminati-mafia run MCA. Strauss is seen in Wash. D.C. as a behind the scenes power broker. Strauss represented Michael Milken associate Ronald 0. Perelman, Chrmn. of Revlon, who made a $600 mil. killing off of the 1st Gibraltar S&L. Strauss represented MCA, which the Bronfmans took over in 1995. The book Knoedelsder, William. Stiffed-The True Story of MCA, The Music Business, and the Mafia. NY: HarperCollins Pub., 1993, does an good job of connecting MCA to the mob, the Network, and Iran Contra. See especially page 442. Time magazine 2/24/97 carried a page long story about Michael Ovitz being out of a job. In the article, they reported that he was spending time on his new yacht The Illusion, visiting Joe Silver’s estate in So. Carolina, visiting his property in Aspen, CO, and eating lunch with investment adviser Richard Salomon of Spears, Benzak, Salomon & Farrell. Gordon Crawford of the Capital Group is quoted in the article praising Ovitz, and saying he would invest in an Ovitz venture. Ovitz is believed to be mafia by people in a place to know. He has also been known to threaten people using mafia terms, for instance, Vanity Fair (12/’96, p. 272) reports Ovitz threatening Bernie Brillstein, a producer, with his “foot solders”. The San Francisco Chronicle (Fri., 1/26/’96, p. D20) quotes the latest issue of Columbia Journalism Review about an incident where a reporter Anita Busch who was investigating Ovitz got violently sick from the MSG in her food as she interviewed him. To top off it all off, Ovitz followed up her story which questioned his actions, by sending her a gift wrapped package of MSG with a one-word note: “Enjoy.”. Michael Ovitz has had the clout to deal with Illuminati kingpin Edgar Bronfman head to head. He requested & got Bronfman to keep his dad employed, which was dutifully done. Edgar Bronfman Jr. had seriously considered having Ovitz head Seagram’s MCA/Universal conglomerate.

 

Frank G. Wells. Frank was the President & the Chief Operating Officer of The Walt Disney Co. Wells was also on Disney’s board of directors. He was a Rhodes Scholar, and a lawyer in 1955. Those who have read previous books (such as Vol. 1) by this author know how the Rhodes Scholars fit into things & are part of the Illuminati. He worked closely with Eisner & Katzenberg. Frank died in a helicopter crash in the spring of 1994 while heli-skiing in Nevada. His surviving sister is Molly Wells Chappellet who runs around in Illuminati circles. Molly Wells Chappellet has been featured several times in Betty Knight Scripp’s magazine Appellation. Betty Knight Scripp was married to a Bohemian Grove member. Betty has been good friends with: the late Pamela Harriman (who was a recent U.S. ambassador to France & connected to the Rothschilds), as well as good friends with Her Imperial Highness the Grand Duchess of Vladmir of Russia, who owns the Chateau Margaux in Bordeaux. Betty Scripps personally monitors with care what is put into her incredible magazine Appellation. She has a column “Who’s Who in the Wine Country” where the Chappellets have appeared in print numerous times.

 

Nearly all of Disney’s 1920 movies had a black cat in them. Many had occult slants to the scripts. The occult slant never departed from Disney themes.


Some of DISNEY’S blatantly OCCULT MOVIES.

Aladdin. A wisecracking allpowerful genie is shown.

Bednobs & Broomsticks (1971) A witch finds a magic formula from a lion king. The magic formula raises a ghostly army of armor in a museum which stops a band of German commandos.

Beyond Witch Mountain (1982) A pair of twins leave Witch’s Mountain and have to use their special occult powers to outwit a character named Deranian.

The Black Cauldron (1985), A Horned King  uses his magic to fight a clairvoyant pig and  the pig’s keeper. This animation cost $25  million, but was a box office failure.

Bride of Boogedy (1987) An evil spirit visits the Davis family and puts the father under a spell. Directed by Oz Scott.

Child of Glass (1978) A glass doll must be found to set a ghost free in a haunted house.

The Gnome-Mobi1e (1967). A multimillionaire and his grandchildren encounter gnomes. In the end the multimillionaire deeds the forest to the gnomes for eternity.

Halloween Hall of Fame (1977). Jack-o-lanterns come to life.

Halloween Treat (1982). Cartoons about Halloween. This was followed the next year with a film Haunted Halloween which talked about the origins of Halloween.

Misadventures of Merlin Jones (1964) A genius tries to help other students. He tries to also use hypnotism & ESP which backfire on him.

Richest Cat in the World (1986) A wealthy man leaves his fortune to his cat, who the relatives later discover can talk.

[Silveryminnow]

I changed it to a link so others do not have to puke.

Thanks for offering a link to vomit off thread.

[Dig]

Thanks for offering a link to vomit off thread.

send it to your friends, fun for the whole family (according to these sick f**ks)

[KUHL]

What, no money shot??

[freedombychoice]

Here are some comments from visitors to this Walt Disneyland attraction:

 

  “Alien Encounter ...is one of those rides I can say I’ve seen and that I have no intention of ever doing again. In fact, parents who take children under the age of six should be brought up on child abuse.” Woman, from MI

 “Alien Encounter was the WORST experience for my 10-year-old (and almost every child in there). It starts out cute enough during the preshow, but the actual show is a disaster for children. My daughter screamed and cried in terror throughout it. I thought the Disney warnings were vague and inaccurate. When we left, there wasn’t one child with dry eyes (even sturdy looking 12-year-old boys were crying.). I think an age requirement of 13 or 14 is more appropriate. I talked to a few adults and we even agreed that the special effects were extremely unpleasant even for us. This show is not a Disney family experience--its ATROCIOUS!!” A mother from Phillipsburg, NJ.

 “We did go to Alien Encounter...The preshow is deceiving. It kind of lulls you into thinking “this isn’t so bad.” When the main part came up, I admit the experience gave me the absolute heebie-jeebies. . .I am never doing that presentation again--it was way too intense for me, and I’m now 27 years of age!--from a family in Laurel, MD Michael Eisner, the President of Walt Disney Co., initially rejected Alien Encounter for not being scary enough when it was being considered as an addition to Disneyworld. One wonders what he would have liked! Snow White’s Adventures, which was an attraction at Disneyland, was one of what the Disney people called “dark rides”. After a while a sign appeared with a witch warning people that the attraction was scary. Later in 1983, they renamed it Snow White’s Scary Adventures. It might be interesting to point out that when the original Snow White and Seven Dwaffs film came out, that England forbid the film to be seen by any child under 16 unless accompanied by an adult because of the scary content of the movie. How far we have come since then. Schools in the Florida and California areas also make field trips to the Magic Kingdom that are arranged with Disney. EPCOT receives tens of thousands of children this way during March, September and October. High schools use the Magic Kingdom for proms or senior nights, and some couples use the facilities of the Magic Kingdom for weddings. Modem Bride ranked Orlando as the number-one honeymoon destination in the world. Group discussions of people who took honeymoons to DisneyWorld have had a consensus that the hype is not as great as the reality. Some weddings are done with cartoon characters. Disney offers “fairy-tale” wedding packages. A great deal for two mind-controlled slaves. They can reinforce their programming while getting married. The Disney fairy-tale wedding typically has its ceremony on a pavilion on an island in the Seven Seas Lagoon with the Cinderella Castle as a backdrop. The fairy-tale wedding can then be followed with a Fantasy reception with a choice of themes such as Beauty & the Beast or Aladdin. The fantasy programming can continue as the bride is delivered to a “Cinderella’s Ball” by an actual glass carriage drawn by six white Disney ponies. A costumed fairy-godmother & stepsisters are also at the ball. Desert is served in a white chocolate slipper.

One of the after-dark shows is IllumiNations which consists of music, fireworks, erupting fountains, special lighting, and laser technology done at the World Showcase Lagoon. EPCOT has a show Cranium Command at the Wonders of Life in the Future World section where guests sit in a theater that functions as a command control room for a boy’s brain. In 1980, Disney came out with the box office flop The Devil & Max Devlin. In 1984, Roy E. Disney brought in Michael Milken, of junk bond fame to help Disney out financially. In 1985, Disney bought MGM’s rights to Leo the Lion logo and began using the MGM Wizard of Oz material. Later a remake of Alice In Wonderland came out in the modern motif of Honey I Shrank the Kids. In the 1990’s, Illuminati controlled companies continued their promotion of Disney. For instance, the Nestle family’s Nestle company promotes Disney movies on their chocolate bars. The Nestle family is exposed in this author’s booklet Illuminati Control Over Foods and Grains, p. 4 as one of the elite Black Nobility families. In 1996, Walt Disney World created an actual residential town named Celebration on its property. This self-contained community has 20,000 and a school, a theater, a fiber optic information network linking business, as well as other features.

  

SOME DISNEY people of interest.

Over the years, the close associates of the Disneys’ is very revealing. The public can get a feel for Disney’s attitude toward Illuminati bloodlines in the Disney movie The Happiest Millionaire which is about Anthony J. Drexel Biddle and Angie Duke. Readers of this author’s previous writings will recognize the Biddle and Duke names. In fact, the movie was based loosely on a book written by Cordelia Drexel Biddle about the Biddles.

  

X Atensio. His first name was Xavier, but was nicknamed and called X. He worked on the haunted mansion of Disneyland with WED enterprises. He joined Disney in 1938, and was an assistant animator of Fantasia.

  

Warren Beatty. (b. 1937 in VA) This actor is from the Illuminati Beatty family and starred in Disney’s Dick Tracy. The Dick Tracy film uses color in a special way, and this ties in with the color programming of the mind-control. Some total mind-controlled slaves have programming based on Disney’s Dick Tracy movie for them to track down and kill “targets” (people). Warren’s sister is the famous (or infamous) Shirley Maclaine. Shirley “MacClaine” is not what she appears. Her father was a professor who was a CIA asset. She was used by the CIA as a sex slave. She became popular with the studios because she went to bed with the correct people. Her talents were used to get her as an intelligence slave into places that an obvious intelligence agent couldn’t go. She was married to a man in the NSA for nearly 20 years. Her adopted name Maclaine (reportedly her mother’s maiden name) is a pun on McLain,, VA where the CIA programmed her. She was used by the CIA in an operation in Australia, where the CIA used her as a sex slave to compromise Andrew Peacock, an Australian MP,, so that they could establish the Nugen-Hand bank for their dirty money laundering etc. She is friends with satanist Stephen Nance who has provided her with some of her teachings. Lowell McGovern writes her material. The CIA has programmed many of their New Age slaves to adore Shirley MacLaine. An example of this is Christa Tilton, one of their mind-controlled slaves, who revealed in an interview how she considered herself a born-again Christian who had spent most of her life in Oklahoma, but had mysteriously been drawn to Shirley MacLaine. During her life she has gotten repeated “psychic urgings”--that is strong urges to do things and go places, which she doesn’t understand where these urgings came from. After hypnosis, Christa drew pictures of the doctor who programmed her. Christa has had a federal agent monitor her constantly. Her husband has seen this agent, who has shown up on her door step and made calls to her. She names the agent John Wallis (most likely a cover name). This agent has a complete knowledge of her life, and government agents have taken photos of her during her supposedly “alien abduction” experiences. Christa is just one of hundreds of victims who have been programmed to adore Shirley MacLaine. (Christa is mentioned here because she is one case that this author is familiar with.) Warren Beatty, who peppers his speech with four-letter words was a student at the Stella Adler Theater Studio in NYC.

  

Black, Shirley Temple. Shirley Temple Black sat on the Disney board of directors (74-75). Her films were used for some of the early 40’s and ‘50’s programming and teaching slaves body movements/dance. She married someone in an elite Network family from San Francisco named Charles A. Black. Charles A. Black was a Lt. Col. in the Pentagon who lived at Bethesda, MD. Was Shirley an early example of brain-stem scarring to get geniuses? Shirley’s brother appears to have developed “Multiple Sclerosis” from brain stem-scarring. It was Shirley Temple who co-founded the International Federation of Multiple Sclerosis Societies, and was a member of its exec. committee. Shirley represented the U.S. at the UN General Assembly in 1969, belongs to the Sierra Club, and has been decorated with the Cross of Malta. Shirley has shown clues that she may be an Illuminati mind-controlled child protege.

  

Stephen Bollenbach. Bollenbach was part of Walt Disney management, and was a key figure who helped engineer Disney’s $19 billion buyout of the CIA’s Capital Cities/ABC, as well as sell the idea to Eisner. He is the CEO of the Network’s Hilton Hotels Corp. He recently has been involved with trying to buy ITT, in order to put together the world’s largest hotel-casino combination. Bollenbach has an extensive background with the gaming-gambling industry. When the Justice Dept. began looking into the merger of Disney with Cap. Cities/ABC, Bollenbach resigned his Disney position. Some people feel his resignation was needed for Disney to get the Justice Dept. to approve the merger, because his past was vulnerable to be exposed.

  

Warren Buffett. A major stockholder in Walt Disney. He also owns 40% of Berkshire Hathaway Inc. which also owns lots of shares of Disney stock. According to S.F. Examiner, Buffett himself owns 24 million shares of Disney. Warren Buffett is part of the Ak-Sar-Ben fraternity and Monarch slave abusers who were exposed in the Nebraska Saving & Loan scandal. He is perhaps the second richest man in the nation, and too powerful for anyone to touch. In the kingpin vs. kingpin battles, some people close to the inside see Buffett as a good guy. Readers need to study the Lincoln Savings & Loan scandal and the scandals connection to programmed child slaves at Boy’s Town to get more information on this Disney stockholder. Robert G. Hagstrom, Jr., who is the portfolio manager of the mutual fund Focus Trust, which has shares in Walt Disney, wrote the book The Warren Buffett Way. Hagstrom has a chapter on Disney in his The Warren Buffett Way. He quotes Buffett as extremely enthusiastic about Disney’s merger with Capital Cities/ABC. Because of his enthusiasm Buffett says, ,,The odds are extremely high that we will have a very large amount of Disney stock.”

  

Salvador Dali--This strange surrealist spanish artist was a friend of Walt Disney. After Salvador was kicked out of Spain for Franco’s belief that he was a communist, he came to America, and worked with Disney Studios in 1946. Salvador, an eccentric who had no particular work habits, described himself, “The only difference between me and a madman is that I’m not a madman.”

  

The Tommy Dorsey Band--This band has had a number of men in it who are Mind-control slave abusers associated with the Network. Frank Sinatra, a sexual slave user, got his big break with this band. This band performed at Disneyland in 1984 at the Plaza Gardens. Tommy Dorsey was part of the Network’s in-crowd. When he was on a USO Tour with Bob Hope, he stabbed actor Joe Hall and threw him out of a window. Joe had to have 32 stitches. But Joe didn’t get justice, the judge dismissed his case against Tommy.

  

Michael Dammann Eisner, Chairman at Disney is a CIA asset and connected to the mob. Some insiders believe he is connected to elements of the CIA & mob that are anti-NWO. Even so, these anti-NWO factions also employ mind-control. Eisner ignored a threat by Red China to boycott Disney products if he made a movie about the nation Tibet that China controls with draconian force. The U.N., the Commerce Dept. and the State Dept. all tried unsuccessfully to get him to back down on the film. A paper trail connecting Michael Eisner and Walt Disney Co. to mind control is their support of the Boys & Girls Club of Napa Valley, which is used for a supply of children for pedophilia and mind-control. The Boy’s & Girls Club is used to supply caddies for the Silverado Country Club, where these children are also used as mind-controlled slaves for the sexual perversions of the elite. Notice that Napa’s Silverado Country Club invites in celebrities (such as CIA asset Pat Boone, Joe DiMaggio ex-husband of sex slave Marilyn Monroe, Engelbert Humberdinck a slave handler, Digger Phelps Notre Dame’s coach who uses slaves, and Jack Vale nti CEO of Motion Picture Assoc. & Bohemian Grover) for a golf tournament which is billed as a ,,benefit for the Boys & Girls Club”. The benefit for child slaves is they get to caddie & sexually service elite perverts. Michael (bn. March 7, ‘42 in NY) came from old American money of a family that has been rich merchants and lawyers. Michael grew up in luxurious Park Ave. as well as his family’s “country place” in Bedford Hills near Mt. Kisco, NY. He went to an elite private school Allen-Stevenson, which is famous for its children’s orchestra. At the age of 14, he then went to Lawrenceville School, which is a prep-school for Princeton, whose tuition in ‘56 was $3,000. Eisner’s class incl. NY’s governor’s son, and other sons of powerful men, such as the son of Saudi Prince Turqi al-Faisal. The school is a prep school for the establishment’s entertainment industry. Students are only allowed to see their parents on major holidays. Eisner was in the Periweg Club, the school’s drama society. His poor scholastic performance meant that he had to go to a small liberal arts college, rather than Princeton or Harvard such as was family tradition. For instance, his grandfather had attended Phillips Exerter Academy and Harvard. His grandfather has serve in many govt. commissions and belonged to the Harvard Club, the American Club in London as well as some yacht clubs. Between his junior & senior year in high school, Eisner was a page at NBC’s HQ in the Rockefeller Center. In 1966, he landed a job in the programming department of ABC. He had an influential position. Eisner had one good break for deciding TV programming. He was 21 when the target audience was 21 years old, and when he was 35, the target age of the film industry was then 35. He has been described as having “supernatural enthusiasm” coupled to a lifetime quest for untested ideas.

  

Rich H. Frank, was Executive Vice-President with Walt Disney until his sudden resignation about a year before this was written. He worked side by side with Katzenberg and left after Katzenberg resigned in a dispute with Disney’s chairman Eisner. Rich Frank was President of Walt Disney’s TV-Media Division. He acquired the estate of VanHoffenwiggen, when VanHoffenwiggen fled the country and vanished when Lendvest began to be exposed. VanHoffenwiggen was a major figure involved with Lendvest Mortgage Inc., a drug-laundering operation and drug smuggling operation operating out of Napa Valley. It was also the fastest growing real estate mortgage company in northern California until its drug smuggling began to be exposed. Lendvest did some tricks ala Nugen Hand Bank. Millions of dollars of investors and creditors have disappeared leaving lots of hurting people, and the mortgage company filed for protection from creditors in U.S. Bankruptcy court, and is still in operation. International financier Edmond Safra’s private bank, the Republic National Bank of NY, launders money from the Medellin drug cartel. Safra’s bank sent Lendvest lots of crisp new $100 bills. The Safras are tied in with the Rothschilds. (The Safras are reportedly recent property owners in St. Helena near Napa (through Good Wine Co. which is the Spring Mountain Wineries), near where Lendvest was HQed. Edmond’s nephew, Jacob Safra, has a partnership in Napa Valley’s Good Wine Co. The Rothschild’s Citicorp gave Republic National Bank the transaction ability to issue international (world) bearer bonds (“bank notes”) The Luxembourg/Belgium branch of Bank Nacional de Paris issued a bearer bond that was connected the Lendvest drug running operation. In Britain, a U.S. citizen Mike Spire ran the British operation of Lendvest and InVest. LandVest’s parent was InVest which has operated in the U.K., Switz., Saudi Arabia & Paraguay. Long story made short, Lendvest has been an international CIA-Mafia drug running operation, with Illuminati overtones and connections to it. With all this in mind, it is strange, that Walt Disney’s President of its TV-Media Division, Rich Frank, bought the palatial mansion of John O. Van Hoffenwiggen after Van Hoffenwiggen disappeared from the country when indictments and arrests began to be made of people connected to Lendvest. According to insiders, Rich Frank is also one of a number of Napa Valley people involved in illegal labelling of wines. Rich Frank was a key figure in Disney’s programming venture with three regional Bell Telephone companies (Ameritech, Bell South, & SBC Commun.) coming together. Bell Telephone wanted to get into cable TV. Michael Ovitz formed a rival group of 3 other Bell Telephone co.s. Calvin Robinson, who tied in with Land Vest, worked with Boyce, who in turn worked for TRW Co., in Redondo Beach, CA. Boyce was sentenced to 40 years for selling US surveillance secrets to the soviets.

  

Daniel Hillis, the co-founder of a supercomputer producer Thinking Machines from MIT, is in charge of the Walt Disney Imagineering unit. Hillis helped Disney develop a virtual-reality ride at Disneyland based on the Aladdin cartoon.

  

Jeffrey Katzenberg, has been the chairman of Disney’s movie studio, is an aggressive worker, a model Type A person. ,,Ask 50 people to describe Jeffrey Katzenberg, and most will say tenacious. ‘If Jeffrey were any more aggressive, he’d be in jail.” says the producer Dan Melnick.” ( Harmetz, Aljean, “Who Makes Disney Run?”, NY Times. Feb. 7, ‘88, p. 29.) Katzenberg is the father of twins, which people joke was typical of his efficiency. Katzenberg supervised the production of Star Trek. Most of his movies have been box office successes. In the ‘70’s, Katzenberg worked for NY Mayor John Lindsay.

  

Sanford Martin Litvack. Sanford is the Executive Vice Pres. of Disney and in charge of “Human Resources” for the corporation. He is a jewish lawyer who was educated at the Jesuits’ Georgetown Univer. He is on the bd of dir, of Bet Tzedek.

  

Vincent Price. Price has been one of the major influential occultists who has provided the world with many occult horror books and scripts. He worked for Disney some, and was the voice for Ratigan in The Great Mouse Detective. Vincent Price’s good friend John Hay Whitney is an Illuminati kingpin and vice-pres. of the Pilgrim Society and was raised into the Illuminati through the Yale Scroll & Key fraternity. His friend Whitney likes horror movies.

  

The Osmond Brothers. Merrill Osmond’s boys were “discovered” at Disneyland when they were visiting the site in 1962. The Disney people on Main St. just “happened” to recognize the talent of the five boys and signed them up soon for their first professional singing contract. The Osmond Boys did some television appearances for Disneyland such as Meet Me at Disneyland, and Disneyland after Dark. (Considering the mind-control programming done to these Osmund children, these TV shows were a cruel joke.) Of the singing Osmond kids, Donny is the next to the youngest, and his sister Marie is the youngest. Both Donny and his sister Marie are programmed multiples who are slaves, who have been subjected to a lot of abuse. They have good front alters. Their father has made millions from drugs, porn and white slavery and is part of the Mormon Illuminati front. The Mormon front of the Illuminati has gotten a lot of good publicity off of the Osmonds. They sang for Andy Williams whose french wife was once arraigned on murder charges. Later they sang for the satanic Network’s Lawrence Welk show. Swedish accented Lawrence Welk has been part of the Network. Marie Osmond has grown up, and she has adopted 3 of her 5 children in spite of her busy singing schedule which includes approx. 200 singing shows a year at places like Mafia controlled Atlantic City. In terms of occult families, adopted children are often programmed children, so this is a clue that her children have been programmed too.

  

Michael Ovitz. Ovitz was the no. 2 man at Walt Disney for a while until near the end of ‘96. Michael Ovitz was a high school classmate in VanNuys, CA with Michael Milken (later the junk-bond wizard), & there are many of the same people connected to both men. When Michael Ovitz’s National Mercantile Bancorp (a saving & loan) began getting into the quicksand of several lawsuits & scandals, attorney Robert Strauss represented him. Illuminati member Robert Strauss has been a lawyer connected with drug running & the mafia. He was also an FBI agent from ‘41 to ‘45 with Hoover. He is admitted to the Wash. D.C. bar. Pres. Bush appointed him U.S. Ambassador to Russia. He has been on the board of dir, of the Illuminati’s PepsiCo, Archer-Daniels-Midland (ADM), and General Instruments (which have been exposed in other writings by this author.) He was also a board member of the Illuminati-mafia run MCA. Strauss is seen in Wash. D.C. as a behind the scenes power broker. Strauss represented Michael Milken associate Ronald 0. Perelman, Chrmn. of Revlon, who made a $600 mil. killing off of the 1st Gibraltar S&L. Strauss represented MCA, which the Bronfmans took over in 1995. The book Knoedelsder, William. Stiffed-The True Story of MCA, The Music Business, and the Mafia. NY: HarperCollins Pub., 1993, does an good job of connecting MCA to the mob, the Network, and Iran Contra. See especially page 442. Time magazine 2/24/97 carried a page long story about Michael Ovitz being out of a job. In the article, they reported that he was spending time on his new yacht The Illusion, visiting Joe Silver’s estate in So. Carolina, visiting his property in Aspen, CO, and eating lunch with investment adviser Richard Salomon of Spears, Benzak, Salomon & Farrell. Gordon Crawford of the Capital Group is quoted in the article praising Ovitz, and saying he would invest in an Ovitz venture. Ovitz is believed to be mafia by people in a place to know. He has also been known to threaten people using mafia terms, for instance, Vanity Fair (12/’96, p. 272) reports Ovitz threatening Bernie Brillstein, a producer, with his “foot solders”. The San Francisco Chronicle (Fri., 1/26/’96, p. D20) quotes the latest issue of Columbia Journalism Review about an incident where a reporter Anita Busch who was investigating Ovitz got violently sick from the MSG in her food as she interviewed him. To top off it all off, Ovitz followed up her story which questioned his actions, by sending her a gift wrapped package of MSG with a one-word note: “Enjoy.”. Michael Ovitz has had the clout to deal with Illuminati kingpin Edgar Bronfman head to head. He requested & got Bronfman to keep his dad employed, which was dutifully done. Edgar Bronfman Jr. had seriously considered having Ovitz head Seagram’s MCA/Universal conglomerate.

  

Frank G. Wells. Frank was the President & the Chief Operating Officer of The Walt Disney Co. Wells was also on Disney’s board of directors. He was a Rhodes Scholar, and a lawyer in 1955. Those who have read previous books (such as Vol. 1) by this author know how the Rhodes Scholars fit into things & are part of the Illuminati. He worked closely with Eisner & Katzenberg. Frank died in a helicopter crash in the spring of 1994 while heli-skiing in Nevada. His surviving sister is Molly Wells Chappellet who runs around in Illuminati circles. Molly Wells Chappellet has been featured several times in Betty Knight Scripp’s magazine Appellation. Betty Knight Scripp was married to a Bohemian Grove member. Betty has been good friends with: the late Pamela Harriman (who was a recent U.S. ambassador to France & connected to the Rothschilds), as well as good friends with Her Imperial Highness the Grand Duchess of Vladmir of Russia, who owns the Chateau Margaux in Bordeaux. Betty Scripps personally monitors with care what is put into her incredible magazine Appellation. She has a column “Who’s Who in the Wine Country” where the Chappellets have appeared in print numerous times.

  

Nearly all of Disney’s 1920 movies had a black cat in them. Many had occult slants to the scripts. The occult slant never departed from Disney themes.


Some of DISNEY’S blatantly OCCULT MOVIES.

Aladdin. A wisecracking allpowerful genie is shown.

Bednobs & Broomsticks (1971) A witch finds a magic formula from a lion king. The magic formula raises a ghostly army of armor in a museum which stops a band of German commandos.

Beyond Witch Mountain (1982) A pair of twins leave Witch’s Mountain and have to use their special occult powers to outwit a character named Deranian.

The Black Cauldron (1985), A Horned King  uses his magic to fight a clairvoyant pig and  the pig’s keeper. This animation cost $25  million, but was a box office failure.

Bride of Boogedy (1987) An evil spirit visits the Davis family and puts the father under a spell. Directed by Oz Scott.

Child of Glass (1978) A glass doll must be found to set a ghost free in a haunted house.

The Gnome-Mobi1e (1967). A multimillionaire and his grandchildren encounter gnomes. In the end the multimillionaire deeds the forest to the gnomes for eternity.

Halloween Hall of Fame (1977). Jack-o-lanterns come to life.

Halloween Treat (1982). Cartoons about Halloween. This was followed the next year with a film Haunted Halloween which talked about the origins of Halloween.

Misadventures of Merlin Jones (1964) A genius tries to help other students. He tries to also use hypnotism & ESP which backfire on him.

Richest Cat in the World (1986) A wealthy man leaves his fortune to his cat, who the relatives later discover can talk.

I have been to 'Disney World' more times than I can count.  My family is from Lakeland, Fl (which is right next door) so I grew up going there.  I can remember the 'Alien Encounter' like it was yesterday and I was 16 the last time I experienced it.  It was horrible!  I went to Disney World last year....(didn't know about all this stuff)..and they have changed it to 'Stitch's (Lilo and Stitch) grand adventure or something.  Which is basically the same thing..but they made it cartoonish.  It still was freaky because they strap you in as if you are going on a roller coaster that is going to do all kind of flips.  Once you're in ...you can't get it out.  There are warnings...but you still don't realize what is going to happen until it is too late.  My 10 yr old step son was freaking out the entire time..just because he was strapped in.  You don't even move in this attraction.  They just have speakers beside you and an air thing..so it makes you feel like 'stitch' is behind you ..or running around you...one time he burps and the smell is horrible.  The same was with the alien encounter thing..so you can just imagine!  This attraction is still there...just changed up and is NOT as scary as that dang alien encounter thing.  That was HORRIBLE!  Finding all this stuff out and thinking about the rides, attractions and things...it all makes sense.  But dang it...I love going to those places.  I am a thrill ride...theme park junky!
Is Six Flags bad?  Lol....

[batman]

Hey, just found this on a popular hip-hop website, I think they are rebuking all the recent coverage of Jay-Z being a freemason and a satanist and symbolism in other artists music videos i.e. Lady Gaga Pokerface and Rihanna - Umbrella...but this guy Illseed from allhiphop.com shouts out freemasons and tells them to ignore all the theories but there is a definite difference between masons and "porch" masons those who get together once a week for a meal and "charity functions". But it cannot be just a coincidence that masonic symbolism has infiltrated rap music for some time now...it seems alot is being made of these videos containing the occultic/masonic symbolism in the entertainment media but its being brushed off as if it was nothing...strange, seems like a psy-op to me.

illseed:
"Shout out to all the masons and the free masons. If you are one, and whatever theories are out there DON’T apply to you…don’t be offended. All of that stuff is mere fodder for conversation and you are impressed at how I just used the word “fodder.”"

_________________

also how much participation did Alex have in a Scanner Darkly other than acting, he said consulting but this film is full of masonic symbolism so I was just wondering how much Alex was aware of...

[ES]

Hey, just found this on a popular hip-hop website, I think they are rebuking all the recent coverage of Jay-Z being a freemason and a satanist and symbolism in other artists music videos i.e. Lady Gaga Pokerface and Rihanna - Umbrella...but this guy Illseed from allhiphop.com shouts out freemasons and tells them to ignore all the theories but there is a definite difference between masons and "porch" masons those who get together once a week for a meal and "charity functions". But it cannot be just a coincidence that masonic symbolism has infiltrated rap music for some time now...it seems alot is being made of these videos containing the occultic/masonic symbolism in the entertainment media but its being brushed off as if it was nothing...strange, seems like a psy-op to me.

illseed:
"Shout out to all the masons and the free masons. If you are one, and whatever theories are out there DON’T apply to you…don’t be offended. All of that stuff is mere fodder for conversation and you are impressed at how I just used the word “fodder.”"

_________________

also how much participation did Alex have in a Scanner Darkly other than acting, he said consulting but this film is full of masonic symbolism so I was just wondering how much Alex was aware of...

Alex was aware of the symbolism in the film. It was put there to expose who is behind the police state. It wasn't meant to glorify the elite or condition people.

[batman]

thats cool, because some of the videos on youtube make it look like it was intentionally deceptive. Crazy how many Phil Dick books to movies contain so many nwo symbolism...

[Dig]

thats cool, because some of the videos on youtube make it look like it was intentionally deceptive. Crazy how many Phil Dick books to movies contain so many nwo symbolism...

watch waking life

[SheikhGuevara]

Regarding Jay-Z.

In the West Coast, East Coast Killa video clip, the New World Order is Depicted... A voice on speakers Declares " Welcome to The New World Order, All Your Constitutional Rights Have Been Suspended"

http://www.youtube.com/watch?v=N0_u4_eyl4k